This is my second week teaching at the Young Writers Institute, a University of Pittsburgh summer writing camp for middle schoolers and high school kids. I’m teaching 7th and 8th graders, and although I’ll undoubtedly write something longer about the experience later, there are a few things I want to discuss now. First off, it’s amazing to me the type of writers these kids respond to. Last week, we took them to the Carnegie Library and I managed to get a bunch of them interested in Flannery O’ Connor, Tom Perrotta, Stewart O’ Nan and Belle Boggs. One even picked up Kevin Wilson all on her own. Today we went through a bunch of the superb exercises in John Gardner’s The Art of Fiction. I expected Harry Potter and Artemis Fowl, and while the kids do all seem to like these books (can you believe current 7th graders were born after the release of the first HP book?!), they also seem to be drawn to “serious” “literary” fiction which is a promising sign.
But that’s not what this post is going to be about. One of my students reminds me a lot of a younger me. He’s unreasonably tall and built like a matchstick. He spends much of his day talking about Nintendo and always arrives earlier than anyone else. Usually, he has a new chapter from the novel he’s writing for me. What’s it about? It’s a sequel to a video game I never heard of, a Japanese Role-Playing Game that involves a bunch of Nintendo characters, including everybody’s favorite Italian stereotype, Super Mario.
For those unware, Japanese RPGs are extremely text heavy video games. They usually take 30-60 hours to complete, and much of that time is spent watching cut scenes or reading dialogue, the exact opposite of Tom Bissell’s beloved luddonarratives. Typically, these games are standard fantasy fare, i.e. knights and wizards. But in the nineties, things began shifting towards steampunk. When I was kid, RPGs were my favorite type of video games. And although I haven’t played one in a few years, I can relate to my student’s desire to ape this narrative style. A group of warriors and wizards are thrown together due to an extreme crisis. They band together and travel a fantastic world learning new abilities. They save the planet. I can relate to wanting to write in this style, but I don’t understand it.
As a child, I wrote many Nintendo novels, hundreds of pages of material following the typical RPG path. What I don’t understand is why this was the major type of story I, and apparently many others, tried to emulate. I was exposed to countless comic books and read a ton of young adult sci-fi and fantasy. Yet I never tried to recreate or sequelize those worlds. Why is that? Is it because they were more fully fleshed out? Because the worlds and characters of RPGs are only ever suggested and never fully realized? Is it because the stories of RPGs were inherently simpler than kid novels from writers like Bruce Coville, and thus, more easily copied? I’m not really sure. But I’m wondering if others out there tried to write Nintendo novels as kids. I’m wondering if anybody has any thoughts on why.