Salvatore Pane

Tag: The New Yorker

Audiobooks, Podcasts, THE FUTURE

Anyone who read my AWP Media Guide knows I’m a total over planner when it comes to having crap to do on long drives or flights. I’m going on a couple of big drives over the holiday weekend and have been pestering people about what new audiobook to get for the trip. After a lot of input, I settled on The Immortal Life of Henrietta Lacks by Rebecca Skloot, another Pitt MFA grad. But what I’m wondering about is what you all do for long drives. Audiobooks? Podcasts?

Before I discovered audiobooks (about twenty years too late, trust me I know), I was really into podcasts. On the literary side, I really dug the selections from The New Yorker, The Missouri Review, Selected Shorts and Hot Metal Bridge (which sadly doesn’t seem to put out new content anymore). Each one has their own unique feel and is well worth a listen. TNY is special in that it features a big name author (somebody like T.C. Boyle or George Saunders) who goes through the TNY archive, selects a story, reads it aloud, then does an interview about it with fiction editor Deborah Treisman. It’s always helpful to hear what other writers think about stories that aren’t their own, and I can remember very vividly listening to James Salter’s amazing “Last Night” on the TNY podcast and nearly swerving off the road during its creepy climax. TMR, on the other hand, uses its podcasts mostly for contest winners. What’s cool about their contests is that they’re often billed specifically as audio contests, meaning performance factors in. Nothing against TNY, but writers aren’t always the best public speakers. Selected Shorts is similar. They use professional actors to read all the stories which gives the podcasts a different flair. Sometimes they go a bit overboard and sound too stagey, but for the most part they succeed. Oh, and Hot Metal Bridge? We used to release our grad student readings. It was always nice to see your friends names pop up in iTunes I guess.

Of course, I would be remiss if I didn’t mention my favorite comic book podcasts which have gotten me through many hours of driving and working out (via Twitter, Josh Flanagan assured me I’m not the only one who listens to iFanboy podcasts while biking). First up is the aforementioned iFanboy’s Pick of the Week podcast. Josh, Conor and Ron spend a little over an hour a week going over the major releases and answering fan questions. What I love about this podcast is that Josh, Conor and Ron have been friends since college (at least) and their discussion reflects this. There’s a chumminess to their show that’s not always present in other podcasts, and it reminds me of hanging out with my buddies back at Susquehanna, drinking forties and talking about Spider-Man. Next up is IGN’s Comics Smash podcast. Headed by three IGN editors, this one is released less frequently but also covers that month’s biggest comic and movie news. It’s a bit more informative and slightly drier but definitely one of my favorites. 

As for audiobooks, I typically stick with CNF (no memoirs). I find it difficult to focus on longer narratives while driving and prefer short stories or more informative books like Sarah Vowell’s Assasination Vacation or the almighty Simpsons: An Uncensored, Unauthorized Biography. But I want to flip this discussion and turn it back to you. What do you guys listen to on trips? What are your favorite podcasts? Your favorite audiobooks? Do you have strange preferences like I do when it comes to narrative and driving? And what lit podcasts am I missing? I heard Electric Literature releases its issues in podcast form now. Any other options like this out there?

Top 20 Under 40

The New York Times recently released The New Yorker‘s top 20 writers under 40 list. The biggest surprise is that it was the Times who broke the news on the web.

Chimamanda Ngozi Adichie, 32
Chris Adrian, 39
Daniel Alarcón, 33
David Bezmozgis, 37
Sarah Shun-lien Bynum, 38
Joshua Ferris, 35
Jonathan Safran Foer, 33
Nell Freudenberger, 35
Rivka Galchen, 34
Nicole Krauss, 35
Yiyun Li, 37
Dinaw Mengestu, 31
Philipp Meyer, 36
C. E. Morgan, 33
Téa Obreht, 24
Z Z Packer, 37
Karen Russell, 28
Salvatore Scibona, 35
Gary Shteyngart, 37
Wells Tower, 37

So did they get it right? Any big surprises? Any huge omissions? According to the comments sections on HTML Giant, this list is all wrong. I actually like a lot of these authors including Joshua Ferris, JSF, Z Z Packer and a few others. I am surprised that people like Justin Taylor or Teddy Wayne or Joe Meno didn’t make it though. What do you guys think? I’m really curious about people’s opinions on this. HTML Giant seems to be pretty negative about the whole thing, but I think the list is pretty decent. It doesn’t beat Flatmancrooked‘s sexiest author list, but what does?

Literary Journal Death Match

HTML Giant contributor and Gigantic Editor Lincoln Michel recently put together a tiered list of literary journals.  As it goes along with my series of posts about lit mags (the first three are here, here and here), I figured I’d repost the list along with some of my own thoughts while we wait for Dave Keaton to conclude the submissions panel. I’m not the only one who has commented on Michel’s list, however. Check out PANK‘s amusing take before seeing the list yourself.

(UPDATE: Lincoln Michel recently contacted me and asked if I’d take down the quoted list. He’s writing a new post about why he wanted the list taken down, so I’ll link to that as soon as it’s published.)

I’ve got some nit picking complaints about this list (I’d put Playboy higher, same with AGNI, American Short Fiction and n+1. Also, there’s a lot in the third, fourth, and fifth tiers that are pretty interchangeable. And I think some recent upstarts have been put too high (not Electric Literature; its spot is well-deserved)), but overall, I think this is a pretty good place to start if you’ve just begun submitting. Also worth a bookmark are the Pushcart Rankings done by Cliff Garstang.

The main thing I’d like to see from future lists is a break down between longer short stories and flash. Putting elimae, Quick Fiction, and PANK on the list is very nice, but it’s not fair to compare them against something like The New Yorker. Their typical word counts are so different as to be irrevocable.

But what do you guys all think? Is this list useful? Are rankings of lit journals too arbitrary? Do you have any major issues with where certain mags fell? Comment below.