Salvatore Pane

Tag: Stephen King

Writing Comics and Other Alternative Careers for Literary Writers

Most people know I’m a fan of Scott Snyder. I’ve blogged about two of his comic book series, the oft-praised American Vampire co-written by Stephen King and the less appreciated Iron Man: Noir for Marvel. But I’ve also written about his short story collection, the excellent Voodoo Heart published by the good folks at Dial Press. The reason I became aware of Scott and his work is Cathy Day. During one of her classes maybe a year ago, we got to talking about career aspirations, and somehow we got on the subject of how one day I’d like to support myself financially (and also, artistically) through mainstream superhero work while also focusing on my literary fiction endeavors, namely short stories and novels. She put me in touch with Scott via Facebook and after a brief conversation, I sought out his story collection. A few months later, American Vampire came out which I liked almost as much as Voodoo Heart.

The reason I bring this up is because we’re close to San Diego Comic-Con which means a lot of the big comic-related news is going to come out now as to not be overshadowed by all the movie buzz. One of the biggest stories to break today? Scott Snyder signed an exclusive contract with DC Comics and will write a year-long run on Detective Comics (one of the oldest and most prestigious Batman books on the racks).  What does this mean? Scott gets a salary and is no longer a freelance writer for DC. Scott can’t write for Marvel. Scott gets health benefits (I think).

What else does this mean? It means Scott might not have to teach college. I don’t know any more than what’s in the above interview, but from what I’ve researched independently over the years, it would seem that contracted comic book writers easily make more than adjunct teachers. So many writers are pushed into teaching writing workshops after getting the MFA, and for many (potentially myself), it’s really what they love. But what few people within MFA programs talk about are the alternative careers. And by alternative, I don’t just mean desk jobs. I mean jobs that fulfill creatively in the same way teaching writing does (I’m not saying desk jobs are inherently uncreative). Obviously, Scott Snyder believes that writing comics is one of these alternatives, a job that allows writers to be compensated for doing what they love. Obviously^2, I agree with him. But what I’m curious about are other responses. Do alternatives to teaching exist for working writers in the 21st century? And if so, what are they? If not, why the hell not?

Bi-Weekly Friday Art Roundup

I’m going to momentarily pull myself away from the glory that is March Madness to introduce a new feature I’m working on (in my best Dicky V. impersonation: It’s going to the best, baby!). Bi-Weekly Friday Art Roundup is an opportunity to showcase some of my favorite artists working in the comic industry, as well as hyping The Black List with some unused art and promotional covers. And who better to kick off the inaugural feature than Rafael Albuquerque?

Vertigo released American Vampire #1 this past Wednesday with art by Rafael Albuquerque and scripts from prose writers Scott Snyder and Stephen King. This book’s getting a ton of buzz and for good reason. Although Dark Tower and The Stand have both been adapted into comics by Marvel, this is the first time King’s actually handled scripting chores himself on a comic book. And Scott Snyder’s no slouch either, having written a very well-received short story collection, Voodoo Heart, and an issue of The Torch for Marvel. But Albuquerque’s pencils come close to stealing the show. With settings including the Old West and 1920’s Hollywood, Albuquerque really has a chance to shine here. He’s a master of body language, facial expressions and wonderfully lived-in settings. This is a book to watch.

Mitch Geralds is an artist I hadn’t heard of, but I discovered his work over on Mark Millar’s forums. He’s self-publishing his book Johnny Recon, and from the looks of the art, it’s definitely something I’d be interested in checking out. Geralds seems to be relatively undiscovered so if there’s any comic writers out there looking for a collaborator, consider getting in touch with him.

What kind of promoter would I be if I didn’t take this opportunity to once again show off the artwork of Lamair Nash, one of my collaborators on The Black List forthcoming from Arcana Comics? This guy is a superstar in the making, and I know that both Mark (my co-writer) and I feel incredibly lucky that we found him before he broke into the industry. This is a unused cover from The Black List featuring an early design of Richard Nixon, one of our main characters and heroes. The final Tricky Dick design is slightly different, however (Our Nixon is slightly younger and more buff) so we won’t be able to go use this beautiful cover.

I apologize in advance for how srunched together the art appears, but Night Owls by the Timony Twins is a must read. Published by DC’s webcomic imprint Zuda, the art of Night Owls is remarkable due to its old timey feel and classic/wacky character designs. The juxtaposition of Ernest Baxter and Roscoe the Gargoyle is hilarious and gets a chuckle pretty much on every page. I also love how the art team chose to stick with the traditional grid layout of panels. It really makes the webcomic feel like something transported out of an earlier decade regardless of bizarre subject matter.

Also: it’s free!

If you’re not reading Irredeemable, you ain’t shit. This book is one of the best indies out there and reaffirms why Mark Waid is one of the most talented comic scribes in the biz. The artist, Peter Krause, is also doing phenomenal work, but the cover above was actually done by Paul Azaceta and Dan Panosian. I haven’t heard of either of them, but I’ll definitely be looking for their work in the future after this eye-catching, yet sparse, cover for the final issue of Irredeemable‘s first year.