Salvatore Pane

Tag: Michael Martone

2013 AWP GUIDE

I’ve been blogging about AWP for the last four years. You can check the previous guides here (2012, 2011, 2010). So I’m not going to ramble on too much with advice. You know how I feel about AWP. For me, it works best when I plan less. There’s too much to do, and every year it seems like I have more obligations and more friends and writers to meet. I’m never able to do even a fourth of what I’d like to, and often, my favorite moments of the conference have nothing to do with writing. Some of my favorite moments from last year were catching up with old classmates over a tray of deep dish pizza, or the time Kevin Tassini and I dragged Katie Coyle all over Chicago to look for video games. Just go and have fun. Be productive, but don’t overstress.

If you want to see me at AWP, there’s a few options. I’m doing a book signing at the Braddock Avenue Books table from 10:30 to 11:45 on Thursday. Come on down. Buy my book. Hug me? I’ll probably do a few more, and I’ll keep you posted here or via Twitter. I’m also participating in a panel on Thursday from 9-10:15am in Room 108 of the Plaza Level:

R109. Landing the Tenure-Track Job without a Book: What to Expect in the Job Market. (Kevin McKelvey, Salvatore Pane, Keya Mitra, Robert Long Foreman) In a competitive academic job market, how do you make yourself stand out without a book? Writers will discuss their diverse paths to tenure-track jobs and how to develop pedagogy for newer fields such as graphic novels and established fields like professional writing, screenwriting, composition, editing, and publishing. Panelists will discuss publications and teaching loads, how a visiting or contract position can turn into a permanent job, and whether or not you need a PhD.

If you want to see me read, come to this:

tpa

 

So let’s party. Let’s hang out. Let’s be cool. Below is my list of all the panels I’m interested in attending. Remember, these aren’t the “best” panels–I don’t even know what that would mean exactly. These are just the ones I’m going to try and make. Just relax and be cool. I’ll have an off-site guide posted soon.

THURSDAY

12:00-1:15

Room 200, Level 2

R167. Only Half as Crazy as We Seem: Exploring Unconventional Strategies for Indie Lit Startups. (Steve Westbrook, Matty Byloos, Carrie Seitzinger, J.A. Tyler, Skyler Schulze) At present, the notion of developing an independent literary startup tends to be perceived as a naïve dream or a bad business idea. Defying conventional wisdom, contributors to this panel discuss their recent experience of founding successful new journals, presses, and a reading series. As they examine how their efforts toward sustainability intersect or contradict industry lore, they offer strategies for developing alternative funding structures, distribution models, and marketing techniques.

Room 206, Level 2

R172. Literary Writers Writing Popular Fiction: What’s Up With That? (Ed Falco, Julianna Baggott, Lise Haines, Benjamin Percy) What exactly are we saying when we refer to a novel as literary or serious fiction, as opposed to popular or commercial fiction? Can clear distinctions be made? What do these commonly used terms—literary, serious versus commercial, popular—mean to writers? Is it possible to write a commercial novel that is also literary? Writers who have published literary works as well as novels that might be considered popular fiction explore these and other relevant questions.

Room 313, Level 3

R185. Too Much or Not Enough? Expectations in the Introductory Multi-Genre Creative Writing Classroom. (Carrie Shipers, Laurel Gilbert, Heather Kirn Lanier, Casey Thayer) Five teachers from two-year colleges will discuss best practices for teaching introductory-level multi-genre creative writing classes. What are the unique challenges of teaching creative writing in this setting, and how do we respond to them? Panelists will address how much (and what kind) of writing students should do; the appropriate role of reading student and published texts; expectations for revision; and the efficacy of full-class workshop.

1:30-2:45

Room 102, Plaza Level

R187. Party Down: Effective Fundraising Events on the Cheap. (Steph Opitz, Maribeth Batcha, Paul Morris, Eric Lorberer) Fundraising events don’t need to be fancy dinners and formal wear—learn from folks from One Story, PEN America, and Rain Taxi about producing effective and novel small fundraising events and strategies on a budget.

Room 104, Plaza Level

R189. Nothing but the Truth: Perspectives on Creative Nonfiction in the Classroom and Beyond. (Catherine Cortese, Michael Martone, Diane Roberts, Robin Hemley, Debra Monroe) Creative nonfiction continues to grow in popularity among readers and students of writing. The genre, however, lacks a standard definition. Some believe the slippery nature of perception affords writers infinite liberties, while others see the genre as one that artfully deploys stable facts. This disparity makes the genre tricky to write and trickier to teach. The writers on this panel will discuss the freedoms and constraints of the genre in their classrooms, as well as in their own work.

Room 200, Level 2

R196. From Parts to a Whole: Turning a Bunch of Essays into a Unified Book. (David Giffels, Chuck Klosterman, Sean Manning, Chuck Klosterman, Meghan Daum) Why do some books of essays feel like collections of B-sides, outtakes and orphans, while others carry the thematic and narrative satisfaction of a good concept album? Drawing from their own experiences, this panel of successful authors discusses vital techniques for conceiving, organizing, developing, and enhancing a collection of creative nonfiction essays into a unified whole. We will address how to balance recurring themes, maintain voice and tone, how to build bridges, and other topics.

3:00-4:15

Room 103, Plaza Level

R218. Does Place Still Matter? The Relevance of Regional Fiction in the 21st Century. (Brett Boham, Stewart O’Nan, Susan Straight, Alex Espinoza, Michael Jaime-Becerra) Attempts to categorize American literature often begin and end with region. Southern fiction. New England poetry. Midwestern novel. But to what extent is regionalism a useful lens through which to understand contemporary American literature? How do so-called regional writers conceptualize place? And has the expansion of the American counterculture and social media forever changed the landscape of regional fiction? Panelists will discuss the advantages and limitations of thinking regionally.

Room 105, Plaza Level

R220. All the Young Dudes: A Reading from Four Debut Collections. (Jared Yates Sexton, Eugene Cross, Andrew Scott, Jensen Beach) It’s said that everyone has stories, but publishing those stories, particularly a book-length collection of them, is proving more confounding a process than ever. Join four emerging writers with debut collections for a short reading from their work, followed by a Q&A session detailing how they got their first book deals, their experiences in attracting presses and navigating contracts, and an array of advice for aspiring scribes.

Room 200, Level 2

R226. Second Sex, Second Shelf? Women, Writing, and the Literary Marketplace. (Christine Gelineau, Erin Belieu, Bobbie Ann Mason, Lydia Diamond, Meg Wolitzer) Statistics suggest a gap still exists. But is there a problem, and if there is, what is its nature? What changes/remedies/metamorphoses can/should be imagined? Do you think about this issue differently in terms of your writing and in terms of your career? Accomplished writers, who happen to be women, theorize and report out of their own experiences and analysis of the current literary scene.

Room 206, Level 2

R231. The New Kids in the Class—Teachers Under 35. (Michael Croley, Laura van den Berg, Erica Dawson, David James Poissant, Holly Goddard Jones) Five professors discuss their transition from graduate student to faculty member and the advantages and difficulties their age has posed in negotiating—and finding—their teaching styles with undergraduate and MFA students as well as what role(s) they take on in their courses and departments. The session offers insights and best practices regarding the first few years on the job in and out of the classroom, while also discussing how gender may affect the perception of a young teacher.

Room 305, Level 3

R238. Oh, Grow Up: Writing Kids’ Voices in Literary Fiction. (Alexi Zentner, Alison Espach, Aryn Kyle, Haley Tanner) A lot of literary writers are writing young adult novels, but what about writing the voices of young adults and children in literary fiction? Five novelists talk about how to create believable young voices in adult fiction, how to avoid the imitative fallacy, the power of narrative distance, and how to balance grown-up needs while having kids in the story.

Alice Hoffman Bookfair Stage, Exhibit Hall D, Level 2

BF16. Major Jackson’s Ploughshares Issue Reading. (Ladette Randolph, Major Jackson, Maggie Dietz, Emily Bernard, David Huddle) Ploughshares literary magazine editor-in-chief Ladette Randolph will host a reading to celebrate Major Jackson’s guest-edited issue. Jackson will read from his work and speak briefly about his experience selecting work for the magazine. He will be joined by contributors from his issue, including Maggie Dietz, Emily Bernard, and David Huddle.

4:30-5:45

Hynes Ballroom, Level 3

R244. Alice Hoffman & Tom Perrotta: A Reading and Conversation, Sponsored by Grub Street. (Christopher Castellani, Alice Hoffman, Tom Perrotta) Internationally best-selling writers Alice Hoffman and Tom Perrotta, authors of over thirty books between them, read from their recent fiction. After the reading, Grub Street artistic director and novelist Christopher Castellani moderates a discussion that focuses on how these authors continually appeal to wide audiences with novels and stories of great depth, subtlety, and cultural relevance. The discussion will also touch on how these authors use humor and magic in their work, the creative roles they’ve played in their film adaptations, and other topics related to the craft of fiction.

Room 104, Plaza Level

R248. Eros in the Classroom. (Heather McNaugher, Michele Morano, BK Loren, Eileen Myles, Barrie Jean Borich) More than a few academic careers in literature and writing were ignited by a crush on a teacher. But desire in the classroom is constructed, often for good reason, as threatening and inappropriate; we therefore don’t acknowledge or talk about it. This panel, inspired by Michele Morano’s recent Ninth Letter essay, “Crush,” speaks plainly and honestly about the overlap of desire and pedagogy, and how the writer-teacher has constructively channeled it into her/his creative work.

Room 200, Level 3

R255. Thoreau’s Granddaughters: Women Writing the Wild. (Suzanne Roberts, Cheryl Strayed, Pam Houston, Gretchen Legler, Li Miao Lovett) Do women approach writing both the wildness of the land and the wilderness of their own bodies differently from men? Do women have a uniquely feminine vision of what it means to be wild? Are they judged by a different set of aesthetics? These five women panelists, including memoirists, novelists, and poets, will discuss their literary influences, the joys and challenges, and the internal doubts and external criticism they face in writing the wild.

Room 208, Level 2

R262. What to Do Before You Debut. (Randy Susan Meyers, Nichole Bernier, Jane Roper, Carleen Brice) Authors are often naïve about their role in finding readers, and they are rarely taught the iterative steps involved in the process of a book launch. Panelists will share specific methodologies, from best practices for websites, publicity, marketing decisions, and working with publishing houses, to assessing the line between awkward hawking and reasonable audience building. Timelines, methods, and tools offered will be balanced with discussion of the art of finding comfortable promotional voices.

Room 309, Level 3

R270A. Southern Writers in Exile. (Michael Croley, Richard Bausch, Michael Griffith, Steve Yarbrough, Brad Watson) Writers who identify as southern don’t often stray far from home, but as some have moved into teaching positions, they find themselves now living all over the country, out of their comfort zones. This panel explores how that distance has affected each writer’s approach to their craft and teaching, as well as what it means to be a southern writer no longer living in the South, and what role regionalism plays in the landscape of American literature.

FRIDAY

10:30-11:15

Room 103, Plaza Level

F134. Courage, Craft, and Cunning: From MFA Thesis to Published Book. (Jayne Anne Phillips, Will Schutt, Christa Parravani, Ryan McIlvain, Akhil Sharma) This panel features poets and fiction writers whose manuscripts began in their MFA thesis and progressed through revision and invention to first books published by respected presses. Each will read for four minutes, discuss mentorship in their MFA programs, and compare notes on structuring first books, publishers, and the cunning (as in artful, resourceful) required of writers whose lives embrace far more than writing. Audience Q&A will follow.

Room 109, Plaza Level

F139. The Geek in Me: Writing from the Cultural Fringe. (Ethan Gilsdorf, Lizzie Stark, Peter Bebergal) Geek and fringe subcultures such as Dungeons & Dragons, Larping, psychedelia, punk rock, and comic books can be ideal portals through which to examine the self, construct narratives, and comment on the culture at large. In this session, three panelists whose books mix memoir, pop culture, and ethnography discuss best practices for breaking into subcultures conducting fringe culture reportage and using that research to tell powerful and poignant stories about the human condition.

12:00-1:15

Room 101, Plaza Level

F161. Experimental Fiction Today. (John Parras, Daniel Green, Alissa Nutting, Ted Pelton, M. Bartley Seigel) Editors, writers, critics, and teachers discuss recent trends in experimental fiction and how such work enriches the publishing landscape, the creative writing workshop, and the direction and function of literature itself. What are some of the more exciting trends in innovative fiction? What are the special challenges and rewards for writers testing fiction’s limits? How does fabulist work work? If all literature is innovative, what distinguishes the experimental from other types of fiction?

Room 200, Level 2

F171. Does the World Need Another Literary Magazine? (Tom Bligh, Catherine Dent, Dave Essinger, Karolina Gajdeczka, E. Ethelbert Miller) Undergraduate literary journals encourage students to take responsibility for the shape and form of their work and to learn about publishing through firsthand exposure to the process. Panelists share unconventional wisdom on ways to help print and online journals survive and thrive while sustaining enthusiasm and maintaining high standards. Editors discuss the advantages to joining the Forum for Undergraduate Student Editors (FUSE) and explain how to start your own FUSE chapter.

Room 202, Level 2

F173. How to Build a Successful Kickstarter Campaign for Your Publishing Project. (Meaghan O’Connell, Benjamin Samuel, Mat Honan, Joshua Mandelbaum, Laurie Ochoa) Kickstarter moderates a panel of editors from Electric Literature, Words Without Borders, Slake, Longshot, and Tomorrow Magazine for an instructional and informational session on developing a successful Kickstarter campaign for your periodical or publishing project. We’ll walk you through the process step by step and discuss how to best represent your brand, set a fundraising goal, shoot a video, create rewards, engage backers, and promote your campaign.

Room 210, Level 2

F180. The Urge Toward Memoir. (Elisabeth Schmitz, Jill Kneerim, Michael Thomas, Jeanette Winterson, Lily King) Novelists Jeanette Winterson, Emily Raboteau, Michael Thomas, agent Jill Kneerim, and editor Elisabeth Schmitz discuss the writer’s urge toward memoir. What defines memoir and is it any more “true” or less creative a process than fiction? Panelists will talk about a favorite memoir and the forms they invented for their own.

1:30-2:45

Room 206, Level 2

F205. A Point of View on A Point of View. (Daniel Menaker, Amy Hempel, Bret Anthony Johnston) Point of view is the lens through which a writer conveys the vision of a story. But what is it about point of view that makes an editor pick an unknown writer out of a pile of unsolicited submissions? And what is it about point of view that makes a series of short stories cohere into an original and memorable collection? In A Point of View on A Point of View, distinguished editor Daniel Menaker and much-anthologized writers Amy Hempel and Bret Anthony Johnston turn a lens on the lens itself.

3:00-4:15

Veterans Memorial Auditorium, Level 2

F219. Don DeLillo & Dana Spiotta: A Reading and Conversation, Sponsored by The Center for Fiction. (Noreen Tomassi, Don DeLillo, Dana Spiotta) Celebrated novelists Don DeLillo, author of Underworld, Libra, and White Noise, and Dana Spiotta, author of Stone Arabia, present readings, to be followed by a discussion moderated by Noreen Tomassi, Executive Director of the Center for Fiction.

Room 108, Plaza Level

F227. Write Short, Think Long: Exploring the Craft of Writing Flash Nonfiction. (Kathleen Rooney, Sue William Silverman, Peggy Shumaker, Judith Kitchen, Ira Sukrungruang) In celebration of this popular emerging genre, as well as the publication of The Rose Metal Press Field Guide to Writing Flash Nonfiction: Advice and Essential Exercises from Respected Writers, Editors, and Teachers, edited by Dinty W. Moore, five of the book’s twenty-six diverse contributors gather to discuss what makes good flash nonfiction memorable and unique, and to offer up ideas and techniques for writing, publishing, and reading the brief essay form well.

Room 202, Level 2

F233. Women on the Road: Exploration, Inspiration, and Imagination in Fiction. (Tara L. Masih, Mary Akers, Jessica Anthony, Midge Raymond, Laura van den Berg) An exploration of crafting stories and novels that place characters in distant regions and countries, and how travel abroad helped shape the countries of the panelists’ imaginations. Panelists will share travel experiences and photos, inspirations, readings, and the process of creative observation. Tips will be offered on using research to fill in travel gaps, both in contemporary and historical contexts, and on negotiating the complexities of writing about cultures different from one’s own.

4:30-5:45

Veterans Memorial Auditorium, Level 2

F250. Alison Bechdel & Jeanette Winterson: A Reading and Conversation, Sponsored by Emerson College MFA. (Alison Bechdel, Jeanette Winterson, Elisabeth Schmitz) Alison Bechdel, author of the graphic memoir Fun Home and the ground-breaking comic strip Dykes to Watch Out For, and Jeannette Winterson, author of Written on the Body and the memoir Why Be Happy When You Could Be Normal?, present readings from their work followed by a discussion moderated by Elisabeth Schmitz, Executive Editor at Grove/Atlantic, Inc. The events will be introduced by Emerson College’s Steve Yarborough, author of the novels Safe from the Neighbors and The End of California.

Room 202, Level 2

F263. Blue-collar College Students and the Creative Writing Degree. (Jerry Wemple, Lawrence Coates, Claire Lawrence) Faculty from creative writing programs in rust belt regions that traditionally serve students from blue-collar backgrounds ponder what, exactly, they are preparing their students for, since most undergraduates will not become “professional” writers. The panelists discuss what they are trying to accomplish in their programs, what their graduates feel they’ve learned and how they are using that knowledge, and potential revisions to a program after re-assessment at the ten-year mark.

Room 206, Level 2

F266. Bring Out Your Dead: Writing Ghosts (and Zombies) in Literary Fiction. (Rebecca Makkai, Tea Obreht, Lauren Groff, Dan Chaon, Alexi Zentner) The ghost story thrives in literary fiction as well as the oral tradition, defying genre. How do we keep these compelling tales fresh? How do we frighten without resorting to cheap tricks? How do we navigate the borders between spirituality, science, doubt, and a reliable narrative voice? And why are we drawn to these themes again and again? Five writers introduce you to their ghosts and tell you how they summoned them.

Room 207, Level 2

F267. What We Write About When We Write About Music. (Laurie Lindeen, Rick Moody, Will Hermes, Jen Trynin, Jacob Slichter) All art aspires to music because it touches our hearts, souls, senses, and imaginations This panel of writers, musicians, and writing instructors loves, appreciates, knows, and plays music. They have written passionately about music in memoirs, essays, novels, songs, poetry, and blogs. Each individual on this panel would like to share his or her unique path with prose and music, and share their collective beliefs in the emotional, rhythmic importance of musicality when writing and when teaching writing.

Room 102, Plaza Level

F269. The Literary Legacy of Andre Dubus. (Matthew Batt, Andre Dubus III, Melanie Rae Thon, Nancy Zafris, Bruce Machart) Andre Dubus (1936-1999), author of nine volumes of fiction and two collections of essays, including Meditations from a Moveable Chair and Dancing After Hours, was a long-time resident of Haverhill, Massachussets, and is widely recognized as one of the greatest practitioners and teachers of the contemporary short story. Panelists, including Dubus’s son, a former student, a close friend, and a lifelong fan, will discuss their relationship with Dubus and what they learned from his work and life.

6:00-7:15

Room 110, Hynes Convention Center, Plaza Level

F283. Forum for Undergraduate Student Editors (FUSE) Caucus. (Catherine Dent, Michael Cocchiarale, Esme Franklin, Andrew Baker, Sarah Gzemski) Are you an undergraduate interested in editing and publishing or a faculty member working with undergraduate students on a literary journal or small press? Come join FUSE for its annual meeting, which includes national elections and FUSE chapter updates, followed by a roundtable discussion. This year’s topic is the interdisciplinary nature of undergraduate publishing, i.e. how and why to forge good relationships among departments. Bring ideas and journals to exchange.

8:30-10:15

Veterans Memorial Auditorium, Level 2

F284. Amy Bloom & Richard Russo: A Reading and Conversation, Sponsored by Lesley University. (Leah Hager Cohen, Amy Bloom, Richard Russo) Amy Bloom is author of the New York Times best-selling Away: A Novel, and Where the God of Love Hangs Out, a collection of short fiction. Richard Russo is the Pulitzer Prize-winning author of Empire Falls, Straight Man, and Nobody’s Fool. The reading will begin with an introduction by poet Steven Cramer, director of the Lesley University Low-Residency MFA in Creative Writing, and will be followed by a discussion moderated by novelist and critic Leah Hager Cohen, author of The Grief of Others and House Lights.

Hynes Ballroom, Hynes Convention Center, Level 3

F285. Language at the Breaking Point, Sponsored by Blue Flower Arts. (Kwame Dawes, Jorie Graham, Terrance Hayes) Pulitzer Prize-winner Jorie Graham and National Book Award-winner Terrance Hayes stretch language past the barriers of mind and limitations of personal experience to reinstate a kind of dignity to the world. Their creative tensions puncture the commonplace allowing the familiar to dislocate, laying bare our tenuous connection to life. Yet grace and a vivid, wakeful presence abide. Their poems demonstrate how the excavation of language itself can shape new possibilities for imagination to evolve.

SATURDAY

9:00-10:15

Room 303, Level 3

S123. Puritan Scar, Scarlet Letter: Contemporary Writers on Hawthorne’s Masterwork. (John Domini, Amy Wright, Heidi Julavits, Jennifer Haigh) No novel so established Boston as a literary center as Nathaniel Hawthorne’s The Scarlet Letter (1850), and few have left such an indelible trace across the American project since. Hester Prynne’s struggle raises core issues of outsider and community in all their moral contrariness. As art, too, the novel sets a rare challenge, working cross-gender and cross-genre, at once romance and realism, transcendental and ambiguous. Panelists assess the impact the book had both locally and worldwide.

10:30-11:45

Room 111, Plaza Level

S137. The Art and Craft of Short-Form Nonfiction. (Sarah Einstein, Joni Tevis, Brian Oliu, Chelsea Biondolillo) Can you write an essay in 140 characters? In 750 words or fewer? And can you get it published once you have? Join the managing editor of Brevity, two authors of short-form collections, and a graduate student working in this exciting new form as they share techniques and strategies for writing and marketing short-form nonfiction—from the lyric to the expository.

Room 200, Level 2

S138. The Lake Effect: A Celebration of Fifty Years of Creative Writing at Syracuse University. (Sarah Harwell, George Saunders, Arthur Flowers, Brooks Haxton, Christopher Kennedy) Syracuse University’s creative writing program celebrates its fifty-year anniversary with a reading by current faculty. The faculty will read from their own work as well as highlight work from a diverse and celebrated group of alumni and past faculty. Readers will include poets Brooks Haxton, Christopher Kennedy, and Sarah Harwell and fiction writers Arthur Flowers and George Saunders.

Room 207, Level 2

S144. Agents, Editors, and the State of Publishing. (Mary Gannon, Jofie Ferrari-Adler, Jennifer Joel, Chuck Adams) Agents and editors share behind-the-scenes perspective about what authors need to know about the changing industry of publishing. How have e-books, e-readers, and self-publishing affected the industry? With the closing of Borders and the growing influence of Amazon, how have changes to distribution channels affected the way publishers market books, and what does this mean for authors? How have the best practices for submitting work to agents and editors changed?

Room 302/304, Level 3

S148. Breaking the Jaws of Silence. (Sholeh Wolpe, Kim Addonizio, Tom Sleigh, Quincy Troupe, Yusef Komunyakaa) Poets are a threat to despotic regimes as light is a threat to darkness. In a project to benefit PEN USA’s Freedom to Write program, prominent American poets raise their voices and call on poets to bear witness, to collectively engage, to activate, to call, to give texture, to demand, to caress, to shatter, to build, and to never let the world forget.

Room 306, Level 3

S150. If These Walls Could Talk… Oh Wait, They Do! (Eleanor Henderson, Stewart O’Nan, Tea Obreht) The whole world is a stage, but as fiction writers we get to choose where and when to set a story. That decision can influence everything else in the novel, for better or worse. Four novelists talk about the pressures that settings, both urban and rural, can place on our fiction, and how and why to make choices about landscape.

12:00-1:15

Room 209, Level 2

S172. From the University of Nebraska Press: Readings from The Prairie Schooner Book Prize Anniversary Reader. (Hilda Raz, Shane Book, Brock Clarke, Jesse Lee Kercheval, Susan Blackwell Ramsey) A perfect time capsule of the diverse, experimental trends in American poetry and short fiction over the last ten years, The Prairie Schooner Book Prize Anniversary Reader pulls together excerpts from all twenty winning books of Prairie Schooner’s Book Prize Series. The Press will launch this anthology at AWP 2013; come listen to four of the most successful winners read and hear Hilda Raz, legend and influential founder of the Book Prize Series, discuss finding work that speaks to our living moment.

Room 302/304, Level 3

S174. Write Where You Know: When Setting Serves as a Main Character in a Novel. (John Roche, Jennifer Haigh, Thomas Kelly, Richard Russo) Richard Russo’s bestselling novels, including Pulitzer-winner Empire Falls, uniquely capture a sense of place, whether it’s dying blue-collar towns in upstate New York or New England enclaves. Thomas Kelly, the author of three novels praised for their authentic depiction of New York City, and Jennifer Haigh, whose four novels include Faith, set in Boston, will join Russo in discussing the importance of setting in their fiction, at times to the point where place itself becomes a main character.

Room 306, Level 3

S177. Reading by Grand Central Authors. (Benjamin Percy, Julianna Baggott, Ed Falco) Discover three of the strongest voices in contemporary fiction at a reading by Grand Central’s finest. Julianna Baggott is the author of Pure, the first book in a postapocalypic series which was a New York Times Editor’s Choice. Ed Falco’s most recent novel, a prequel to The Godfather titled The Family Corleone, is based on material excerpted from screenplays by Mario Puzo. Benjamin Percy’s new novel, Red Moon, is an epic and terrifying story of lycans set in the American West. Prepare for a thrilling night—and take the cannoli.

1:30-2:45

Room 306, Level 3

S204. How to Lose Friends and Alienate Loved Ones: Exploitation vs. Documentation in Creative Nonfiction. (B.J. Hollars, Roxane Gay, Marcia Aldrich, Ryan Van Meter, Bonnie J. Rough) Not every story is flattering, nor is every character. Nevertheless, nonfiction writers continue to document their lives and the lives of others, often at the risk of violating personal relationships. How should writers navigate between revealing the true nature of their subjects without alienating the people themselves? Join four writers as they explore the fine line between documentation and exploitation, among other ethical dilemmas inherent in writing of friends, family, and loved ones.

3:00-4:15

Room 103, Plaza Level

S211. Video Games, Fan Fiction, and Comics: Alternative Genres as Legitimate Literature. (Leslie Salas, Jim Miller, Elaine Phillips, Kirsten Holt) Alternative forms of narrative are often perceived with disdain or suspicion even though they address the same plots, themes, and conditions of respectable literary forms. Comics have begun to break away from this stigma, but what about more mainstream genres, such as fan fiction and video games? How do all three of these alternative forms both threaten and reinforce ideas about originality and narrative? This panel will make the case for alternative genres as creative literature.

Room 200, Level 2

S219. A Reading by Matthew Batt, Jen Percy, and Rob Currie, Jr. (Matthew Batt, Ron Currie, Jr., and Jacob Paul) Matthew Batt, author of Sugarhouse, Ron Currie, Jr., author of God Is Dead, Everything Matters, and Flimsy Little Plastic Miracles, and Jacob Paul, author of Sarah/Sara, will read from their recent work, all of which deals with, in the face of catastrophic loss, the sometimes funny, sometimes harrowing ways we try to mend our lives.

Room 210, Level 2

S228. Art vs. Commerce: Writing for Love and Money. (Elizabeth Benedict, Stephen McCauley, Stephen Elliott, Maud Newton, Steve Almond) Grace Paley’s advice to writers: Keep your overhead low. But when teaching doesn’t lead to tenure, how do literary writers cobble together a living and a life while writing work that matters? Panelists who have had unconventional careers largely outside the academy examine their decisions and discuss the role of money, literature, and serendipity in their creative pursuits: editing an online literary magazine, writing soft-core porn, and creating advice columns, TV shows, and yoga books under a pseudonym.

Room 302/304, Level 3

S229. Z.Z. Packer & Meg Wolitzer: A Reading and Conversation, Sponsored by VIDA: Women in Literary Arts. (Cheryl Strayed, Z.Z. Packer, Meg Wolitzer) Fiction writers will give a reading followed by a conversation about race, literature that happens to be written about women (as Wolitzer puts it in a recent New York Times essay), and the realities of the contemporary publishing landscape, moderated by Cheryl Strayed, VIDA board member and author of Wild. AWP participants are encouraged to join a brief Q&A period to be held afterwards.

4:30-5:45

Room 302/304, Level 3

S256. Smart Girls. (Terry Ann Thaxton, Terese Svoboda, Bobbie Ann Mason, Kelly Cherry, Elissa Schappell) Girl does not denote age but power—no men in it. No ladies-first either. A girl’s got gumption. A pre- and post-feminist name for great girl lit. Different from the chick kind, the just-hatched; we’ve been around, we’re serious. This is for women and men who go for it, featuring readings from our books that qualified us for The Smart Girls club. We represent a diversity of age, region, and genres.

8:30-10:00

Veterans Memorial Auditorium, Level 2

S263. Augusten Burroughs & Cheryl Strayed: A Reading & Conversation, Sponsored by the Wilkes University Low-Residency MA/MFA Program in Creative Writing. (Bob Morris, Augusten Burroughs, Cheryl Strayed) Augusten Burroughs, author of memoirs Running with Scissors and Dry, and Cheryl Strayed, author of the best-selling memoir Wild and the voice behind the Rumpus’s beloved “Dear Sugar” column, will present readings of their work, followed by a discussion moderated by columnist and commentator Bob Morris, author of the memoir Assisted Loving: True Tales of Double Dating with My Dad. The authors will be introduced by playwright and novelist Bonnie Culver, director of the Wilkes University Low-Residency MA/MFA Program in Creative Writing.

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2012 Off Site AWP Guide

The best part about AWP is the nightlife. The panels are exciting, but hanging out with all the people you’ve been reading for the last year and sharing a beer is really where it’s at. This year is no different. The list below is what I’m most excited about from the official AWP site. I’m sure there are other high quality events, but I just don’t have time to track them all down across Facebook. If you know of one, PLEASE add it to the comments section. I’ve marked the events I’m reading at in blue so that if you want to specifically avoid running into me in Chi-town, you can.

SEE YOU ALL SOON, BROS!

Wednesday

7:00PM Monster Mags of the Midwest Reading
Location: Murphy’s Bleachers, 3655 North Sheffield
Cost: Free
Cincinnati Review, Mid-American Review, and Ninth Letter team up once again to offer a fabulous off-site reading. Please come see Mary Biddinger, Brock Clarke, Matthew Gavin Frank, Michael Robins, Laura Van den Berg, and Keith Lee Morris at Murphy’s Bleachers, 3655 North Sheffield, located directly across the street from Wrigley Field (and the Harry Caray statue).

8:00PM AWP 2012 CHICAGO KICK OFF PARTY
Location: The Empty Bottle – 1444 W. Chicago
Cost: free with rsvp (email rsvp@emptybottle.com with “AWP Party” in subject line & full name of attendee in body of email.)
Website: http://dogzplotnews.blogspot.com/2011/10/awp-2012-chicago-kick-off-party.html
Kick-off AWP 2012, Chicago-style, at Chicago’s iconic live music club, The Empty Bottle, with readings, party, mayhem, bands… Music by James Greer (of Guided by Voices) and special guests, Mutts, and more. Readers include Jeff Parker, Michael Czyzniejewski, James Greer, xTx, Sam Pink, Jamie Iredell, Mary Miller, Sarah Sweeney, Michael Kimball, Amber Sparks, Peter Schwartz, Mike Young, Ben Tanzer, Sarah Rose Etter, and others.

Thursday

6:15PM-8:15PM How I Learned to Stop Worrying and Love the Web
Location: After-Words Bookstore 23 E. Illinois Street, Chicago Illinois
Cost: Free
Join Drunken Boat, Memorious, failbetter.com, Blackbird, and Midway Journal for night of worry free, poetry and prose! Come hear authors Michael Martone, Randall Brown, Sean Hill, Margaret Luongo, Nicky Beer, Erica Dawson, Caki Wilkinson, Daniel Nester, Sibyl Baker, Michelle Chan Brown, and Shira Dentz. After Words Books is walking distance from the AWP Conference Event Hotel, and is a straight shot down State Street, just off the corner of State Street and Illinois Street.

7:00PM Convocation in Chicago
Location: Beauty Bar
Cost: Free
PANK, Annalemma, and Mud Luscious will once again host a holy meeting of literary minds. Convocation in Chicago will feature performances by Scott McClanahan, Daiva Markelis, Jac Jemc, Robb Todd, Sal Pane, Brian Oliu, Aubrey Hirsch, Matt Bell, xTx, Chris Newgent, Brett Elizabeth Jenkins, Casey Hannan, Tim Jones-Yelvington, Brandi Wells, Doug Paul Case, Ryan Bradley, Myfanwy Collins, Sarah Rose Etter, Laura Ellen Scott, Molly Laich, and Allyson Boggess.

7:00PM Joyland and Dzanc present Fiction Feed: Chicago Edition
Location: Quimby’s Bookstore,1854 W. North Ave · Chicago, IL 60622 · 773-342-0910
Cost: Free
Website: http://www.joylandmagazine.com
Joyland Magazine and Dzanc Books are two innovative publishers pushing fiction with great writing and new means of print and digital distribution. Join us for an evening with Eugene Cross, Kevin Chong, Jeff Parker, and Megan Stielstra reading from recently released books.

7:00PM-9:00PM Celebration of the Small Press: FLeng Rising
Location: Rock Bottom Restaurant & Brewery – Downtown Chicago
Cost: FREE
Website: http://www.rockbottom.com/Chicago
Florida English and the Rising in Hope Anthology team up for this event featuring Brian Dickson, Jeff Grieneisen, Kirk Nesset, Jesse Millner, Heather Schmidt, Jen Stewart. The first 15 to arrive receive a free drink (see Courtney for your drink ticket).

7:00PM-11:00PM This is beautiful, this is beautiful; six small presses
Location: Simone’s Bar, 960 W 18th St.
Cost: Free
Website: https://www.facebook.com/events/174394975997326/
An offsite AWP reading hosted by 6 small presses: Bateau, Burnside Review, Interrupture, Rose Metal Press, Slope Editions and Versal. Readers include: John Gallaher, Brooklyn Copeland, Sean Lovelace, Chuck Carlise, Louise Mathias, Ryan Flaherty, Anna Moriarty Lev, Jane Lewty, Erin Costello, Nate Liederbach, Amaranth Borsuk, Trey Moody/Joshua Ware, John Jodzio, Kate Nuernberger and Brad Liening. The event is free and open to the public. Full bar! Food! Come!

7:30PM Black Lawrence Press/Devil’s Lake Reading
Location: Salud Tequila Lounge
Cost: FREE
Please join Devil’s Lake and Black Lawrence Press for a great night at our co-hosted reading! We’re proud to feature: Mary Biddinger, Jon Chopan, Lisa Fay Coutley, Brent Goodman, Casey Thayer, and Joe Wilkins. Come early to partake in the open bar.

7:30PM An Evening of Poetry with Cat, Dog & Hamster Quarterly
Location: Black Rock, 3614 N. Damen Ave.
Cost: Free
Join us for readings by Jason Bredle, Melissa Broder, Arda Collins, Jason Koo, Marc McKee and James Shea. Sponsored by Cat, Dog & Hamster Quarterly.

8:00PM-10:00PM The Wrong Kind of Reading
Location: The Galway Arms, Lincoln Park (2442 North Clark Street)
Cost: Free
A reading from seven “literary pulp” writers–lots of genre thrills. Featuring Pinckney Benedict, Kyle Minor, Robin Becker, Anthony Neil Smith, John Weagly, Nikki Dolson, and David James Keaton. Loosely affiliated with noir/transgressive ezine PLOTS WITH GUNS.

8:30PM-10:30PM Gulf Coast & Indiana Review Give You a Reading with Writers We Love
Location: Buddy Guy’s Legends, 700 South Wabash, Chicago, IL 60605
Cost: $4 suggested donation
Website: http://www.gulfcoastmag.org, http://indianareview.org
Join Gulf Coast and Indiana Review for an evening of readings by Michael Czyzniejewski, Ross Gay, Aimee Nezhukumatathil, Leslie Parry, and D.A. Powell. at Buddy Guy’s Legends (just around the block from Hilton Chicago & Palmer House Hilton)!

9:00PM-2:00AM AWP 2012 Karaoke Idol
Location: Beauty Bar, 1444 W. Chicago Ave.
Cost: Free
Website: http://www.curbsidesplendor.com/index.php?id=237
After readings and other literary events, presses from Chicago and beyond will battle for the AWP 2012 Karaoke Idol throne, followed by Karaoke-dance party. Karaoke Idol Judges: Amy Guth, Joe Meno, and Patrick Sommerville. Presented by Another Chicago Magazine (ACM), Artifice Mag, Curbside Splendor, Featherproof Books — contestants, more info to come…

9:00PM-12:00AM OPEN BAR SPEAKEASY BLOWOUT: The Doctor T. J. Eckleburg Review, Hopkins Review, Barrelhouse, Entasis, Baltimore Review, Dark Sky
Location: Brando’s Speakeasy, 343 South Dearborn.
Cost: Free
Website: http://thedoctortjeckleburgreview.com/
Edgy readings and fun prizes erupt around 10 p.m. when Barrelhouse, Dark Sky, The Baltimore Review, DC’s Entasis Press, and The Hopkins Review join up to launch The Doctor T.J. Eckleburg Review from Johns Hopkins. Free beer and wine, cash martini bar, tasty snacks, saucy behavior, prizes, and worthy-cause raffles, with the Hopkins M.A. in Writing Program as host. Our AWP-easy location is midway between the Hilton and Palmer House, so come join us after the keynote!

9:00PM Propaganda: a reading
Location: Haymarket Pub & Brewery, 737 W. Randolph (Halsted & Randolph) – in the Drinking & Writing Theater
Cost: free
Website: http://www.propagandareading.com
Three to five minutes of propaganda from: Matt Bell, Jessica Anya Blau, Blake Butler, Alexandra Chasin, Molly Gaudry, Amelia Gray, Lindsay Hunter, Jac Jemc, Stephen Knezovich, Samuel Ligon, Robert Lopez, Nelly Reifler, Joseph Salvatore, Jason Sommer, Matthew Vollmer, and Jess Walter.

9:00PM-10:00PM (and beyond) Wag’s Revue and Unstuck Host a Reading and Get Frisky Like Granny
Location: Cole’s Bar – 2338 N. Milwaukee Ave Chicago, IL 60647
Cost: Free
Website: http://www.wagsrevue.com
Make your last stop Thursday night Cole’s in Logan Square. The reading will be hosted by the Chicago-based, online-only literary quarterly Wag’s Revue and the hot and brand new Unstuck Magazine out of Austin. There’ll be just four readers–Noam Dorr, Dylan Nice, Rachel Swirsky and Julia Whicker. Then, at 10:00, DJ Frisky Grannies will be playing some hits from the 20s and 50s. So stick around, drink some of the fine brews on tap like Allagash White and Bell’s Two Hearted and get frisky. Granny wouldn’t go home just because she’s tired. She’d get drunk and listen to some readers and she’d dance. So come on. Do it for granny.

Friday

5:00PM-6:30PM ASF and NER Take AWP
Location: Delilah’s, 2771 N. Lincoln Ave.
Cost: FREE
Website: http://www.americanshortfiction.org
American Short Fiction and New England Review join forces to create a supersized, rollicking happy hour reading at the best whiskey bar in all of Chicago. ASF supplies the foxy fiction writers, including Kevin Moffett, Jamie Quatro, Eugene Cross, and Laura van den Berg; and NER brings along wily, wily poets with names like Traci Brimhall, Eduardo C. Corral, and Tomas Q. Morin. Come warm up with words, whiskey, and wise ol’ lit mags.

6:00PM-8:00PM Come on, Seven!
Location: School of the Art Institute of Chicago Ballroom, 112 S. Michigan
Cost: free
Seven of the leading risk-takers of the fiction avant-garde are betting you will love what they read from their works because baby needs a new pair of shoes! Yuriy Tarnawsky, Lidia Yuknavitch, Lance Olsen, Davis Schneiderman, Adam D. Jameson, James R. Hugunin, and Eckhard Gerdes. Organized by Eckhard Gerdes, Editor and Publisher, the Journal of Experimental Fiction and JEF Books. Sponsored by Writing Program, SAIC.

6:00PM Beecher’s – Parcel Happy Hour Reading
Location: Manhattan’s Bar – 415 S Dearborn St
Cost: Free
Website: http://www.beechersmag.com/
Beecher’s and Parcel, two sweet, young, little lit magazines invite you to come enjoy happy hour drinks, free pizza and a great line-up of readers in Chicago’s oldest skyscraper. This fast-paced event, just a few blocks from the conference hotel, will include readings by: Rebecca Evanhoe, Jenny Gropp Hess, Lincoln Michel, Scott Wrobel, James Yeh, and Nick Courtright. For more information about the lit magazines, please visit: http://www.beechersmag.com/ & http://www.parcelmag.org/

7:00PM-9:00PM Burnt Bridge & Flywheel Magazine Reading
Location: Billy Goat Tavern, 430 N. Michigan Ave
Cost: FREE
Website: http://burntbridge.net
Burnt Bridge & Flywheel Magazine will be holding an off-site reading at the 2012 AWP Conference in Chicago. The reading will be graciously hosted by our good friends The Billy Goat Tavern on Michigan Ave. Attendees or general Chicago dwellers are invited to come out from 7-9 and hear some literary grit hurled unceremoniously at their ears. We’re told the food is good, too.

7:00PM Stymie Magazine Presents: A Really Big Show
Location:Theory Sport.Dine.Lounge; 9 W. Hubbard
Cost: FREE
Stymie Mag is coming to AWP 2012 and we’re throwing a party, or at least a reading with words, beverages, and good times at Theory Sports Lounge. We couldn’t be more excited and hope you are too (and that you’ll mark the date/time on what we’re sure is an already busy AWP calendar)!

Featuring:
Cynthia Hawkins, Tim Kahl, Jeanie Chung, James O’Brien, Lauren Becker, Alex Moody, Steven Kowalski, Joseph Baron-Pravda, Diane Durant McGurren, Shaindel Beers, Sal Pane, Erin Elizabeth Smith, Joe Ponepinto, J. Bradley, Megan Cass, Elijah Burrell, Ilan Mochari, Tyler Gobble, Mark Cugini, and Maria Nazos

7:00PM-10:00PMBeautiful, Words
Location: Beauty Bar, 1444 W. Chicago Ave.
Cost: Free
Website: http://www.curbsidesplendor.com/curbside/blog/beautiful-words-awp-2012-event
Readings by: Kim Addonizio, Kate Zambreno, Vanessa Veselka, Greg Olear, Stacy Bierlein, Michael Cyzniejewski, David Galef, Tod Goldberg, Jonathan Evison, Shannon Cason. Sponsored by: The Nervous Breakdown, Other Voices Books, Bookslut, Red Lemonade, Dzanc Books, Curbside Splendor, Emergency Press, Elephant Rock Books, University of California-Riverside MFA program, Sunday Salon Chicago. Live music by Rob Roberge and Vanessa Veselka, and live DJ.

7:00PM This Page Intentionally Left Blank
Location: The Horseshoe, 4115 N. Lincoln Avenue
Cost: free
Website: https://www.facebook.com/events/203462383031095/
As we are unbeholden to any particular school, method, or ideology, the one constant for this reading is each participant’s unique kick-assness. Readers so far scheduled include Fred Arroyo, Sarah Barber, Shaindel Beers, Jesse Bradley, Sarah Carson, Larry O. Dean, Margie Flanagan-Wilkie, Nathan Floom, Jacklyn Dre Marceau, Anna March, Daniel Nester, Brianna Pike, Erika L. Sánchez, Mark Statman, Elissa Schappell, Ben Tanzer, Meg Tuite, Robert Vaughan, Chet Weise, Snezana Zabic, and Cindy Zelman, with more TBA. Immediately following will be music from The Injured Parties, Khalid Hanifi, and Decoy Prayer Meeting. The venue has a menu that includes food and drink. Come early, stay late!

7:00PM McSweeney’s AWP Party and Poetry Imprint Launch
Location: 826 Chicago
Cost: FREE
Website: https://www.facebook.com/events/275318479190753/
Come celebrate the launch of our poetry imprint in a four-part reading. We’re featuring poets Matthea Harvey (Of Lamb, Spring 2011) and Rebecca Lindenberg whose collection, Love: An Index, is kicking off the McSweeney’s Poetry series. Also Adam Levin, author of the Instructions will be reading from his forthcoming short-story collection, Hot Pink and Tom Barbash, McSweeney’s Issue 39 contributor.

7:00PM Literary Death Match — AWP Special
Location: Buddy Guy’s Legends
Cost: $5 advance/$10 door
Website: http://www.literarydeathmatch.com/upcoming-events/march-2-2012-at-awp.html
Doty! Smiley! Strauss! Jackson! To celebrate our 200th episode at Buddy Guy’s Legends, we’re teaming with Versal and Painted Bride Quarterly for Literary Death Match: Journal Porn Edition at AWP, and we’ve assembled the most colossally-awarded lineup of literary superstars ever to participate in a LDM ever before. Other plans? Cancel them. This is going to be a sexy-literary-comedic night to remember

7:00PM-10:00PM Sixth Finch and YesYes Books reading
Location: Columbia College’s Center for Book and Paper Arts (1104 South Wabash, 2nd Floor)
Cost: Free
Website: http://www.facebook.com/events/198506656912495/
In conjunction with CPBA’s “Poems and Pictures” exhibit. Reception at 7 PM, followed by a reading at 8 PM featuring Emily Kendal Frey, Ally Harris, Matt Hart, Mark Leidner, Thomas Patrick Levy, Ben Mirov, Metta Sama, Nate Slawson, Leigh Stein, Gale Marie Thompson, Phillip B. Williams, Angela Veronica Wong and Matthew Yeager. Only two blocks from the conference.

8:00PM Literature Party
Location: Lincoln Hall, 2424 N Lincoln Avenue
Cost: $10.00
Website: http://literatureparty.com/
A night of literature and party benefiting Young Chicago Authors. With literature from Dorothea Lasky, Mary Miller and Tim Kinsella, and a special performance by Jesse Ball accompanied by puppeteers Jill Summers and Susie Kirkwood. Hosted by Zach Dodson and Lindsay Hunter. Bookstore by Vouched. Sponsored by School of the Art Institute of Chicago Writing Program, Bookforum, featherproof, Hobart, HTMLGiant, The Lit Pub, Publishing Genius, and Wave Books. See literatureparty.com

9:30PM-12:00AM Literary High Jinx
Location: Brando’s Speakeasy, 343 S. Dearborn St., Chicago (historic South Loop)
Cost: Free
Website: http://www.brandoschicago.com
Literary loons and AWP marauders, unite! Patasola Press and Atticus Books join indie forces to present a spirited night of reading high jinx, complete with quirky novelists, saucy poets, brainy sirens, and devious wordsmiths in a slick, private upstairs bar. Rae Bryant, Steve Himmer, Dave Housley, John Minichillo, J.A. Tyler and other underground small press sensations are on hand to incite sentence riots and more.

Saturday

1:00PM TJY & The Actionettes
Location: Multikulti, 1000 N Milwaukee Ave
Cost: $5 suggested
Website: http://www.brownpapertickets.com/event/219588
Sponsored by Action Yes! and Red Lightbulbs, an afternoon of queer, feminist, gurlesque & grotesque literary performance featuring kitschy, campy, glamorous and otherwise unruly bodies & texts, starring Kate Durbin, Ji Yoon Lee, Carina Finn, Meghan Lamb and Tim Jones-Yelvington.

3:00PM-5:00PM Woman Made Gallery Welcomes Women Who Write: Strong Words, Strong Voices
Location: Woman Made Gallery, 685 N Milwaukee Ave
Cost: Free
Website: http://www.womanmade.org/poetry.html
This year, Woman Made Gallery celebrates 20 years of supporting the creative endeavors of women around the world. Literature has been prominently featured among gallery programs, including poetry readings, often organized around the themes of the concurrent art exhibit. Honoring Women’s History Month, we bring together five seasoned poets with distinctive voices, vision and presence: Kim Addonizio, Brenda Cardenas, Nina Corwin, Patricia Spears Jones and Patricia Smith. The reading will be followed by a conversation and celebration hosted by six prominent women’s literary organizations from around the country.

4:00PM-6:00PM Many Mountains Moving Press Reading
Location: Gage Gallery, Roosevelt University
Cost: free to all
Website: http://www.mmminc.org/html/events/events_new.htm
Another terrific lineup from MMM: Anne-Marie Cusac, Renato Rosaldo, Patrick Lawler, Jeffrey Ethan Lee, as well as Scott Blackwood, and the Creative Writing Program. A beautiful large space within walking distance of the conference hotels at 18 S. Michigan Avenue, Chicago, Il.

5:00PM-6:30PM Mixer/Paper Darts Last Chance Happy Hour
Location: The Beauty Bar, 1444 West Chicago Avenue
Cost:
Mixer and Paper Darts team up to present an epic reading/sendoff on the final night of AWP. Swing by the Beauty Bar and dip your callused and brittle hands in a luxurious wax bath while you hear the likes of Amelia Gray, Tom Bonfiglio, John Jodzio, Chelsea Martin, Edward Trefts and Anne Yoder.

6:00PM-9:00PM Ear Eater #13: The Impossible, The Extraordinary
Location: Beef & Brandy, 127 S. State Street
Cost: FREE
Website: http://eareater.tumblr.com/post/16833972149/ear-eater-13-awp-edition
Join Us for Ear Eater #13: The Impossible, The Extraordinary! ALL-STAR CAST: Amelia Gray: (Author of AM/PM (Featherproof Books) and Museum of the Weird (FC2). Her first novel, THREATS, is due March 2012 from Farrar, Straus and Giroux.); Vanessa Place: (Writer, lawyer, and co-director of Les Figues Press. She is the author of Dies: …A Sentence (2006), La Medusa (FC2, 2008), and The Guilt Project: Rape, Morality, and Law (2010); Kevin Sampsell: (Author of the short story collections Beautiful Blemish and Creamy Bullets. He is the editor of The Insomniac Reader and Portland Noir. His newest book is A Common Pornography: A Memoir. He runs the micropress, Future Tense Books); Adam Robinson: (Adam Robinson lives in Baltimore, where he operates Publishing Genius Press. He is the author of Adam Robison and Other Poems, (Narrow House Books, (2010). More info at the EAR EATER site http://eareater.tumblr.com/post/16833972149/ear-eater-13-awp-edition

7:00PM-9:00PM Before We Go
Location: Beauty Bar, 1444 W. Chicago Ave
Cost: Free
Website: http://www.facebook.com/events/371496909532464/
Presented by Big Lucks, Gigantic Sequins, Knee-Jerk, Magic Helicopter, and Rose Metal Press. Readings from Amanda Auchter Jason Bredle, Adam Drent, Loren Erdich, Adam Golaski, Christie Ann Reynolds, Matthew Siegel, Justin Sirois, Jordan Stempleman, and Ben Tanzer.

2012 AWP Guide

And so it begins again. In less than two months we will be reunited in Chi-town to discuss our websites, publications, and favorite Nintendo games. xTx will play Dark Tower. Devan Goldstein will cry. Brian Oliu will rock a track suit. I will undoubtedly ramble about mid-nineties Spider-Man stories to vaguely interested new friends.

A-W-P!

This is my third year writing a guide, and it’s my fourth time attending. Each year has been significantly better than the last. What began as an excuse to hang around an exotic city with my friends has turned into the conference where Facebook Comes to Life! Here are all those people that post things that I click a button to like! And most of them are great people too! And they’re all fun to drink with. Let me recap what I basically said in last year’s guide. There are two AWPs. There’s the day AWP where you engage in thought provoking panels and strike up conversation with interesting people in the bookfair who work for journals and presses. Then there’s the night AWP where you attend reading after reading and everything is in a bar and everyone’s going nuts. It’s the worst. It’s the best. It’s AWP.

In the unlikely event that you’re interested in hanging out with this champion (crickets), here are three times/locations you can definitely find me.

Thursday
7

Convocation in Chicago
Location: Beauty Bar
Cost: Free
PANK, Annalemma, and Mud Luscious will once again host a holy meeting of literary minds. Convocation in Chicago will feature performances by Scott McClanahan, Daiva Markelis, Jac Jemc, Robb Todd, Sal Pane, Brian Oliu, Aubrey Hirsch, Matt Bell, xTx, Chris Newgent, Brett Elizabeth Jenkins, Casey Hannan, Tim Jones-Yelvington, Brandi Wells, Doug Paul Case, Ryan Bradley, Myfanwy Collins, Sarah Rose Etter, Laura Ellen Scott, Molly Laich, and Allyson Boggess.

Friday
7
Stymie Magazine Presents: A Really Big Show
Location:Theory Sport.Dine.Lounge; 9 W. Hubbard
Cost: FREE
Stymie Mag is coming to AWP 2012 and we’re throwing a party, or at least a reading with words, beverages, and good times at Theory Sports Lounge. We couldn’t be more excited and hope you are too (and that you’ll mark the date/time on what we’re sure is an already busy AWP calendar)!

Featuring:
Cynthia Hawkins, Tim Kahl, Jeanie Chung, James O’Brien, Lauren Becker, Alex Moody, Steven Kowalski, Joseph Baron-Pravda, Diane Durant McGurren, Shaindel Beers, Sal Pane, Erin Elizabeth Smith, Joe Ponepinto, J. Bradley, Megan Cass, Elijah Burrell, Ilan Mochari, Tyler Gobble, Mark Cugini, and Maria Nazos

Saturday
10:30am-11:45am
S143. Vampire by Vampire: Genre Writing and the Creative Writing Workshop
(Jeffrey Condran, Aubrey Hirsch, Alissa Nutting, Salvatore Pane)
Honoré Ballroom, Palmer House Hilton, Lobby Level
At a time when many students’ visual literacy is as highly developed as their traditional literary skills, when genre fiction dominates publisher and best-seller lists, and when many writers of literary fiction are open to narratives that reach beyond realism, instructors are often under pressure to include genre traditions in the fiction workshop. Four fiction writers teaching at colleges with diverse missions share stories and discuss strategies for including genre conventions in the workshop.

Below are the panels I’m thinking of attending. Let me be extremely clear on this. These aren’t the top however many panels of AWP. These are just the ones I’m most interested in seeing. That means there’s a huge fiction/comics/pedagogy/small press bias. Also, I’ll be rolling out a guide to the outside events sometime in the near future. Get pumped.

Thursday
9-10:15

R103. A Writing Life, After the Workshop
(Ilana Shabanov, April Newman, Daniel Prazer, James Lower, Sheree Greer)
Boulevard Room A,B,C, Hilton Chicago, 2nd Floor
This intensive presentation covers what your MFA program might have missed: how to organize and sustain a writing life in today’s economy. Our event showcases planning ideas, technology solutions, and tools writers can use to take control of their career and maintain a writing lifestyle long-term. The approach is engaging to the audience, displaying websites and tools available to writers to promote their work. The audience members will come away with resources and an action plan for their writing life. A Q&A session follows.

R104. The Constant Critic Anniversary Panel: Poetry Reviewing in the 21st Century
(Karla Kelsey, Ray McDaniel, Sueyeun Juliette Lee, Vanessa Place, Jordan Davis)
Continental A, Hilton Chicago, Lobby Level
In 2002, Fence publisher Rebecca Wolff began the Constant Critic, an online-only poetry book review website. The venues for poetry criticism have dramatically altered in the past ten years, but the ,CC, has remained. This panel, staffed by the site’s five critics (two of whom have been with the project since the beginning) discusses what it means to have a lengthy presence in one venue along with issues surrounding the rapidly changing world of poetry publication, dissemination, and criticism.

R108. Reports from the Trenches: Teaching Novel and Novella Workshops
(Richard Sonnenmoser, Sabina Murray, Katherine Karlin, Cynthia Reeves)
Lake Erie, Hilton Chicago, 8th Floor
Workshops focused on long-form narratives are difficult for many creative writing teachers to imagine. This panel focuses on issues related to the effective teaching of novel and novella workshops for graduates and undergraduates. Panelists who have been in the trenches of long-form workshops will discuss course design and suggested readings and give advice about the problems specific to workshops focused on longer forms.

R111. Of, By, and For the People: Indie Lit in the Second City
(S. Whitney Holmes, Jacob S. Knabb, James Tadd Adcox, Amanda Marbais, Jonathan Fullmer)
Lake Ontario, Hilton Chicago, 8th Floor
Editors from a range of Chicago publications—online and print, established and upstart—discuss why independent literature thrives in Chicago, how their organizations contribute to a dynamic local literary community, and how their publications contextualize the city’s contemporary literary landscape for readers outside of Chicago. Panelists invite questions about how to get involved in the literary and publishing community in Chicago and offer advice for fostering such a community in any city.

R117. The Business of Publishing Your Novel with an Independent Press: Author and Publisher Perspectives
(Dennis Johnson, Joe Meno, Adam Levin, Christopher Boucher, Leigh Stein)
Wiliford C, Hilton Chicago, 3rd Floor
Melville House publisher and co-founder Dennis Johnson leads a practical discussion of the publishing process with four authors in various stages of their literary careers: Joe Meno has had seven books published since 1999, Adam Levin’s first novel was a 2010 critical hit, and Christopher Boucher and Leigh Stein have debut novels appearing in 2011 and 2012. Topics include acquisitions, editing, big house versus indie publishing, publicity, marketing, tours, social networking, and the changing role of the author.

R119. Flash Points: Publishing Flash Fiction in an Evolving Landscape
(Glenn Shaheen, Roxane Gay, Nancy Stebbins, Edward Mullany, Adam Peterson)
Empire Ballroom, Palmer House Hilton, 3rd Floor
Editors from PANK, NANO Fiction, matchbook, SmokeLong Quarterly, and the Cupboard discuss trends they see in the flash fiction submitted to their journals. What are some tropes they’re tired of? Things they wish they’d see more often? Are prose poems and flash fiction pieces scrutinized differently when submitted? Join the editors as they attempt to (briefly, of course) characterize the landscape of contemporary flash fiction and give advice to those who are submitting their shortest work.

10:30-11:45

R127. Ideas That Always Work; Solutions That Never Fail: Best Practices for the Creative Writing Workshop
(Christopher Castellani, Ethan Gilsdorf, Lisa Borders, Jill McDonough)
Continental A, Hilton Chicago, Lobby Level
Every workshop has problems: the dude who won’t stop talking; the lady who keeps psychoanalyzing; the inappropriately dirty/violent/creepy story. Every workshop needs new ideas: unique exercises that always yield worthwhile pages; rules that structure conversation without squashing spontaneity. In this panel, instructors of all genres will share case studies of how they deal with common problems and also reveal their best strategies for maximizing the effectiveness and fairness of workshops.

R130. Angles of Ascent
(Toi Derricotte, Major Jackson, Yusef Komunyakaa, Dawn Lundy Martin, Vievee Francis)
International Ballroom South, Hilton Chicago, 2nd Floor
In this reading, representative voices of eighty poets spanning three generations discuss and read from the anthology Angles of Ascent (edited by Charles Rowell). This landmark project was published by W. W. Norton in February 2012. Toi Derricotte, Major Jackson, Yusef Komunyakaa, Dawn Lundy Martin, and Vievee Francis will discuss the nature and importance of Angles of Ascent in American poetry. This will be followed by twenty minutes of readings and a ten-minute exchange with the audience.

R134. Phoning It In: Publishing through an iPhone App
(Maribeth Batcha, Tyler Meier, Sunyoung Lee, Daniel Pritchard, Chad Post)
Lake Michigan, Hilton Chicago, 8th Floor
Representatives from five leading publishers—Boston Review, Kaya Press, Kenyon Review, One Story, Open Letter—discuss their experiences: the pitfalls, successes, and strategies of publishing digitally.

R142. Ten Years of Literary Politics: Is There Still Room and Interest in the New Marketplace?
(Dennis Johnson, Valerie Merians, Jessa Crispin)
Wiliford C, Hilton Chicago, 3rd Floor
Jessa Crispin, founder of the seminal lit-blog Bookslut, leads a discussion with Melville House founders Valerie Merians and Dennis Johnson on the challenges and importance of publishing political literature in a changing industry. Topics explored include: books of longform cultural and political rhetoric in the age of the Internet, the specific demands of political publishing, and the dedication to activism in the arts.

12-1:15

R153. Writing the American West
(D. Seth Horton, Antonya Nelson, Toni Jensen, K. L. Cook, Claire Vaye Watkins)
Continental B, Hilton Chicago, Lobby Level
Best of the West: New Stories from the Wide Side of the Missouri is an annual anthology of exceptional short fiction rooted in the western United States. Four award-winning contributors gather to read from their recently anthologized work. They will be introduced by D. Seth Horton, the series co-editor

R159. A Novel Problem: Moving from Story to Book in the MFA Program
(Cathy Day, David Haynes, Patricia Henley, Sheila O’Connor, Elizabeth Stuckey-French)
Lake Michigan, Hilton Chicago, 8th Floor
Short stories are often our main pedagogical tools, but the book is the primary unit of literary production. When are apprentice writers ready to write novels, and how do we review them in a workshop setting? How can we create courses and curricula that encourage students to move toward and complete book projects? This panel will explore the challenges of accommodating the novel or the novel-in-stories within the structure of an MFA program.

R164. A Reading from the Kenyon Review Writers Workshop Instructors
(David Lynn, David Baker, Nancy Zafris, Rebecca McClanahan, Geeta Kothari)
Wiliford A, Hilton Chicago, 3rd Floor
Held annually in the month of June, the Kenyon Review Writers Workshop is a week-long residential writing experience that focuses on the generation of new material in an intimate, creative, and productive setting. This reading by recent faculty offers the opportunity to hear the work of returning instructors and will include an audience guided Q&A about Kenyon’s process-oriented approach.

R170. Villains and Killers and Criminals, Oh My: Representing Evildoers in Literary Fiction
(Reese Okyong Kwon, Matt Bell, Eugene Cross, Brian Evenson, Lauren Groff)
Honoré Ballroom, Palmer House Hilton, Lobby Level
Iago, the Misfit, Milton’s Satan, Judge Holden—some of the most memorable characters in literature have been the evil ones. “The death of Satan was a tragedy / For the imagination,” said Wallace Stevens. If this is true, how can fiction writers profit from the inclusion of villainy, and what might be lost? Join writers as they discuss their experiences incorporating elements of evil into their fiction, providing examples from their own and others’ work.

1:30-2:45

R175. The Tech-Empowered Writer: Embrace New Media, Experiment, and Earn
(Christina Katz, Jane Friedman, Seth Harwood, Robert Lee Brewer)
Boulevard Room A,B,C, Hilton Chicago, 2nd Floor
What can a professor, a journalist, a novelist, and a poet teach you about new media? Using real-life examples from our own experience and that of other tech-savvy writers, we’ll construct a composite of how working writers use technology to invest in their careers, experiment and launch new works, and grow their income opportunities. Whether you need a day job, a part-time job, or just enough gigs to pay a few bills, there have never been so many ways for tech-savvy writers to earn.

R180. East and West: Creative Nonfiction and the Possibility of Post-Orientalist Travel Writing
(Joshua Schriftman, Faith Adiele, Fred D’Aguiar, Elizabeth Kadetsky, Oona Patrick)
Joliet, Hilton Chicago, 3rd Floor
New travel writing too often builds on old notions of race. Developing cultures get reduced to romantic piquancy, and national identities become exotic foils to Western quests for identity: find prayer in one nation; food in another; love in a third. We may know Orientalism when we see it, but does this ultimately help us as writers to avoid it? How can Westerners writing on Eastern experiences use the tools of creative nonfiction to write outside of these old imperialist patterns?

R187. Houghton Mifflin Harcourt Reading
(Peter Mountford, Alexander Chee, Bruce Machart, Dean Bakopoulos)
Waldorf, Hilton Chicago, 3rd Floor
A reading by four writers who have had books published in 2011 by one of the most esteemed publishing houses in the United States, Houghton Mifflin Harcourt. The authors will read from their diverse work and discuss the challenges and benefits of publishing literary fiction with a large publishing house and the changing landscape for emerging novelists.

R191. Keeping a Debut Book Alive
(Justin Taylor, Heidi Durrow, Marie Mockett, Joanna Smith Rakoff, Dylan Landis)
Crystal Room, Palmer House Hilton, 3rd Floor
What happens once a publisher says yes? First, champagne—then the author’s hard work starts. In this economy, relying solely on an in-house publicist, especially for a novel or story collection, can hurt a new book from a little-known writer. Four emerging authors reveal how they generated their own buzz. They discuss publicists, websites, mailing lists, social networking, book festivals, blogging, the art of coaxing people to readings, the legendary book tour—and who really pays for it all.

R193. The Bookstore Is Not Your Best Friend: Effective Small Press Marketing Strategies
(Colleen McKee, C.J. Kearns, Erin Wiles, Behnam Riahi, Winnie Sullivan)
Grand Ballroom, Palmer House Hilton, 4th Floor
Many publishers and authors starting out mistakenly assume that the first (or even only) places they should market their books and journals to are bookstores. While bookstores should be their friends—and often are—they are not necessarily their best friends. In this panel, publishers and PR people from young yet successful small presses discuss alternative venues for readings and book sales, from anarchist bakeries to punk bars, galleries to outdoor fairs, burlesque nights to feminist groups.

R195. Beyond Pulp—The Futuristic and Fantastic as Literary Fiction
(Anjali Sachdeva, Victoria Blake, Kevin Brockmeier, Brian Evenson, Matthew Williamson)
Red Lacquer Room, Palmer House Hilton, 4th Floor
This panel examines the role of science fiction, horror, and fantasy writing in the world of serious literature. Literary journals’ submission guidelines often include the phrase “no genre fiction,” but these genres include talented writers who wield all the tools of literary fiction. Why are fantasy and sci-fi so often considered trivial? How do publishers separate literary genre writing from pulp fiction? The panel will discuss how literary genre writing is promoted, written, and published.

3-4:15

R208. Periodical Wisdom: Advising Student-Run Lit Mags
(Jay Baron Nicorvo, Jennifer Acker, Don Lee)
Lake Michigan, Hilton Chicago, 8th Floor
Current faculty advisors and publishers of literary magazines discuss the ins and outs of directing a student-run publication.

R212. There Will Be Blood: Writing Violence in Fiction
(Alexi Zentner, Antonya Nelson, Benjamin Percy, Alan Heathcock)
Waldorf, Hilton Chicago, 3rd Floor
As writers, we are often told to kill our darlings and to leave blood on the page. But what if we really mean it? Four writers talk about when, why, and how to introduce violence into fiction, how to choreograph a moment of physical savagery, and walking the line between too little and too much bloodshed.

R215. Points of View/Angles of Approach
(Peter Turchi, Robert Boswell, C.J. Hribal, Susan Neville)
Wiliford C, Hilton Chicago, 3rd Floor
Point of view is one of the most complex of the basic elements of fiction, with far more variables and possibilities than general discussions typically acknowledge. The writers and teachers on this panel will discuss “Deep Point of View: what we don’t talk about when we talk about point of view”; “The Reliably Unreliable Consciousness”; “First Person: From I to IIIIII”; and “Don’t Be So Sure: Interrogating the First-Person Narrator.”

R218. The Geometry of the Novel: Making “Shapelier” Fiction
(Peter Grandbois, Debra Di Blasi, Michael Martone, Lance Olsen)
Grand Ballroom, Palmer House Hilton, 4th Floor
While Jerome Stern’s classic Making Shapely Fiction focuses on alternative narrative forms, most of the shapes are actually variations of the Freytag pyramid, for example, his “Journey,” “Visitor,” “Bear at the Door,” and “Aha” shapes. This panel seeks to expand Stern’s premise in order to explore not only the power alternative shapes offer in driving longer, book-length narratives, but also the aesthetic beauty of geometries that work with a story, not against it.

R221. What about Blog?: How Blogging Can Propel Your Career and Polish Your Craft
(Sarah Klenakis, Turi Fesler, Claire Bidwell Smith, Rachel Vogel, Caitlin Leffel)
State Ballroom, Palmer House Hilton, 4th Floor
Sure, lots of writers blog, but what can you do to actually capitalize from your daily posts? A writer, editor, literary agent, and blog sponsor come together to discuss what appeals to them when reading online, how you can better attract followers, make money from your blogging, and possibly even find a job. From sharing success stories to blogging “don’ts,” this panel will clarify the murky waters that surround online writing.

4:30-5:45

R233. The Renaissance of Midwestern Literature
(Jason Lee Brown, Bonnie Jo Campbell, Dan Chaon, Mark Wisniewski, Rebecca Makkai)
Lake Ontario, Hilton Chicago, 8th Floor
There is no doubt that midwestern literature exists, but how do we define and support its eccentricities and its coexisting relationship with other regional literature? Contributors to the new anthology New Stories from the Midwest read excerpts of their work and comment on the burgeoning renaissance of midwestern literature.

R236. What’s Wrong with the Whole Truth?
(Susan Resnick, Philip Gerard, Peter Trachtenberg, Paige Williams, Rebecca Skloot)
Waldorf, Hilton Chicago, 3rd Floor
Many writers feel comfortable molding the truth to create a more satisfying story, yet still calling their piece nonfiction as long as the emotional core and basic frame of the work remain true. Not the writers on this panel. These authors, journalists, and nonfiction professors will explore the philosophy of factual versus emotional honesty and discuss how to achieve both—beautiful and moving nonfiction writing that is 100% true.

R238. Opening the Circle: Connecting Workshop Pedagogy and Public Audiences
(Sarah Harris, Tim Mayers, Dale Rigby, Drew Krewer)
Wiliford B, Hilton Chicago, 3rd Floor
The CW workshop has been often critiqued, but seldom clearly defined. We argue that the workshop is a valuable space for openness, collaboration, and creativity, and these pedagogical aims can be achieved when the circle of the workshop is opened to include real-world audiences. Presenters will describe current methods of instruction used in the workshop and present attendees with a variety of workshop methods that allow students working in various genres to connect their work with audiences.

R239. Poetry Reading for Beauty is a Verb: New Poetry of Disability
(Jim Ferris, Cecil Giscombe, Stephen Kuusisto, Laurie Clements Lambeth, Ellen McGrath Smith)
Wiliford C, Hilton Chicago, 3rd Floor
A reading by poets featured in the new anthology Beauty is a Verb: New Poetry of Disability. The book originated from a panel of the same name presented at the 2010 AWP conference in Denver. Following the panel, presenters Jennifer Bartlett, Sheila Black, and Michael Northen came together to develop the anthology.

R244. The Way the Wind Blows: Trends in Contemporary Short Fiction
(Todd James Pierce, Steve Yarbrough, Kevin Moffett, M.M.M. Hayes, Darlin’ Neal)
Red Lacquer Room, Palmer House Hilton, 4th Floor
In this panel, five noted short-story authors identify trends in contemporary short fiction. From the research-based stories of Andrea Barrett and Jim Shepherd to the sardonic explorations of Stacey Richter and George Saunders, this discussion will focus on how the form of the short story has evolved over the past ten years, with an eye toward understanding where the form is headed.

7:00-8:15

A Reception Hosted by Chatham University
Private Dining Room 4, Hilton Chicago Hotel 3rd Floor
Join students and faculty from Chatham University for a reception.

Friday
9:00-10:15

F112. The Fiction Chapbook—A Sleeper Form Wakes Up
(Nicole Louise Reid, Eric Lorberer, Diane Goettel, Kevin Sampsell, Abigail Beckel)
Marquette, Hilton Chicago, 3rd Floor
In recent years, the literary marketplace has seen an upswing in publication of fiction manuscripts as chapbooks—a format associated mainly with poetry. A chapbook is the perfect medium for a short story or a clutch of short-shorts, and is capable of bringing an intimacy and aesthetic appeal unattainable by full-length books. Editors from Black Lawrence Press, Future Tense Books, Rain Taxi, RopeWalk Press, and Rose Metal Press, will discuss a range of experiences with this exciting format.

F116. Thirty Years of Award-Winning Short Fiction: The Drue Heinz Literature Prize
(Shannon Cain, Adria Bernardi, Tina May Hall, Edith Pearlman)
Wiliford C, Hilton Chicago, 3rd Floor
The University of Pittsburgh Press celebrates thirty years of the Drue Heinz Literature Prize for short fiction, featuring a panel of four DHLP winners. The authors will read from their work and discuss how they discovered their literary talent, what inspires their writing, what excites them about the writing process, and how their work fits into their daily routine. The audience is invited to participate in a Q&A, and the authors will sell and sign copies of their books following the event.

F119. Literature and the Internet in 2012
(Roxane Gay, Stephen Elliott, Blake Butler, James Yeh)
Grand Ballroom, Palmer House Hilton, 4th Floor
The literary editors of four leading web magazines—HTMLGiant, the Rumpus, PANK, and the Faster Times—offer a roundtable discussion about how the Internet is changing literature and literary publishing in the 21st century.

10:30-11:45

F138. Apocalypse Now: A Multi-Genre Reading of Apocalyptic Literature
(Brian Barker, T.R. Hummer, Pinckney Benedict, Judy Jordan, Kevin Brockmeier)
Waldorf, Hilton Chicago, 3rd Floor
Earthquakes, global warming, peak oil, and giant, man-eating ants: every generation has its version of the apocalypse and an abundance of writers who write about it. In recent years, the end of the world has become the subject for a number of literary writers, and a new genre of literature is emerging. Five award-winning poets and novelists read from their apocalyptic literature, examining how their work has been influenced by recent events and by the sense of impending doom we humans share.

F145. The Hollywood Stint: Prose Writers and Writing for the Screen
(Andrew Scott, Douglas Light, Tom Chiarella, John McNally, Owen King)
Red Lacquer Room, Palmer House Hilton, 4th Floor
Writing for Hollywood has long appealed to prose stylists such as Dorothy Parker, F. Scott Fitzgerald, William Faulkner, and many contemporary writers. These panelists will discuss writing across genres, what’s required to write for the screen, how their fiction writing skills aid or hinder their attempts to please Hollywood, their dealings with producers, studios, and television networks, and the changing perceptions about screenwriting within creative writing programs.

F147. Home and Away: The Influence of Travel on Writing
(Stephan Clark, Sabina Murray, Jeff Parker, Kyle Minor, Jensen Beach)
Wabash Room, Palmer House Hilton, 3rd Floor
Every writer works alone, but some go to great distances to do so. This panel brings together five writers who have traveled extensively—to Australia, Haiti, Hungary, the Philippines, Russia, Sweden, and Ukraine—to discuss how travel and living abroad have enriched their fiction and nonfiction, allowing them to tell stories they otherwise would not have known and, paradoxically, better write about their own culture.

12:00-1:15

F149. Ghostwriting the Eulogy: How to Survive and Make Your Name beyond the Academy with a Degree in Creative Writing
(Andrew McFadyen-Ketchum, Kim Addonizio, Dana Gioia, Maggie Dietz, Simone Muench)
Boulevard Room A,B,C, Hilton Chicago, 2nd Floor
With the expansion of programs in creative writing, more and more degreed creative writers are overwhelming the academic job market, causing many of us to seek different ways to make a buck while continuing to write. Ghostwriting, editing, independent scholarship, running a workshop, writing for TV: you name it and the five poets and novelists on this panel have done it. They will share with us the creative ways they’ve found to make a living and some tricks they’ve learned along the way.

F153. A Reading and Conversation with Jaimy Gordon and Rebecca Skloot
(Jaimy Gordon, Rebecca Skloot, Donna Seaman)
Grand Ballroom, Hilton Chicago, 2nd Floor
A reading and conversation by best-selling authors Jaimy Gordon and Rebecca Skloot. The conversation will be moderated by critic and editor Donna Seaman.

F154. Killer Verse: Poems of Murder and Mayhem
(Harold Schechter, Cornelius Eady, Lynn Emanuel, Patricia Smith, Brian Turner)
International Ballroom South, Hilton Chicago, 2nd Floor
What are the moral implications of writing about violence? Where is the line between portraying violence and exploiting it? The danger of writing about violence is that we might wind up aestheticizing it. If there is a difference between sensationalism and truth, when do we put down the pen and do something to help the victims? Or is writing about violence a form of action, an effective way of addressing the problem? Panelists will address these questions and more.

F156. Measuring Creativity: What Do Grades Have to Do with Artistry?
(Cass Dalglish, Heather Gibbons, Kate Green, Ellen McGrath Smith, Cary Waterman)
Lake Erie, Hilton Chicago, 8th Floor
Creative writing teachers constantly face the inadequacies of conventional grading as they work in an unconventional field that often defies prescriptive norms. Five faculty members with diverse backgrounds—lecturer, instructor, assistant professor, and professor from community college, private college, and public university settings—will offer meaningful assessment tools for the survival of students and teachers alike, including self-evaluation, scoring machines, grade contracts, and chapbooks.

F160. Works in Progress Mix Tape
(Ken Chen, Nami Mun, Don Lee, Prageeta Sharma)
Marquette, Hilton Chicago, 3rd Floor
Participants read new work and the life behind their literature: private writing rituals, relationships with mentors and peers, favorite books, songs on iTunes repeat and performance-enhancing alcoholic drinks, social media and other procrastination devices. Ask nicely and they’ll talk about writing as Asian Americans when only 5% of the authors reviewed in the New York Times are writers of color. Presented by the Asian American Writers’ Workshop.

F166. Short but Not Too Sweet: Three Emerging Writers Read from Debut Story Collections
(Megan Mayhew-Bergman, Emma Straub, Stuart Nadler)
Crystal Room, Palmer House Hilton, 3rd Floor
Long live the short story! Writers are often discouraged from pursuing short story collections, but this panel will prove they are still viable. Come hear emerging writers read from their debut story collections. The panelists will then engage in an honest, lively, and practical discussion about what it takes to get a short story collection published and open the floor for questions.

1:30-2:45

F178. National Book Critics Circle Celebrates Award-Winning Authors
(Jane Ciabattari, Bonnie Jo Campbell, Jennifer Egan, Jane Smiley, Isabel Wilkerson, Darin Strauss)
Grand Ballroom, Hilton Chicago, 2nd Floor
A reading by Bonnie Jo Campbell (AWP Prize, 2009 National Book Critics Circle Award Finalist in Fiction), Jennifer Egan (2011 National Book Critics Circle and Pulitzer Prize in Fiction), Jane Smiley (1992 National Book Critics Circle Award and Pulitzer Prize in Fiction), Darin Strauss (2011 National Book Critics Circle Award in Fiction), and Isabel Wilkerson (2011 National Book Critics Circle Award in Nonfiction and Pulitzer Prize Winner in Journalism).

F181. Reinventing Realism: The Craft of Alice Munro
(Catherine Brady, Rachel Hall, Kim Aubrey, Michael Byers, Alice LaPlante)
Lake Erie, Hilton Chicago, 8th Floor
Alice Munro has much to teach about the elegant execution of craft fundamentals. She also deserves her due as a daring innovator who’s inexhaustibly curious about the possibilities of form and the conventions of fiction writing. Panel participants will discuss Munro’s use of time in narrative; consider her methods of characterization, including her depiction of thought; and discuss her manipulation of point of view in the service of dynamic plotting.

F182. Let’s Work Together: Pedagogies of Rhetoric in the Creative Writing Class
(Richard Greenfield, Minal Singh, R.J. Lambert, Robert Houghton, EmmaLee Pallai)
Lake Huron, Hilton Chicago, 8th Floor
Exploring the intersection of creative writing and composition, this panel will discuss pedagogy practices where the writing of composition texts integrates creative writing pedagogy with an emphasis on rhetoric. We will also discuss the benefits of utilizing rhetorical analysis as the basis of discussing creative writing texts in workshop as well as informing composition of the creative writing text itself. Each member of the panel will provide assignments or exercises as examples.

F189A. Anytown, USA: Representing Place in Fiction
(Ron Hansen, Ladette Randolph, Eric Goodman, Sherrie Flick, Robert Vivian)
Wiliford C, Hilton Chicago, 3rd Floor
How do we define place in fiction? Does the location matter? How do place and region shape the writing and vise versa? This panel aims to answer the larger question of how to define place while also representing the sometimes misunderstood middle coast, featuring authors whose fiction is set in the Heartland, a place many times more clearly defined by what it is not than by what it is. Each author will share a unique approach to representing place in writing.

F196. Between Song and Story: A Reading from the New Autumn House Nonfiction Anthology
(Sheryl St. Germain, Debra Marquart, Michele Morano, John Price, Jane Fishman)
Wabash Room, Palmer House Hilton, 3rd Floor
Readings and discussion from the newly published Autumn House anthology of essays, Between Song and Story: Essays for the 21st Century. This anthology is the first of its kind to focus on the lyric and formally adventurous essay. Five contributors, including one of the editors, will read and discuss their essays, focusing on formal strategies that challenge the traditional essay form.

3:00-4:15

F208. Will Write for Food: Writers Working Outside Academia
(Chloe Miller, Alison Hicks, Patricia Lewis, Valerie Martinez, August Tarrier)
Lake Michigan, Hilton Chicago, 8th Floor
During the past two years, openings in English departments declined more than 40%. Creative writing tenure-track openings declined more than 30%. At the same time, the demand for writing opportunities is widening, encompassing community-based, travel, and virtual writing communities. Panelists will discuss writing lives outside academia, including entrepreneurial ventures in online teaching and mentoring, editing and coaching services, workshops and retreats, and community engagement projects.

F218. Gender Interrupted: Poetry of the Alternatively Gendered
(Stacey Waite, Joy Ladin, Ely Shipley, Samuel Ace)
Lake Ontario, Hilton Chicago, 8th Floor
This reading features the work of alternatively gendered poets and writers, work that re-imagines and redefines the terrain of gender itself. In this unique and first-of-its-kind reading, the voices of transsexual, transgendered, and intersexed writers make their contribution to the rich and diverse aesthetics and politics of queer writing in the 21st century.

4:30-5:45

F232. Writing Games: Gaming, Digitally, and Creative Writing Pedagogy
(Stuart Moulthrop, Lane Hall, Anne Wysocki, W. Trent Hergenrader, Matthew Trease)
Lake Michigan, Hilton Chicago, 8th Floor
This panel discusses relationships among writing, digitality, games, and the creative writing classroom. Addressing Surrealist parlour games, Oulipian constrained writing techniques, Candyland, Uno, animation, and videogames, panelists consider the possibilities of games and digitality for developing generative writing exercises and helping students understand how textual experimentation fits within the craft of writing.

F238. Chapbook Publishing in the 21st Century
(Genevieve Kaplan, Lucas Southworth, Kristy Bowen, Elizabeth Wilcox, Ander Monson)
Wiliford B, Hilton Chicago, 3rd Floor
Even as print traditions are evolving rapidly, chapbook publishers embrace and promote a somewhat antiquated literary form: the printed chapbook. Chapbook editors and publishers participating in this roundtable will offer perspectives on the business and art of the chapbook, centering their discussion around advantages of the printed chapbook format, aesthetics and innovations in chapbook publishing, and methods for success for new and established chapbook publishing ventures.

F245. Finding the Time—And Money!—to Write
(Angela Veronica Wong, Alexandria Marzano-Lesnevich, Kirstin Chen, Farrah Field, Kim Liao)
State Ballroom, Palmer House Hilton, 4th Floor
All writers struggle with this quandary: either we have time to write and no money, or money and no time. But there are ways you can have both! Get practical advice and aesthetic inspiration from five writers under thirty-five who have all received grants, residencies, and fellowships propelling their careers forward. Especially useful to emerging writers battling the post-MFA slump, all genres (poetry, fiction, nonfiction, scholarly research/writing) and many varieties of funding sources are addressed.

Saturday
9:00-10:15

S103. Connecting with Readers via Your Website and Social Media
(Michele Wolf, Kim Addonizio, Leslie Pietrzyk, Matt Bell, Paul Lisicky)
Boulevard Room A,B,C, Hilton Chicago, 2nd Floor
Having a vibrant, user-friendly Web presence—via your own website (supplementing a publisher’s and/or employer’s page for you), blogging, Facebook, and other social media—has become a key asset for engaging readers and students, being part of the conversation, and expanding interest in your work. Learn how to create an appealing, fun-to-click site that best represents your books and passions, what resources and social media contact that readers most appreciate, and what pitfalls to avoid.

S104. Midwest Gothic: Dark Fiction of the Heartland
(Jodee Stanley, Brian Kornell, Dan Chaon, Cathy Day, Michael Czyzniejewski)
Continental A, Hilton Chicago, Lobby Level
From the stories of Sherwood Anderson to contemporary Midwestern fiction, authors have explored the darkness that lies beneath the placid exterior of an often-dismissed region of America. Five Midwest-based writers and editors will discuss how the prairie landscape and traditionally Midwestern character traits, including politeness, stoicism, and a wariness of the unknown, combine with traditional Gothic literary elements to create a rarely discussed subgenre of fiction, Midwest Gothic.

10:30-11:45

THIS IS WHEN MY PANEL IS, DOPES.

12:00-1:15.

S165. Mine Is Clouds: Revisiting the Life and Work of Richard Brautigan
(Shawn Mitchell, Joe Meno, Sean Lovelace, Theresa Williams)
Empire Ballroom, Palmer House Hilton, Lobby Level
A forefather of flash, a witty poet, and a great American surrealist, Brautigan has influenced artists ranging from Haruki Murakami to Neko Case and from Aimee Bender to Tobias Wolff. But despite having sold millions of books during his lifetime, he remains less known compared to other Beat and cult writers. At this panel contributors to the forthcoming tribute anthology, Mine Is Clouds, will consider Brautigan’s importance today and celebrate his life and legacy with a reading of his work.

1:30-2:45 

S180. Writing Visually: Using Comics in the Writing Classroom
(Anne Panning, Matt Madden, Hillary Chute, Jarod Roselló, Jessica Abel)
Lake Michigan, Hilton Chicago, 8th Floor
Many incorporate reading comics in their classes these days. But how can you use comics to teach writing? On this panel, two teaching cartoonists and three literature and writing professors will discuss ways to introduce the practice of comics into the creative writing classroom and how that can benefit students’ writing—of prose as well as of comics. Approaches include the Bechdel method of writing comics without drawing and using panels to visually activate prose (or poetic) writing.

S183. Ambitious Fiction: Tackling Big Ideas, Lots of Characters, and/or Lush Language
(Lucy Jane Bledsoe, Jane Smiley, Achy Obejas, Allen Gee, Brian Bouldrey)
Waldorf, Hilton Chicago, 3rd Floor
Everyone admires a spare, economical story or novel that moves forward with seemingly little effort. But some stories just can’t be told simply. They may have a large cast of characters. They may involve big, even complicated, ideas. They may call for a lush, rather than frugal, style. What is involved in biting off a big storytelling mouthful? This group of fiction writers will discuss their choices to sometimes write rich, rather than minimalist, fiction.

S189. A Reading Celebrating Twenty-Five Years of Product, the Center for Writers Literary Journal
(Kent Quaney, Michael Knight, Andy Plattner, Mary Miller, Damian Dressick)
Grand Ballroom, Palmer House Hilton, 4th Floor
The Center for Writers at the University of Southern Mississippi has just published the 25th anniversary edition of its student literary journal, Product, and as a celebration of this landmark will present a reading to showcase some of the best writers the program has produced. Noted alumni Michael Knight and Andy Plattner, recent graduate Mary Miller, and current student Damian Dressick will represent the Center for Writers in a reading exemplifying the artistic standard of the program.

S190. Unrequited Love: Renewing Your Vows to the Troublesome Novel
(Elizabeth Brundage, Stewart O’Nan, Jenna Blum, Alice Elliot Dark, Carole DeSanti)
Honoré Ballroom, Palmer House Hilton, Lobby Level
Unpublished novels are like unrequited love affairs, they linger in the hearts and minds of writers for years to come; many of us have one stashed in a drawer. And yet often within the existing work, a new novel can be rescued. This panel will explore strategies of revision, encouraging a fresh perspective, a renewed faith in the text. Other topics will include structural elements such as characterization, pacing, thematic possibilities, and our enduring commitment to the sentences we make.

S192. You + Me = We: Collaborative Authorship as Pedagogical Practice
(Lily Hoang, Sequoia Nagamatsu, EmmaLee Pallai, Adam Crittenden, Kelsie Hahn)
State Ballroom, Palmer House Hilton, 4th Floor
Authors often work together to create scholarly articles, novels, short stories, screenplays, poetry, and beyond. Collaboration allows all parties to parlay their strength to the page, be it research, sentence structure, concept, or more. It also provides a rich learning experience improving not just writing skills, but also interpersonal skills. This panel will discuss ways of incorporating the collaborative model of authorship in the composition and creative classrooms.

3:00-4:15

S206. Orion 30th Anniversary Reading
(Jennifer Sahn, Amy Leach, Aimee Nezhukumatathil, Benjamin Percy, Luis Alberto Urrea)
Waldorf, Hilton Chicago, 3rd Floor
For thirty years, Orion has used literature to bring our relationship with the natural world alive, in the belief that the arts connect people to the world, inspire action, and provide a way of thinking about a better future for people and the planet. Join Orion’s Editor-in-Chief and four of the innovative and exemplary writers who have helped make Orion one of the most respected magazines dedicated to the intersection of literature and the environment.

S215. Men from Venus, Women from Mars: Writing from the Perspective of the Opposite Sex
(Reese Okyong Kwon, Jennine Capó Crucet, Alan Heathcock, Kyle Minor, Kevin Wilson)
State Ballroom, Palmer House Hilton, 4th Floor
The old canard that fiction writers should write what they know would seem to prohibit writing from the point of view of characters of the opposite sex. Meanwhile, some of the most believable and compelling men in literature have been created by women, and vice versa. What is the appeal of writing from the head of an opposite-sex character, and how does one do so credibly? What politics should we consider? Panelists will offer perspectives, tips, and examples of effective embodiment of the other.

4:30-5:45 

S220. Ear Candy: Teaching the Pleasures of Poetic Meter
(Liz Ahl, Jeff Oaks, Annie Finch, Honorée Fanonne Jeffers, Tara Betts)
Continental B, Hilton Chicago, Lobby Level
Rooted in a diversity of aesthetic and pedagogical perspectives, this panel focuses on the teaching and learning of meter: how, when, and why might one teach meter to young poets? Is teaching meter like teaching other elements of poetic craft and technique? Is meter akin to music or language when it comes to learning and teaching? How can we help our students sing out rather than slog through? How might activities like scansion, reading aloud, or imitation, help poets develop an ear for meter?

S223. Poetry Reading: Pitt Poetry Series
(Ed Ochester, Toi Derricotte, Ross Gay, Julia Spicher Kasdorf, David Wojahn)
International Ballroom South, Hilton Chicago, 2nd Floor
Series Editor Ed Ochester will introduce the poets as they read from their new books from the Pitt Poetry Series of the University of Pittsburgh Press.

S225. Home Sweet Home: Short Story Collections and Small Presses
(Caitlin Horrocks, Amina Gautier, Shannon Cain, Adam Schuitema, Kelcey Parker)
Lake Erie, Hilton Chicago, 8th Floor
With trade publishers less willing to take a risk on story collections and agents and editors advising writers to just finish a novel, where can the story writer turn? Five debut authors discuss their experiences with the small, independent, and university presses that are increasingly the most welcoming homes for story collections. They’ll discuss how they found their publishers, what small publishers can (and can’t) offer story authors, and how these presses are helping collections thrive.

S233. The Art of the Short Story Collection
(Mary Rockcastle, Richard Bausch, Laura van den Berg, Tiphanie Yanique, Daniel Libman)
Wiliford C, Hilton Chicago, 3rd Floor
In the successful short story collection, the individual stories must move, delight, and entertain, and the collection as a whole must do so as well. What makes a collection of short stories a satisfying whole? How should it be put together? What should the writer consider when deciding upon content, placement, length, title? How easy or hard is it to sell? Robert Bausch, acknowledged master of the short story form and author of eight collections of short stories, joins three authors of very different, all successful, debut short story collections. Each will talk about his/her process in creating, shaping, and publishing the short story collection.

S236. Why Independent Publishers Matter / Independent Publishers and the Changing Industry
(Michael Miller, Tom Roberge, Jeff Shotts, Laura Howard, Eric Obenouf)
Grand Ballroom, Palmer House Hilton, 4th Floor
Bookforum editor Michael Miller, along with selected editors and publishers from various independent presses, will discuss the changing landscape of the publishing industry and the ongoing rise of independent publishers: why they are leading the way and what this means for the future of the industry as a whole.

Download the Tuscaloosa eBook

I meant to post about this yesterday. My pal Brian Oliu has put together an eBook of Tuscaloosa writers in the wake of the natural disaster which ravaged the Alabama town. You need to download Tuscaloosa Runs This. There are a lot of writers you know (Michael Martone!) and a lot to discover. But more importantly, please consider donating. Links, roster, and cover below.

Download
View on Issuu
Donate

Featuring
Andrew Grace
Jason McCall
Matt Maki
Lauren Gail
Juan Carlos Reyes
Megan Paonessa
Jeremy Allan Hawkins
Caleb Johnson
Darren Demaree
Kori Hensell
Kate Lorenz
Pia Simone Garber
Ellie Isenhart
Joseph P. Wood
Laura Kochman
Madison Langston
B.J. Hollars
Barry Grass
Katie Jean Shinkle
Jessica Fordham Kidd
Alan May
Michael Martone
Erik Wennermark
Erin Lyndal Martin
Steven Casimer Kowalski
Sam Martone
Kirk Pinho
Colin Rafferty
Josh Tucker
Brooke Parks
Robin Mozer
Brooke Champagne
Alex Chambers
Chris Mink
Adam Weinstein
Nik De Dominic
Jessy Scivley
Elizabeth Wade
Danie Vollenweider
Farren Stanley
MC Hyland
Betsy Seymour

Guide to AWP 2011 Part 2: The Off-Site Events

Ok. You knew this was coming. In my first AWP 2011 post, I highlighted a ton of panels that I really hope to attend this year in DC. Now it’s time for the off-site events. For those of you unaware, these are usually readings hosted in bars by literary journals and presses and all kinds of interesting organizations. A lot of times these are more fun than the actual panels themselves because, hey, hey, you can drink (you’ll be surprised to discover how much more interesting a talk on post-modern liminal spaces sounds after a couple drinks). And of course, I’d be remiss if I didn’t first mention the off-site event I’ll be reading at along with a serious host of motherfuckers.

Thursday at 7:30PM

Annalemma, PANK, & Mud Luscious Present Divination in DC
Location: Ireland’s Four Provinces
Cost: FREE
Website:
Description: Kristin O’Keefe Aptowicz, Tim Jones-Yelvington, Gregory Sherl, Molly Gaudry, Steve Himmer, Jesse Bradley, Ben Brooks, Mel Bosworth, Sal Pane, Sasha Fletcher, Mary Miller, Ethel Rohan, Michael Stewart, Rob Roensch, Brian Oliu, Mathias Svalina, Matt Salesses, Amber Sparks

Do you see that lineup? HOW CAN YOU NOT COME TO THIS!?

So, now that the shameless self-promotion is out of the way, time for a round-up of AWP 2011 off-site events.

This is a visual representation of the Divination in DC event.

Wednesday

2011 Festival of Language
7:00PM-10:00PM
Location: The Black Squirrel
Cost: Free
Website: http://www.facebook.com/pages/AWP-2011-Festival-of-Language-a-reading/110261148999292
Description: Original works will be read/performed by Debra Di Blasi, Lance Olsen, Kass Fleisher, Cris Mazza, Kirk Nesset, Michael Mejia, Duriel Estelle Harris, Steve Halle, Jeff Grieneisen, Jannee Baugher, Kate Dusenbery, Quintus Havis, Evan Nave, and Jane L. Carman. There will be food and beverages available for purchase upstairs at The Black Squirrel (http://www.blacksquirreldc.com/) only 0.76 miles from the Marriott Wardman Park. http://www.mapquest.com/?le=t&hk=7-I9EjF3r5&vs=h

It’s only a short walk from the convention, and my boy, Kirk Nesset, will be reading. Plus, it’s free. Check it.

Thursday

The Literati Gong Show
6:30PM
Location: Madam’s Organ Bar
Cost: FREE
Website: http://www.flatmancrooked.com/archives/8127
Description: Flatmancrooked with Dzanc Books, Featherproof Books, Hobart, and Barrelhouse present THE LITERATI GONG SHOW. The newest literary spectacle that promises to be huge hit and become an institution will be debuting at AWP 2011 in Washington DC. Ten contestants, all up-and-coming authors will perform anything but a straight reading for a panel of celebrity guest judges, all in hopes of avoiding The Gong, and taking home the top honors. This year’s guest judging panel includes Benjamin Percy, Pamela Houston, and Forrest Gander. Hosted by Flatmancrooked’s own Elijah M Jenkins.

Look. This shit is during the reading I’m participating in, so I won’t be in attendance. But this is a cool event with some great organizations. Try and hit both?

DOGZPLOT – JMWW – SENTENTIA – WIGLEAF Fiction Reading
7:00PM-10:00PM
Location: The Wonderland Ballroom (1101 Kenyon St. NW DC)
Cost: free
Website: http://thelookingglasslounge.com/wonderland/
Description: A night of fiction and poetry from contributors to Dogzplot, JMWW, Sententia, and Wigleaf. Writers include: Daniel Bailey, Shaindel Beers, Kim Chinquee, Jereme Dean, Greg Gerke, Mary Hamilton, Ben Loory, Robert Lopez, Kyle Minor, Meg Pokrass, Laura Ellen Scott, Peter Schwartz, Tyler Stoddard Smith, and Ben Tanzer. Hosted by: Bill Barr

Another one that conflicts with Divination, but hell if that isn’t a great lineup. I love those journals, and I’m a big fan of many of the writers included. Get yourself ready for some bar hopping during the 7 to 10 hours.

Sonora Review Turns 31: The Sexiest Party at AWP
10:30PM
Location: Madam’s Organ
Cost: Free
Website: http://sonorareview.com
Description: Sonora Review celebrates its 31st anniversary with a sexy marathon of readings at Madam’s Organ. No charge, but donations welcome. Readers include Kate Bernheimer, Kevin Canty, Nick Flynn, Joshua Furst, Michael Martone, D.A. Powell, Aurelie Sheehan, Ed Skoog, and Joshua Marie Wilkinson.

Sexiest party. Sonora Review. Nick Flynn. Michael Martone. Shit yeah.

Friday

FLORICANTO IN DC: A Multicultural Response Reading to SB 1070
6:00PM
Location: True Reformer Building, 1200 U Street NW, Washington, DC
Cost: $5 suggested. No one turned away
Website: http://literatiboricua.blogspot.com/2010/12/floricanto-in-dc-multicultural-reading.html
Description: Join us as over twenty poets lend their energy and language to a group reading in response to Arizona Senate Bill 1070 and in resistance to the atmosphere of national xenophobia under which the bill (and its emerging counterparts) were created. Confirmed readers include: Francisco X. Alarcon, Tara Betts, Sarah Browning, Regie Cabico, Carmen Catalayud, Lorna Dee Cervantes, Susan Deer Cloud, Martín Espada, Odilia Galvan Rodriguez, Carmen Gimenez Smith, Aracelis Girmay, Randall Horton, Juan Felipe Herrera, Dorianne Laux, Marilyn Nelson, Mark Nowak, Barbara Jane Reyes, Abel Salas, Sonia Sanchez, Craig Santos Perez, Hedy Trevino, Pam Ushuk, Dan Vera, Rich Villar, and Andre Yang. Co-sponsored and presented by the Acentos Foundation, Split This Rock, and the Poets Responding to SB 1070 Facebook group. Hosted by Oscar Bermeo.

This one’s for a great cause, people. Let’s show it some love.

A Poetry Reading presented by The Kenyon Review, Rescue Press and Monsters of Poetry Reading Series
7:30PM
Location: Asylum Bar, 2471 18th Street Washington, DC NW 20009
Cost: Free, or $2 dollar donation that includes entrance in raffle
Website: http://www.monstersofpoetry.org
Description: MONSTERS OF POETRY READING SERIES+ RESCUE PRESS + THE KENYON REVIEW present: JULIA STORY, ZACH SAVICH, SHANE MCCRAE, JESS LACHER, BECKA MARA MCCKAY, HANNAH SANGHEE PARK, DANIEL KHALASTCHI, CHRISTIE ANN REYNOLDS, KEVIN GONZALEZ, & ADAM FELL. A Reading @ Asylum Bar, 2471 18th Street Washington, DC NW 20009.7pm, Free…or $2 donation which gets you a raffle ticket for a raffle that includes signed books and chapbooks by the readers and presses.

Friday! Friday! Friday! THE MONSTERS OF POETRY! Kenyon Review! Awwwwwwwwwww yeah!

Corium, Prick of the Spindle, and Smokelong Quarterly Reading
7:00PM-9:30PM
Location: The Black Squirrel in Adams Morgan, 2427 18th St. NW, Washington, DC
Cost: Free
Website: http://smokelongquarterly.blogspot.com/2010/08/score-pots-smoke.html
Description: Readings by some of the best indie writers in the business, including: J. Bradley, Randall Brown, Mike Czyzniejewski, Nicolle Elizabeth, Heather Fowler, Scott Garson, Barry Graham, Joseph A. W. Quintela, Donna Vitucci, and more.

I love Corium. I love Smokelong. I love PotS. I love J. Bradley. I love Mike Czyzniejewski. I love Nicolle Elizabeth. See you at the Black Squirrel.

Saturday

M.L. Liebler, editor of Working Words and contributors Mark Nowak, Dorianne Laux, Richard Peabody, Bret Lott, and Caroline Maun
12:00PM
Location: Politics and Prose, 5015 Conn. Ave., NW, DC 20008
Cost: Free
Website: http://www.politics-prose.com/
Description: Please join M.L. Liebler and several contributors to the anthology Working Words: Punching the Clock and Kicking Out the Jams (October 2010, Coffee House Press) as they read from this 2011 Michigan Notable Book of stories, poems, songs, and essays on the working class life.

Do you know about my penchant for all things working class (I hail from Scranton don’t forget)? Because I have a penchant for all things working class.

Gulf Tolls: A Poetry Reading in Tribute to the Gulf of Mexico and Surrounding Regions
5:00PM-7:00PM
Location: Poets and Busboys–14th and V Streets, NW
Cost: $5 suggested donation. None turned away.
Website: http://www.poetsgulfcoast.wordpress.com
Description: Split This Rock (www.splitthisrock.org) and Poets for Living Waters [http://www.poetsgulfcoast.wordpress.com] are partnering to offer a poetry tribute to the Gulf of Mexico and the surrounding regions. Readers will include: Naomi Ayala, Ana Bozicevic, Nicole Cooley, Peter Cooley, Amy King, Brenda Hillman, Katherine Howell, Brenda Iijima, Jan Heller Levi, Gregory Pardlo, Lisa Pegram, Martha Serpas, Kevin Simmonds, Sandra Simmonds, Jonathan Skinner, Patricia Smith, Heidi Lynn Staples, Melissa Tuckey, and Anne Waldman. Please join us for a night of provocation and witness.

Yet another very worthy cause.

Sunday

Fiction Reading: Erika Dreifus
2:00PM
Location: National Museum of American Jewish Military History, 1811 R Street NW, Washington DC, 20009
Cost: Free
Website: http://nmajmh.org/
Description: Please join us for a reading and discussion featuring Erika Dreifus and her debut short-story collection, QUIET AMERICANS. Refreshments will be served.

I am a longtime fan of Erika Dreifus’ blog. Let’s support her book!


2011 Guide to AWP

I ran into Eugene Cross last year at AWP. We were waiting in line for coffee at about nine in the morning, and we both looked bleary-eyed and terribly hungover. I’d spent the first night of AWP getting blackout drunk with Cross, Chris Lee and Kirk Nesset at some random bar where I apparently told some woman that she looked just like the Doozers from Fraggle Rock. Eugene ordered his coffee and nodded toward the hallways of highfalutin literary panels. “I want to give a panel next year,” he said, “where I just stand up in front of everyone and say, ‘the first mistake of AWP is coming to a panel.'”

AWP TIP OF THE CENTURY: Telling someone they look like this is *NOT* a compliment.

Last year, I wrote about my experience at AWP Chicago and how I treated the conference like a party and how, in the future, I would not treat AWP like some kind of demon spring break for hyper nerds.

I was completely wrong.

AWP is a demon spring break for hyper nerds. The mistake I made in Chicago was drinking mostly off-site where I was happy just to be on a trip with my buddies away from Pittsburgh. In Denver, I hung out in the hotel bar and attended a lot of readings (in bars!) at night. This is the way to do it my friends. This is the way to get the full AWP experience (whatever the hell that means). So yes, I stand corrected on nearly every “tip” I doled out last year. I’m pulling a George Costanza here. Do the opposite of what I said last year, and you’ll be right as rain.

Below, you’ll find all the panels I’m interested in. Keep in mind, this list has a total fucking bias towards my own concerns. This isn’t a best of. This is a list of the crap I want to go to meaning it predominantly deals with fiction, career shit, and readings. I think there’s only one poetry panel listed.

Also, keep in mind that I’ll do another off-site list when it’s closer to the actual conference. And of course, I have to do what I do best: shameless self-promotion. You should all come to my panel on Thursday at noon.

R160. The Future of the Book Review: How to Break In. (Salvatore Pane, Roxane Gay, Irina Reyn, Emily Testa, Lena Valencia) The rise of the book blogger has forever altered the traditional book review. But what is the state of the book review moving forward in a digital culture, and how do interested parties actually go about becoming reviewers? Panelists including the editor of PANK, the book review editors of BOMB and Hot Metal Bridge, and published writers currently working in the field will answer these questions and more.

Diplomat Ballroom
Omni Shoreham Hotel, West Lobby

Ok. Enough about that. Let’s talk panels.

Thursday

9am-10:15am

R109. Short Story to Novel. (Alan Heathcock, Heidi Durrow, Alexi Zentner, Téa Obreht, Marie Mockett, Eugenia Kim) Debut novelists often publish excerpts of their finished works as short stories before tackling a full manuscript. Yet the way from short story to published novel is not always smooth. Four debut novelists, who did publish parts of their books as short stories, will discuss the journey from short story to novel, with an eye toward helping other emerging writers.

Thurgood Marshall North Room
Marriott Wardman Park, Mezzanine Level

According to this little zine I know about called The New Yorker, Téa Obreht is the new “it” woman of literary fiction. This one could prove interesting, and I’m especially interested as someone who has published excerpts of his novel as short stories.

R112. CLMP Panel—So You’ve Made an eBook… Now What? (Ira Silverberg, Gloria Jacobs, Julie Schaper, Andy Hunter) A marketing-focused symposium for publishers about how small presses and literary magazines can make the most out of paperless publishing.

Virginia A Room
Marriott Wardman Park, Lobby Level

Andy Hunter of Electric Literature and a panel about the small presses and little magazines? Sign me up.

10:30am-11:45am

R131. What They Didn’t Tell Us, We Will Tell You: Four First-Time Authors Discuss the Nitty Gritty of Publishing. (Michael David Lukas, Siobhan Fallon, Nomi Stone, Kevin Haworth, Rebecca Rasmussen, Alan Heathcock) This panel will feature four first-time authors discussing the publishing process, from submission to publication and beyond. Drawing from a wide range of personal experience—working with large houses and university presses on poetry collections, novels, and collections of short stories—the panelists will address and attempt to demystify the publishing process, from phoners to author questionnaires, book jackets to blurbs, and the elusive book tour.

Thurgood Marshall North Room
Marriott Wardman Park, Mezzanine Level

I’ve got two manuscripts. I’m sending them out. Hoping this one might be useful.

R132. Things That Go Bump When You Write: Monsters, Myths and the Supernatural in Literary Fiction. (B.J. Hollars, Bryan Furuness, Hannah Tinti, Laura van den Berg, Scott Francis) What do Bigfoot, the Loch Ness Monster, and ghosts all have in common? For one, over the past year, they’ve all managed to stomp, swim and haunt their way onto the literary scene. Join writers as they discuss their experiences implementing supernatural elements into their fiction. Panelists will offer tips on how to add credibility to the incredible and humanity to the inhuman. They will also explore the evolving definitions of gothic and grotesque in the 21st century.

Thurgood Marshall South Room
Marriott Wardman Park, Mezzanine Level

I personally love a bunch of these writers and the insertion of genre elements into literary fiction has become something I’m increasingly growing obsessed with. While drunk at a bar with other writer pals, I made the declaration that literary fiction needs more “robots and space ships and ghosts”. I stand by that.

R138. Creative Writing Fulbright Fellowship Reading. (Katherine Arnoldi, Katrina Vandenberg, Erika M. Martinez, Gail M. Dottin, M. Thomas Gammarino, Josh Weil) The Fulbright Program funds undergraduate and graduate students to study, conduct research, or pursue creative activities abroad for a year. The Creative Writing Fulbright Fellowship Reading is composed of past Creative Writing Fulbright Fellows who will not only tell of the application process, the experience and the professional, creative and personal benefits of having received this prestigious award but also read some of the work that they created while in such places such as Japan, Panama, the Netherlands, Paraguay, the Dominican Republic, and Argentina.

Wilson A, B, & C Room
Marriott Wardman Park, Mezzanine Level

I put this one up mainly because of Josh Weil. His debut book is a must read, and I got the chance to see one of his panels last year. Really nice dude.

R139. Trends in Contemporary Flash Fiction: What Editors Are Looking For?. (Tom Hazuka, Todd James Pierce, Leah Rogin-Roper, Robert Shapard, Ryan G. Van Cleave) Flash fiction may be elusive to define (stories of 500 words? 750? 1000?), but there is no denying its widespread appeal to both writers and readers. What do editors want in the flash fiction stories they publish? Five editors of both recent and classic short short story anthologies (Flash Fiction, Flash Fiction Forward, You Have Time for This, etc.), who are also widely published writers, discuss trends in contemporary flash fiction and what they look for in stories for their anthologies.

Ambassador Ballroom
Omni Shoreham Hotel, West Lobby

Flash fiction is a genre I absolutely love, so this one’s almost a must attend for me. Plus, I enjoyed Ryan G. Van Cleave’s memoir Unplugged.

R144. Beyond Print: Digital Directions in Literary Publishing. (H. Emerson Blake, Michael Archer, Jeffrey Thomson, Ram Devineni, Steven Lagerfeld) Digital media is often presented as a challenge for literary magazines and journals—an obstacle to be overcome. But digital media also presents dynamic opportunities for the world of good writing. This panel features the editors of five print, digital, or online-only publications—Guernica, Orion, From the Fishouse, Wilson Quarterly, and Rattapallax—that are using digital media to find new methods of expressing their missions and new ways of connecting with their audiences.

Palladian Ballroom
Omni Shoreham Hotel, West Lobby

One thing I noticed from this year’s events schedule was the dominance of digital-centric panels. While so many people are decrying the end of literature, I’m glad AWP and its attendees are recognizing this moment as one of historic opportunity to galvanize the reading public. Plus, Guernica!

Noon – 1:15PM

R160. The Future of the Book Review: How to Break In. (Salvatore Pane, Roxane Gay, Irina Reyn, Emily Testa, Lena Valencia) The rise of the book blogger has forever altered the traditional book review. But what is the state of the book review moving forward in a digital culture, and how do interested parties actually go about becoming reviewers? Panelists including the editor of PANK, the book review editors of BOMB and Hot Metal Bridge, and published writers currently working in the field will answer these questions and more.

Diplomat Ballroom
Omni Shoreham Hotel, West Lobby

YOU BETTER FUCKING COME TO THIS SHIT!

1:30pm-2:45pm

R177. A Different Kind of Hybrid: Race, Lyric, and Innovation. (Ruth Ellen Kocher, Sarah Gambito, Dawn Lundy Martin, Wendy S. Walters, Soham Patel) Norton’s Hybrid Anthology reveals the intersection of Lyric and Innovative poetry, but only slimly represents many writers of color. Are writers of color less often “claimed” as innovative writers, or traditionally lyric writers, regardless of form because they often utilize a privileged “I” or an emerging “freedom narrative” in the midst of experiment? This reading by innovative writers of color means to begin a dialogue about different approaches to Lyric, Hybridity, and Innovation.

Virginia B Room
Marriott Wardman Park, Lobby Level

Gotta rep Pitt MFA student Soham Patel and Pitt MFA prof Dawn Lundy Martin. What what.

R179. CLMP Keynote—Size Matters: Big Houses, Small Presses, and the Literary Ecology of American Publishing. (Gerald Howard) The board co-chair of the Council of Literary Magazines and Presses, and the Maxwell E. Perkins Award-winning Doubleday executive editor and vice-president, talks about the coexistence and cross-pollination of independent and commercial publishing in the US.

Wilson A, B, & C Room
Marriott Wardman Park, Mezzanine Level

Always willing to see a panel about the future of the houses given by folks from the inside.

R182. Agents & Editors: Best Practices for Securing Your Publishing Partners. (Mary Gannon, Julie Baer, Robert Lasner, Corrina Barsan, Greg Michalson) Agents and editors will give an overview of the literary market and their places within it, as well as providing a behind-the-scenes perspective on how they acquire clients or books and offering specific guidance to authors on the best practices for each step involved in partnering with publishing professionals.

Diplomat Ballroom
Omni Shoreham Hotel, West Lobby

Lots of great agents here with really interesting client lists–Kevin Wilson and Joshua Ferris just to name a few. Recommended.

3:00pm-4:15pm

R193. What’s Normal in Nonfiction?(Steven Church, Debra Marquart, Ander Monson, Bonnie J. Rough, Bob Shacochis, David Shields) Moderated by editors of The Normal School, the panel will feature a discussion of the polarizing questions concerning the ethics and aesthetics of nonfiction writing today. Is the nonfiction writer’s obligation to the art or to the subject? The audience? Can you conflate time, use composite or fictionalized characters, or borrow material from other sources without citing it? Panelists will consider what the role of the nonfiction writer is today and how that role is defined by ethical concerns for subject and audience, and/or aesthetic concerns for art, genre, form, and technique.

David Shields on what’s “normal” in nonfiction? Really? Ok. Let’s do this.

Maryland Suite Room
Marriott Wardman Park, Lobby Level

R195. Beyond Bagels and Lox: Jewish-American Fiction in the 21st Century. (Erika Dreifus, Andrew Furman, Kevin Haworth, Margot Singer, Anna Solomon) Jewish-American fiction has long been seen as a literature of emigration from the shtetl, assimilationist angst, and overprotective parents. But what’s nu? How do Americans born decades after the Holocaust and the birth of the State of Israel deal with those complex subjects in fiction? Who are the new Jewish immigrant characters? How does American Jewry’s more than 350-year history inspire plot/setting? And how are writers today influenced by Judaism’s rich multilingual and spiritual legacy?

Thurgood Marshall East Room
Marriott Wardman Park, Mezzanine Level

This one sounds great, plus it has Erika Dreifus of the awesome Practicing Writing blog. Check it.

R198. Honoring Robert Coover. (Maya Sonenberg, Robert Coover, Kate Bernheimer, Mary Caponegro, Brian Evenson, Ben Marcus) Through fiction and nonfiction, panelists will celebrate their continuing fascination with the ever changing and always challenging work of Robert Coover, meta-fictional master, myth-breaker and myth-maker, and one of the founders of hypertext. Coover, author of over 20 books, including The Origin of the Brunists, The Public Burning, Pricksongs and Descants, Ghost Town, and Noir, will close the panel with a reading.

Thurgood Marshall West Room
Marriott Wardman Park, Mezzanine Level

Everybody loves Robert Coover, right?

R200. The Urban MFA: Why it Makes a Difference. (Michelle Y. Valladares, Linsey Abrams, Joseph Lease, Jan Heller Levi, Richard Schotter) There are a few MFA programs in the US located in the heart of cities and urban neighborhoods, where students and faculty commute, attend part time and at night. How do these programs represent a difference to the “more traditionally collegiate” programs on suburban or rural campuses? What are the benefits to attending an urban MFA program? Why would students choose such programs? How can urban environments benefit new writers and American writing?

Virginia B Room
Marriott Wardman Park, Lobby Level

This one immediately caught my eye. I did my MFA in Pittsburgh, and I guess I never thought about how different an experience that was compared to people who went to programs in more collegiate towns like Kansas City, Tuscaloosa, Iowa City, and so on. I’m curious as to what this group’s got to say about the matter.

4:30pm-5:45pm

R213. Understanding Comics as Creative Writing. (John Woods, Matt Madden, Gary Sullivan, Luca DiPierro, Joseph Young) While the critical study of comics has been fully embraced by English Literature departments, Creative Writing programs have been slower to create a place for the practice of comics in their own curricula. Similarly, independent literary presses rarely publish comics, leaving that work to comics-specific houses. This panel features teachers and practitioners of the medium who will discuss ways to open up the Creative Writing field to the practice of comics (and other image-text literature).

Hoover Room
Marriott Wardman Park, Mezzanine Level

YESYESYESYESYESYESYESYESYESYES!!!!!!!!!!!!

R214. Ploughshares 40th Anniversary Celebration. (Ladette Randolph, Eleanor Wilner, Kathryn Harrison, Colm Toibin, Elizabeth Strout, Terrance Hayes) This roundtable features six recent guest editors of Ploughshares magazine and celebrates 40 years of the journal’s founding commitment to showcasing diverse literary voices with each issue. Former guest editors read and discuss how they made choices for their issues.

Marriott Ballroom
Marriott Wardman Park, Lobby Level

I had the opportunity to catch Terrance Hayes read in the Hill District awhile back, and it was one of the best poetry readings I’ve ever gone to. Plus, it’s fucking Ploughshares, man.

R221. Fiction’s Future. (Tom Williams, Lance Olsen, M. Evelina Galang, Roy Kesey, Debra DiBlasi, Steve Tomasula) This panel invites five aesthetically diverse authors brave of foolish enough to respond to think aloud about fiction’s future. What might in fiction look like, read like, and why? What forms are we apt to see in the next five or fifteen years? What changes in publishing, distribution, media, and the sociohistorical landscape might impact what we mean when we say “fiction,” “journal,” “book,” “conventional,” and “innovative?” Should writers even concern themselves with such questions?

Virginia A Room
Marriott Wardman Park, Lobby Level

There are a lot of these future of the book type dealies at this year’s AWP, and I’m going to try and attend as many as I possibly can.

R224. A Screening and Discussion for The Times Were Never So Bad: The Life of Andre Dubus. (Edward Delaney) A screening of The Times Were Never So Bad: The Life of Andre Dubus with the filmmaker Edward Delaney, and others who participated In the fim. The documentary features interviews with Andre Dubus III, Tobias Wolff, Richard Russo, Christopher Tilghman and others, and has been an official selection the Rhode Island International Film Festival, the New England Film & Video Festival, among others, and has toured the country at many colleges and universities. The screening will be followed by a discussion and Q&A with the filmmaker and others who participated in the film. The film is 86 minutes long.

Wilson A, B, & C Room
Marriott Wardman Park, Mezzanine Level

I wasn’t aware this movie existed, but I’m extremely excited about seeing it. Like many who write short stories, Dubus’ collected volume is a huge text in my writerly development.

R226. Creative Writing and the University: A Conversation with Mark McGurl. (Mary Stewart Atwell, Mark McGurl, Eileen Pollack, Tracy Daugherty, Dean Bakopoulos, Nathaniel Minton) This panel will analyze the effects of the institutionalization of creative writing on American literature through a conversation with Mark McGurl, author of The Program Era: Postwar Fiction and the Rise of Creative Writing. Other participants, well-published fiction writers and teachers of writing, will join McGurl in assessing the particular ways in which MFA programs have influenced the content, structure, and style of postwar American novels and short stories.

Diplomat Ballroom
Omni Shoreham Hotel, West Lobby

Not only do I love Dean Bakopoulos, but I’m very invested in the back-and-forth battle that’s erupted online in the wake of The Program Era‘s publication. Looking forward to this one.

R227. Why Don’t They List Agents on Match.com? Demystifying the Author/Agent Relationship. (Britta Coleman, Matt Bondurant, Alex Glass, Marcy Posner, Jenny Bent, Ann Cummins) Finding the perfect agent takes more than a pithy profile or even a well-written query. Join literary agents Marcy Posner, Alex Glass, and Jenny Bent, with authors Britta Coleman, Matt Bondurant, and Ann Cummins, for a lively discussion about finding the right agent, snagging the right agent, and living happily ever after. Topics will include when to approach an agent, how to pitch your work, common pitfalls to avoid, the contract process, and where you can find agents in their natural habitat.

Empire Ballroom
Omni Shoreham Hotel, West Lobby

I once stupidly told a non-writer friend that tracking down an agent, giving them your manuscript, and getting a response would probably take “a  few weeks”. So basically, I’m a fucking moron. Teach me, o wise ones!

R230. PEN/Faulkner’s Writers in Schools: Building the Next Generation of Readers. (Richard Ford) Acclaimed author Richard Ford will lead a panel of teachers and students from DC public schools in a discussion of the PEN/Faulkner Writers in Schools program, which brings contemporary literature and notable authors into public high school classrooms. Participants will highlight the ways direct author-student conversations make reading vibrant and relevant. The program is a wonderful resource for educators who seek to ensure that the next generation of readers connect to the written word. The success of the DC initiative can serve as a model for other literary communities that wish to provide these transformative experiences within their local schools.

Palladian Ballroom
Omni Shoreham Hotel, West Lobby

I’ve never had the chance to see Richard Ford in person. Will probably end up taking this one.

8:30pm-10:100pm

R232. Keynote Address by Jhumpa Lahiri, Sponsored by George Mason University. (Jhumpa Lahiri) Jhumpa Lahiri received the Pulitzer Prize in 2000 for Interpreter of Maladies, her debut story collection that explores issues of love and identity among immigrants and cultural transplants. Published to great acclaim in 2003, Lahiri’s novel, The Namesake, expands on the perplexities of the immigrant experience and the search for identity. Lahiri’s most recent book of short stories, Unaccustomed Earth, received the 2008 Frank O’Connor International Short Story Award, the Vallombrosa Von Rezzori Prize, and the Asian American Literary Award. Lahiri is also the recipient of the PEN/Hemingway Award, an O. Henry Prize, and the Addison Metcalf Award from the American Academy of Arts and Letters, and has received grants from the Guggenheim Fellowship and The National Endowment for the Arts.

Marriott Ballroom
Marriott Wardman Park, Lobby Level

Look. I like Jhumpa Lahiri and everything, but I’m reading during this time–details to come in the next AWP guide post–with a bunch of badasses like Brian Oliu and Amber Sparks. Plus, at our reading you can get wasted.

Friday

9:00am-10:15am

F104. The Good Review: Criticism in the Age of Book Blogs and Amazon.com. (Jeremiah Chamberlin, Charles Baxter, Stacey D’Erasmo, Gemma Sieff, Keith Taylor) This panel examines how criticism is changing in a literary landscape increasingly dominated by new media. In this era, who is a critic? What is a good review? Whom does it serve? And what is the impact of criticism on literature and culture? Editors of both online and print publications join writers of fiction, poetry, and criticism to address these questions, as well as to discuss how books get reviewed and by whom, why vigorous reviewing is necessary, and ways to write reviews that matter.

Delaware Suite Room
Marriott Wardman Park, Lobby Level

This is sort of like my panel, except it has Charles Baxter. You know, THE Charles Baxter. To reiterate, CHARLES MOTHERFUCKING BAXTER!

F109. Raymond Carver in the Workshops. (Carol Sklenicka, Bret Lott, Maura Stanton, C.J. Hribal, Douglas Unger, Dagoberto Gilb) Writers who knew Raymond Carver will examine Carver’s profound influence on late 20th-century short fiction and his legacy to the genre.

Thurgood Marshall East Room
Marriott Wardman Park, Mezzanine Level

I’m not really convinced the stereotypical and reductive view that all workshop stories are Carver stories hold true anymore. I’ll be interested to see the panel’s take on this.

F117A. Potomac Review Celebrates Best of 50. (Julie Wakeman-LInn, Kirk Nesset, Sandra Beasley, Jacob Appel, Jennine Capó Crucet, Marilyn Kallet) To celebrate its fiftieth issue, Potomac Review offers a sampling of its history with readings by Kirk Nesset, Sandra Beasley, Jacob Appel, Ethelbert Miller, Jennine Capos Crucet, and others. Based in the Potomac region, PR has always had concern for the environment at its heart, but over the past two decades, its focus has evolved nationally and internationally and culturally; the reading represents the diverse voices and styles who have appeared in the pages and taps our Best of the 50 issue.

Diplomat Ballroom
Omni Shoreham Hotel, West Lobby

My boy, Kirk Nesset honors the Potomac Review. What’s not to like here?

F117B. Starcherone Books 10th Anniversary Celebration Reading. (Donald Breckenridge, Sara Greenslit, Joshua Harmon, Janet Mitchell, Aimee Parkison, Nina Shope) Featuring Donald Breckenridge, Sara Greenslit, Joshua Harmon, Janet Mitchell, Aimee Parkison, and Nina Shope.

Empire Ballroom
Omni Shoreham Hotel, West Lobby

I love Starcherone. With an author lineup that includes Lily Hoang, Blake Butler and Alissa Nutting, I’m not sure what sane human being wouldn’t like Starcherone. Check it, peeps.

10:30-11:45am

F124. The Future of Creative Writing in the Academy. (Terry Ann Thaxton, Joe Amato, Philip Gerard, Nigel McLoughlin, Lisa Roney, Kass Fleisher) Creative writing as an academic discipline is relatively new, with the strongest push forward in the 1940s with Paul Engle’s Iowa Writing Workshop. And now, with budget restraints and the consumerist culture in the academy, creative writing courses, in the US and abroad, are receiving directives from administration to increase enrollments in smaller classes, which cuts at the very core of creative writing pedagogy. How can we afford to remain stagnant in our pedagogy if our studio workshop courses have thirty, forty, fifty students in them? Should we reform our pedagogy? What strategies can we adopt to protect good practice where necessary? Are there pedagogic methodologies which can be applied which will allow us to successfully integrate the workshop model into a more mixed methods approach? This international panel will explore proactive, theoretical, as well as pragmatic ways in which creative writing can survive in academe amidst budget issues and other pressures.

Harding Room
Marriott Wardman Park, Mezzanine Level

Workshop pedagogy is something I’m thinking more about every day, as I run a workshop three times a week. I’m invested in the future of these courses.

F134. To Tell You the Truth: Strategies in the New Nonfiction. (Jeffrey Shotts, Nick Flynn, Eula Biss, Ander Monson, Stephen Elliott) Creative nonfiction has never been more exciting, as writers from multiple genres explore and define new modes of writing essay, memoir, journalism, and cultural criticism. Four writers at the forefront of the new nonfiction discuss strategies for writing and reading these new forms of “truth-telling.”

Wilson A, B, & C Room
Marriott Wardman Park, Mezzanine Level

Nick Flynn, Ander Monson and Rumpus overlord Stephen Elliott? Yes, please.

F136. Jets vs. Sharks? (Michael Croley, Richard Bausch, C. Michael Curtis, Elizabeth Cox, Jill McCorkle) In a recent article, essayist and author Elif Batuman stated one of her reasons for not attending a writing program was her aversion to the idea of craft: “I realized that I would greatly prefer to think of literature as a profession, an art, a science, or pretty much anything else, rather than a craft.” The panelists discuss the value of craft, what it means, and how we pass this knowledge onto our students while also addressing the concerns Batuman raises and their legitimacy.

Diplomat Ballroom
Omni Shoreham Hotel, West Lobby

As previously mentioned, I’ve been following Batuman-gate as much as the next online lit blogger person. But the real reason to see this panel is JILL MCCORKLE! My love for Jill is pure and true. I had the opportunity to one on one workshop with her about six years back and she told me how honest and true my short story sex scene was. It was the greatest moment of my life.

F139. The Art of Rejection: Giving and Receiving. (Diana Raab, Wendy Call, Kevin Morgan Watson, Geeta Kothari, Molly Peacock, Philip F. Deaver) Rejection is part of the literary life. Rejection of your manuscript is not a rejection of you as a person or a writer, but of one piece of writing. It says nothing about your potential. It’s equally difficult being an editor turning down work, as being a writer receiving the rejection. These panelists of writers, editors, and publishers will discuss how to establish boundaries between yourself and your work, what we learn from rejections, and how feedback makes us better writers and editors.

Hampton Ballroom
Omni Shoreham Hotel, East Lobby

Not only is Geeta Kothari Pitt faculty, but she’s also an editor of the Kenyon Review. You can’t get advice from folks this well-connected every day.

Noon-1:15pm

F146. A Reading by Joyce Carol Oates. (Joyce Carol Oates) Evocative and transformative, as novelist, poet, dramatist, and essayist, It is no wonder that Joyce Carol Oates has become one of the most celebrated and honored writers of our time. Recipient of the national Book Award, the PEN/Malamud Award, the 2005 Prix Femina, and the 2010 national Book Critics Circle Ivan Sandorf Lifetime Achievement Award, Oates has been a dedicated teacher of creative writing at Princeton University since 1978 and is the author of the forthcoming A Widow’s Story: A Memoir and Give Me Your heart: Tales of Mystery & Suspense.

Marriott Ballroom
Marriott Wardman Park, Lobby Level

You just can’t pass up a chance to see JCO read, right? I saw her in 2004, and she was a delight. Hoping to fit this into my conference schedule somehow.

F147. Local Poets With National Reputations. (Linda Pastan, Carolyn Forché , Fanny Howe, Jonetta Rose Barras) A poetry reading of local writers with national reputations.

Maryland Suite Room
Marriott Wardman Park, Lobby Level

I’ve always had a soft spot for the work of Carolyn Forché. Damn. This is one extremely tight spot on the schedule.

F151. Riders on the Storm: Strategies for Getting (and Surviving) the Tenure-Track Job. (Hadara Bar-Nadav, Miles Harvey, John Struloeff, Irina Reyn, Simone Muench) In these difficult economic times, many colleges and universities across the United States are in financial crisis, which has led to hiring freezes, furloughs, and even firings. As recent tenure-track hires, we will present strategies for securing tenure-track jobs. We also will discuss ways junior faculty can survive and succeed in these precarious economic times, while balancing academic responsibilities with our creative lives.

Thurgood Marshall South Room
Marriott Wardman Park, Mezzanine Level

Irina Reyn, Pitt MFA guru and my fellow AWP panel-mate, breaks down the ins and outs of landing the tenure track job.

F155. Get Shorty: Readings from The Kenyon Review’s Short Fiction Contest. (Cara Blue Adams, Megan Anderegg Malone, Christopher Feliciano Arnold, Mika Taylor, Nick Ripatrazone, Megan Mayhew Bergman) The KR Short Fiction Contest for Writers Under Thirty is entering its fourth year. This reading is an opportunity to hear work from younger writers recognized as winners or runners-up by judges Alice Hoffman, Richard Ford, and Louise Erdrich from the first three years of the contest. Submission to this contest must be 1,200 words or fewer.

Virginia C Room
Marriott Wardman Park, Lobby Level

Nick Ripatrazone is another graduate of the Writers Institute at Susquehanna University. We never met, as he graduated right before I arrived, but since then we’ve appeared in a bunch of journals together. But even if you don’t know Nick you should check this out. Short fiction AND the Kenyon Review? Come on. Come on!

F156. A Tribute to John Haines. (Bruce Guernsey, Dana Gioia, Steven Rogers, John Haines, Sheryl St. Germain, Baron Wormser) A tribute to the noted writer, John Haines of Alaska, the author of nine books of poetry such as Winter News and The Owl in the Mask of the Dreamer: Collected Poems, plus six collections of nonfiction including the memoir, The Stars, the Snow, the Fire. His awards include two Guggenheims, an NEA Fellowship, and a Lifetime Achievement Award from the Library of Congress. Each participant will speak about a specific aspect of his work and life, and following, Mr. Haines himself will read.

Wilson A, B, & C Room
Marriott Wardman Park, Mezzanine Level

A shout-out to Sheryl St. Germain, director of the MFA program at nearby Chatham University.

F160. Memoir, Spirituality and the Self in the Narcissistic Culture of Our Time. (Elizabeth Kadetsky, Rodger Kamenetz, Farideh Goldin, Julia Spciher Kasdorf) If one believes the detractors, memoir bears responsibility second only to reality TV for fomenting this “narcissistic” age, in Christopher Lasch’s term—an era of therapeutic jargon that celebrates not so much individualism as solipsism, justifying self-absorption as “authenticity” and “awareness”. Here, we consider quests for self-knowledge as linked, rather, to a spiritual project. How can memoir point to places beyond the self—to transcendence, insight or affiliation with human community?

Executive Room
Omni Shoreham Hotel, West Lobby

E-Kadets taught at Pitt for a bit while I was in the program, and although I never got to take any of her nonfiction-centric classes, I’ve heard nothing but good things from the cnf folks here. Plus, I got to see her read in Denver last year and she hit the crowd with a cool post-apocalyptic story. Big ups for that.

1:30pm-2:45pm

F167. National Book Critics Circle Celebrates East Coast Fiction. (Jane Ciabattari, Edward P. Jones, Jayne Anne Phillips, Elizabeth Strout, Colson Whitehead, Chimamanda Ngozi Adichie) National Book Critics Circle Fiction Award Winners and Finalists Edward P. Jones, Jayne Anne Phillips, Elizabeth Strout, and Colson Whitehead read from their award-winning fiction; the geographic range covered in their work evokes various regions of the East Coast, from Maine to Brooklyn to Virginia to West Virginia.

Marriott Ballroom
Marriott Wardman Park, Lobby Level

You know those tracks on rap albums where every famous person on the label is carted out to do a verse? This panel is like that AWP style.

F178. Thinking Beyond the Book: The Future of Authorship and Publishing in a Transmedia World. (Jane Friedman, Seth Harwood, Guy Gonzalez, Kevin Smokler, Al Katkowsky) According to publishing futurists, we are now experiencing the late age of print. Publishers are beginning to see the print book as the last stage of author development, rather than the first step. A new model is emerging for stories and content distribution, with publishers and authors experimenting with mobile apps, podcasts, and multimedia approaches. This panel discusses the changes underway, what innovations are coming, and how writers can adapt no matter what the future of reading holds.

Wilson A, B, & C Room
Marriott Wardman Park, Mezzanine Level

Another future/tech panel I hope to attend.

F181. Responding to Disturbing Undergraduate Student Creative Writing. (Joseph Bathanti, Susan Weinberg, Peter Blair, Kim Carter, Derek Davidson, Lynn Doyle) When students submit work that raises fears for their wellbeing, teachers may wish to focus on craft, yet feel compelled to intercede. Being thrust into roles for which teachers are untrained is daunting, so what approach is best in conferences and workshops? How do we offer help, and what happens when it is rejected? What barriers might we encounter from our college, and what innovations might we propose? Experiences and ideas will be shared, with input from a Counseling professional.

Empire Ballroom
Omni Shoreham Hotel, West Lobby

Oh jeez. Oh jeez, oh jeez, oh jeez, oh jeez. See you in Empire Ballroom, folks!

F182. Politics in the Novel. (Andrew Scott, Chuck Wachtel, Debra Monroe, Margaret Lazarus Dean, Steve Yarbrough) Serious novelists who allow politics to enter their novels must make difficult decisions about how the two meet. Readers bring their own politics to the experience as well, so how do authors negotiate these concerns to craft meaningful work that endures? How does an author reckon with the politics of an issue of central concern to her audience without slipping into didacticism or propaganda?

Executive Room
Omni Shoreham Hotel, West Lobby

Andrew Scott’s an internet pal of mine. Check out his shit!

3:00pm-4:15pm

F191. Hollins Graduate Program 50th Anniversary Reading. (Jeanne Larsen, Madison Smartt Bell, Karen Salyer McElmurray, David Huddle, Jill McCorkle, LU.K.e Johnson) Is it something in the (mineral spring) water? Some noted graduates of Hollins’ one-of-a-kind program in creative writing read their work, and sample more by a variety of other alums. Join us as we look back at our first 50 years, charge on into the next half-century, and celebrate the inauguration of the Jackson Center for Creative Writing, established through the generosity of John and Susan Jackson. Come figure out what makes the Hollins program what it is. Or just come and enjoy.

Maryland Suite Room
Marriott Wardman Park, Lobby Level

Since I already gushed about my writer crush on Jill McCorkle, I will now gush about my writer crush on David Huddle. I usually hate books about writing, but The Writing Habit is pretty solid. Also, Madison Smartt Bell. Right? Right.

F197. Bodies Politic. (Barrie Jean Borich, Judith Barrington, Kekla Magoon, Ann Pancake, Ira SU.K.rungruang, Brian Teare) The literary body is beloved, is bared, is captive, is container, is hidden, is habitat, is dissenting, is taboo, is pleasure, is change. We make literature out of the body’s clashes and communions, and our bodies together create a social mesh we write to maintain and sustain, remake or escape. This panel—a diverse body politic of poets, novelists, and essayists gathering in the political belly of America—will grapple with corporeality, community and claiming the body for the page.

Thurgood Marshall West Room
Marriott Wardman Park, Mezzanine Level

Ann Pancake is one of the best. If you don’t know her work, get Given Ground. If you’ve never met her, go to this panel.

F198. Ask Not What the Internet Can Do for You: Shifting Our Perspective on Internet Publishing as an Alternative to Major Market Publishing. (Ralph Pennel, Justin Maxwell, Ravi Shankar, Anmarie Trimble, Lizzie Stark, Max Magee) This panel will discuss electronic publications as central to the needs of 21st-century writers and readers, and not as entities serving as secondary iterations of preexisting publications. We will focus on how the electronic medium is advantageous to editors, and to the editorial and publication processes. We will also cover how the medium allows for a new nexus between writer and user by permitting a more diverse discourse with current and emerging literary modalities.

Virginia A Room
Marriott Wardman Park, Lobby Level

We living in the 21st century, doing something mean to it.

F199. Hint Fiction: Stories that Prove Less is More. (Robert Swartwood, Randall Brown, Michael Martone, Daniel Olivas, Roxane Gay) The editor of the recent Norton anthology and its contributors examine stories of extreme brevity. They will discuss whether these stories are considered actual stories, and whether they hold substance, focusing on these questions: Do works of this length help or hinder writers? Can these tiny stories have just as much impact as stories of traditional length? The panelists will share their own hint fiction and discuss its role in the ongoing evolution of literature.

Virginia B Room
Marriott Wardman Park, Lobby Level

Roxane Gay, my PANK and panel pal, teams up with Michael Martone and others to discuss hint fiction. This one has the potential to be great.

F203. A Tribute to Ontario Review: Raymond Smith and Joyce Carol Oates. (Douglas Unger, Jana Harris, Richard Burgin, Sheila Kohler, Albert Goldbarth, Joyce Carol Oates) Founded in 1974 and edited by Raymond Smith and Joyce Carol Oates, Ontario Review and its press bridged literary/artistic cultures. It is known for introducing new and emerging writers, and maintaining established writers in print for three and a half decades. Forced to suspend publication in 2007 due to the death of Raymond Smith, Ontario Review and Ray Smith’s contributions to letters, and the continuing generous energies of Joyce Carol Oates, are honored by Jana Harris, Richard Burgin, Sheila Kohler, Albert Goldbarth, Doug Unger, and voices from the audience.

Diplomat Ballroom
Omni Shoreham Hotel, West Lobby

Again, JCO.

4:30pm-5:45pm

F212. A Reading by Mary Gaitskill and Sapphire, Sponsored by Wilkes University Low Residency MA/MFA Program in association with Blue Flower Arts. (Mary Gaitskill, Sapphire) Mary Gaitskill is the award-winning author of Veronica, which was nominated for the 2005 National Book Award, National Book Critics Circle Award, and L.A. Times Book Award; Because They Wanted To, which was nominated for the PEN/Faulkner Award; and her recent collection of stories, Don’t Cry. Sapphire is the author of the bestselling novel Push, which won the Book-of-the-Month Club Stephen Crane Award for First Fiction, and was made into the Academy Award-winning film Precious: Based on the Novel Push by Sapphire. Her collections of poems are American Dreams and Black Wings & Blind Angels.

Marriott Ballroom
Marriott Wardman Park, Lobby Level

This has got to be the single strangest pairing of readers in the history of readers. I have to see this. Plus, many of my MFA classmates called me Precious for a glorious month during the fall of 2009. So there’s that.

F220. Building the Literary Robot: The Lit Journal as New Media. (James Engelhardt, Scott Lindenbaum, Jurgen Fauth, Zach Dodson, Zachary Schomburg, Travis Kurowski) Lit has gone viral, adapted to fit Twitter feeds, iPhone apps, and social networks, and fashioned into flash animation for posting on YouTube. How do literary journals step into these new, far-reaching modes of publishing? What role will e-literature have in contemporary publishing and the teaching of creative writing? What will this mean to the traditional short story, poem, and essay? Writers and editors of online and print literary journals tell how they’ve explored new e-lit territory.

Virginia C Room
Marriott Wardman Park, Lobby Level

I didn’t even need to read the description. Literary Robot. Count me in. I’ll be the guy asking questions about Gizmo Duck.

F225. Writing the Beltway: Four Washington, DC Publishers Navigate the Capital. (Matthew Kirkpatrick, Reb Livingston, Richard Peabody, Caitlin Hill, Dave Housley) Editors from Barrelhouse magazine, No Tell Books, Gargoyle magazine, and Poet Lore magazine read from their journals and discuss their experiences working to produce and promote literary art within the politics-obsessed sphere of Washington, DC.

Executive Room
Omni Shoreham Hotel, West Lobby

Lots of good editors. Lots of good journals.

8:30pm-10:pm

F228. A Reading by Junot Díaz, Sponsored by Georgia College & State University / Arts & Letters. (Junot Diaz) Junot Díaz was born in 1968 in the Dominican Republic and raised in New Jersey. He is the author of Drown and The Brief Wondrous Life of Oscar Wao, which won the John Sargent, Sr. First Novel Prize; the National Book Critics Circle Award; the Anisfield-Wolf Book Award; and the 2008 Pulitzer Prize. Díaz has been awarded the Eugene McDermott Award, a fellowship from the Guggenheim Foundation, a Lila Acheson Wallace Reader’s Digest Award, the 2002 PEN/Malamud Award, the 2003 U.S./Japan Creative Artist Fellowship from the National Endowment for the Arts, a fellowship at the Radcliffe Institute for Advanced Study at Harvard University, and the Rome Prize from the American Academy of Arts and Letters. He is the fiction editor at the Boston Review and the Rudge (1948), and Nancy Allen Professor at the Massachusetts Institute of Technology.

Marriott Ballroom
Marriott Wardman Park, Lobby Level

It’s obvious that I completely loved the first and final thirds of Oscar Wao right?

Saturday

9:00am-10:15am

S111. Small Ships, Deep Ocean: Independent Presses Keep Short Story Collections Afloat. (Clifford Garstang, Mary Akers, Laura van den Berg, Jason Ockert, Jim Ruland) Charting a course for your short story collection has never been trickier. From shrinking shelf space to nonexistent advances, disinterested trade publishers to increased competition for readers, more and more authors of story collections are turning to independent presses. Six salty veterans discuss the small press experience: platforms for approaching publishers, the challenges of promoting collections, and the advantages and disadvantages of small publishers in an uncertain economy.

Thurgood Marshall South Room
Marriott Wardman Park, Mezzanine Level

This topic is near and dear to my heart. Also, Laura van den Berg. Laura van den Berg!

S117. CLMP Panel—Editor as Mentor: Literary Magazines and Emerging Writers. (Rob Spillman, Hannah Tinti, C. Dale Young) Editors savvy in the ways of molding minds (in addition to manuscripts) from Tin House, One Story, and New England Review share stories about some of the relationships they’ve fostered and the writers they’ve nurtured, and what these mentorships have meant for their respective publications.

Ambassador Ballroom
Omni Shoreham Hotel, West Lobby

I will try and go to anything involved with Tin House.

S118. What To Expect When You’re Expecting Your First Book. (Alexi Zentner, Jill Bialosky, Téa Obreht, Noah Eaker, Peter Mountford, Adrienne Brodeur) Three debut novelists and their respective editors from Dial, Houghton Mifflin Harcourt, and W. W. Norton, will discuss what an author can expect, and more importantly, what an author should do, between the period of selling his or her book and the publication date. Topics will include mistakes to avoid, the editing process, what pre-publication marketing and publicity can be done by the author and what is handled by the house, and what the author should be working on in his or her own writing.

Diplomat Ballroom
Omni Shoreham Hotel, West Lobby

We can fucking dream right?

10:30am-11:30am

S136. Finding and Creating Online Teaching Opportunities—and Sustaining and Succeeding in Them. (Erika Dreifus, Sage Cohen, Andrew Gray, Michael Morse, Chloe’ Yelena Miller, Scott Warnock) More than one in four college/university students now take at least one course online. While some writers teach in college and graduate writing programs, others have established their own independent course offerings, or teach through private organizations. Our panelists represent a range of professional experiences in online teaching, in prose and poetry, for-credit and not-for-credit. They will share strategies for finding (and creating) work and succeeding as online writing instructors.

Virginia C Room
Marriott Wardman Park, Lobby Level

Like these people. Like this topic. Might be relevant for those on the job market.

S138. The 1960 National Book Award Revisited: What Makes Fiction Last? (Peter Grimes, Steve Almond, Sarah Shun-lien Bynum, Brock Clarke, Michael Griffith, Jodee Stanley) What values in fiction endure? In 2010, we formed a committee of fiction writers and looked back fifty years to rejudge the 1960 National Book Award. We read, haggled, named a winner, and each of us wrote an essay—to take up arms for a favorite, reassess the year’s anointed books, reflect on the ebb and flow of reputation, explore the politics of awards. This panel will ask, What do we value most highly in fiction, and what gets cast aside by the way we define “ambition”?

Ambassador Ballroom
Omni Shoreham Hotel, West Lobby

I think the whole “let’s revisit a 50 year old literary award” thing is a little strange, but Steve Almond and Brock Clarke are going to be there. That’s reason enough to consider attending.

S140. The Poetry-Prose Dynamic, Internationally. (Carrie Etter, Toi Derricotte, Molly Peacock, Tim Liardet, Jill Bialosky) In this panel, five authors, residing in the U.K., Canada, and the U.S., investigate the interrelationships between their poetry and their prose, addressing such issues as the place(s) of memoir, shared elements such as simile and fact, the writer’s identity, and questions of form. What can we learn by examining the interfaces among the various genres we write? How do the different ways cross-genre authorship is perceived in the U.K., Canada, and the US affect identities and careers?

Empire Ballroom
Omni Shoreham Hotel, West Lobby

Big ups to Pitt faculty Toi Derricotte.

S143. A Conversation with Richard Bausch. (Jennifer Haigh, Richard Bausch) A candid conversation between friends: acclaimed teacher and award-winning novelist and short story writer Richard Bausch, and his former student, novelist Jennifer Haigh.

Regency Ballroom
Omni Shoreham Hotel, West Lobby

I really like both of these writers. Haigh is totally underrated, and Bausch is a living legend. And conversations between former teacher/students are always interesting to watch unfold.

Noon-1:15pm

S149. America Reimagined: Four Contemporary Voices, Sponsored by Blue Flower Arts. (Alison Granucci, Jennifer Egan, Joshua Ferris, Rick Moody, Benjamin Percy) America finds itself recast, stretched, and redefined though the astute minds of Egan, Ferris, Moody, and Percy. Each explores an eerie version of America through the eyes of their characters: a reanimated crawling hand, an ill man who cannot stop walking, a former punk rock star, and a father-and-son trip down a devilish canyon. These refreshing and surprising writers go straight to the jugular of modern life and bring us stories in which one cannot always tell the hero from the villain.

Marriott Ballroom
Marriott Wardman Park, Lobby Level

This might be my pick for best lineup of any panel at AWP. I would probably go see a panel with any one of these writers, but all five? Are you serious? Count me in.

S151. The Myth of Relevance. (Pauls Toutonghi, Tom Bissell, Danielle Evans, Vu Tran, Erin Ergenbright, Peyton Marshall) The use of topical themes in fiction can be both a blessing and a curse. On the one hand, a strong writer should be able to make almost any scene interesting and vivid—writing about current events bears a certain weight of responsibility. Fiction depends on the artful surprise; if the substance of a story is cut from the headlines it risks straying into the territory of the familiar. Where should a writer draw the line? What is dangerous and what is inspiration?

Nathan Hale Room
Marriott Wardman Park, Lobby Level

Longtime readers know my hero worship of all things Tom Bissell. I don’t think there’s any way I can actually miss this panel.

S158. From the Page to the Small Screen: What the Information Age Means for Us . (Andrew McFadyen-Ketchum, Terry Hummer, Maggie Dietz, Mary Flinn, Brian Brodeur, Keith Montesano) As digital technologies such as blogs, online periodicals, hypertext, and phone Apps gain legitimacy, more writing than ever before finds its home online. Some big questions loom: What is lost or gained when we translate our work from the page to the screen? Are these technologies promotional tools or new creative forms? Are we witnessing the death of the page or its evolution? Panelists from Slate, Blackbird, the Favorite Poem Project, AmeriCamera, and the blogosphere will answer these questions.

Virginia A Room
Marriott Wardman Park, Lobby Level

Did I not tell you there were a lot of panels about digital tidings? If you miss one, there’s literally five or six to pick from.

1:30pm-2:45pm

S171. What We Love; What Editors Are After. (Rob Spillman, Fiona McCrae, H. Emerson Blake, Denise Oswald, Andrew Leland, Daniel Slager) Six distinguished magazine and book editors speak candidly about what they love and what makes it to the top of the mountain of manuscripts. Editors from the Believer, Graywolf Press, Milkweed Editions, Orion, Soft Skull Press, and Tin House offer concrete examples and anecdotes of writing that works for them, as well as advice on how to build a long-term mutually fulfilling writer-editor relationship.

Maryland Suite Room
Marriott Wardman Park, Lobby Level

I love all of those journals and presses. I love this panel. I love San Dimas.

S172. As Long As People Write: Training and Supporting New Writing Teachers. (Sarah Harris, Crystal Fodrey, Ben Ristow) Richard Hugo said that as long as people write, there will be writing teachers. Today many programs listed in the AWP Guide name the opportunity to teach as a selling point—yet few offer training in the teaching of creative writing. Most graduate students are instead trained through composition theory. We will present the results of research on this training process, and recommend ways programs can support those who desire more connection between their writing lives and the courses they teach.

Nathan Hale Room
Marriott Wardman Park, Lobby Level

Sarah Harris is an old classmate of mine from Pitt’s MFA program. Let’s support her and this panel, because really, more training for new writing teachers is something most schools desperately need.

S177. The Road Less Traveled: How to be a Writer Without a Full-time Academic Gig. (Cheryl Strayed, Steve Almond, Amy Holman, Ru Freeman, Christian TeBordo, Marisa de los Santos) The path to solvency and security for most writers is to pair writing with full-time jobs in academia. On this panel, six authors will talk about their lives as writers without the de facto college teaching gig. Panelists will discuss the range of ways they’ve supported themselves, the reasons they’ve chosen the paths they have, and also the liberations and constraints they’ve experienced as writers outside the writer-faculty track that’s so deeply embedded in what it means to be a writer today.

Thurgood Marshall West Room
Marriott Wardman Park, Mezzanine Level

I’ve blogged about alternative careers for writers before, and I’m curious to see what Almond has to say about the matter, especially considering his rock critic past.

S179. Makes New Friends and Keeps the Old. (Jack Shoemaker, Skip Horack, Andrew Altschul, Jane Vandenburgh, Richard Wirick, Janice Shapiro) Counterpoint / Soft Skull Press is an author-driven house with a clear presence on both the West and East coasts and two rosters of award-winning authors working in every genre. Please join us in celebrating our combined successes with readings by current outstanding authors—Skip Horack, Andrew Altschul, Jane Vandenburgh, Richard Wirick, and Janice Shapiro—marking the beginnings of a new indie era.

Virginia B Room
Marriott Wardman Park, Lobby Level

Andrew Altschul is the book reviews editor of the Rumpus and a fine writer in his own right. I love Counterpoint/Soft Skull and would try and make this one anyway, but Andrew’s presence is a bonus.

S184. Change or Die: How Established Print Journals are Adapting to Life on the Internet. (Amber Withycombe, David Lynn, Speer Morgan, R.T. Smith, Christina Thompson) As models for publishing an economically viable literary journal evolve, the magazines that shaped small press publishing during the last century are learning to adapt by printing slimmer issues, moving original work online, and emphasizing social networking. Such practices are common for newer magazines, but few established journals have made the change. Editors from Harvard Review, Kenyon Review, Missouri Review, Shenandoah, and Witness discuss how they are re-imagining their magazines online.

Empire Ballroom
Omni Shoreham Hotel, West Lobby

Another one about technology, but this one from the perspectives of the more traditional journals. Plus, Speer Morgan is a friend of Pittsburgh’s beloved Chuck Kinder, so I imagine he must be a total badass.

S186A. Writers on Mentors and Literary Friendships. (Jayne Anne Phillips, Tom Grimes, Elizabeth Benedict, Alexander Chee, John McIntyre, Michael Dirda) Jayne Anne Phillips, speaking on publisher/mentor Seymour Lawrence, joins Tom Grimes, author of Mentor, a Memoir (on writing and his Iowa mentor, Frank Conroy); Elizabeth Benedict, editor of Mentors, Muses, Monsters, 30 Writers on People Who Changed Their Lives; Alexander Chee, author of Annie Dillard and The Writing Life; John McIntyre, RN MFA Capote fellow and editor of Memorable Days (letters of James Salter and Robert Phelps); and Michael Dirda, Pulitzer Prize-winning book columnist, discuss the lasting influence of shared literary mentors and publishers, the value of literary letters, and the importance of the mentor/apprentice relationship.

Palladian Ballroom
Omni Shoreham Hotel, West Lobby

If Jayne Anne Phillips gave a panel about which keyboards she preferred to write on, I’d attend.

3:00pm-4:15pm

S189. Linking It Up: Working with Story Cycles, Linked Collections, and Novels-in-Stories. (Anne Sanow, Cathy Day, Clifford Garstang, Dylan Landis) You have characters who appear in more than one story, or several stories set in one place—and you don’t want to write a traditional novel. What are the possibilities? This panel examines the different ways that stories can be linked together to create groups of stories or an entire book. We will focus on strategic craft decisions related to character, setting, point of view, and narrative arc, and discuss how best to determine the completed structure and form of your project.

Harding Room
Marriott Wardman Park, Mezzanine Level

I love linked stories, and I have nothing but the utmost respect for my former sensei, Cathy Day. Read her books then go to this panel.

S191. Graywolf Press Reading. (Jeffrey Shotts, Nick Flynn, Thomas Sayers Ellis, Stephen Elliott, Jessica Francis Kane, Elizabeth Alexander) Five writers of poetry, fiction, and nonfiction read from their recent books published by one of the best literary publishers in the country, Graywolf Press. Introduced by Graywolf Publisher Fiona McCrae.

Marriott Ballroom
Marriott Wardman Park, Lobby Level

Another appearance for Stephen Elliott and Nick Flynn. Plus, Graywolf. Everyone likes Graywolf, right?

4:30pm-5:45pm

S221. Beyond the Workshop: Revising, Revamping, Rejecting the Workshop Model. (Margaret Lazarus Dean, Charles Baxter, Liam Callanan, Valerie Laken, Patrick O’Keeffe) For many teachers, the workshop is the default mode of creative writing pedagogy. Many of us have had to defend the method from criticisms (e.g. that a workshop constitutes the blind leading the blind), yet even those of us most dedicated to the workshop have experienced problems or doubts. This panel will discuss the advantages and disadvantages of the workshop as traditionally imagined, its underlying assumptions and possible limitations, and alternative approaches to the writing classroom.

Empire Ballroom
Omni Shoreham Hotel, West Lobby

Much like Jayne Anne Phillips, I’d go see Charles Baxter read from the phone book. The fact that this topic is relevant to my job at Pitt is a huge bonus.

S224. Celebrating 50 Years of Freedom to Write Advocacy. (Larry Siems, Major Jackson, Joanne Leedom-Ackerman, Azar Nafisi) Freedom to Write, PEN American Center’s flagship program, is celebrating fifty years of working to defend free expression globally.  Several PEN members—Major Jackson, Joanne Leedom Ackerman, and Azar Nafisi—and PEN’s director of Freedom to Write, Larry Siems, will offer an hour of readings and discussion related to PEN’s advocacy work.  They will touch upon PEN’s recent activities in China, Russia, and Iran, as well as PEN’s work against book-banning and for reader privacy in the U.S.

Regency Ballroom
Omni Shoreham Hotel, West Lobby

I fucking like me some Azar Nafisi. You should like you some Azar Nafisi too.

8:30pm-10:00pm

S225. A Reading and Conversation with Amy Hempel and Gary Shteyngart, Sponsored by The George Washington University. (Amy Hempel, Gary Shteyngart) Amy Hempel is a recipient of awards from the Guggenheim Foundation, the United States Artists Foundation, and the Academy of Arts and Letters. Her Collected Stories was named one of the ten best books of the year by the New York Times, and won the Ambassador Book Award for best fiction of the year. She teaches at Harvard University and Bennington College. Gary Shteyngart’s first novel, The Russian Debutante’s Handbook, won the Stephen Crane Award for First Fiction and the National Jewish Book Award for Fiction. His second novel, Absurdistan, was a national bestseller. He was named to both Granta’s Best Young American Novelists and the New Yorker’s Top 20 Writers Under 40 in 2010. Following the reading, the authors will participate in a live conversation with novelist and critic Thomas Mallon.

Marriott Ballroom
Marriott Wardman Park, Lobby Level

I adore Amy Hempel, and I’ve just started reading Super Sad True Love Story which I so far really enjoy. Looking forward to this.

Salvatore Pane’s Guide to AWP Part 2: The Off-Site Events

Last time when I discussed AWP, I focused mainly on general pointers and the long list of panels I hoped to attend. What I didn’t cover were the off-site events. Usually, these events are put on by lit journals and have a much more laid back feel than the official AWP panels. They usually take place at night after most of the official AWP events are over, and sometimes they’re even held in bars or during happy hour. Below you’ll find a list of events I find most interesting. It’s clearly not an all-conclusive list, and once again I haven’t covered Saturday as I’ll sadly be on a flight returning to Pittsburgh.

Throughout the Conference

Museum Of Contemporary Art
Location: 1485 Delgany, Denver Co 80202; 303.298.7554
Cost: $5 admission for all attendees and participants in the AWP conference
Website: http://www.mcadenver.org
MCA DENVER is an activator, content provider and immediate research vehicle of culture in the making—a museum without a front door—a place for public engagement. MCA DENVER has five distinct galleries, three spaces for education, multiple sites for special projects/commissioned works and one live art/lecture hall. MCA DENVER excites artists and visitors alike to enter into creative conversations that extend beyond our walls.

A world class museum for five bucks? It’s hard to turn down this one when it’s open to AWP attendees during the entire convention. After 72 hours of straight literary discussion, you may need some type of deviation to recharge your batteries.

Wednesday

4:00PM-8:30PM DoubleCross Press, Lame House Press,and Slash Pine Press Presents A Poetry Marathon
Location: Rackhouse Pub, 208 S. Kalamath St.
Cost: None
Website: http://www.slashpinepress.com/awp/
Whether for a happy hour of local microbrews, a good pub dinner, or the entire four+ hour reading, our presses invite you to the work of over thirty poets. Readers include Abraham Smith, Kate Greenstreet, Malachai Black, John Dermot Woods, Anne Shaw, Jen Tynes, Farrah Field, Gina Myers/Nate Pritts, Matt Hart, Claire Becker, Matt Rasmussen, Brian Oliu, MC Hyland, Nathan Hauke, Dolly Lemke, francine j. harris, among others. 8 minute drive or 20 minutes by light rail + walking.

This one’s a bit of a trek, but I appreciate that it gives people arriving on Wednesday–such as myself–something to do. Plus, the allure of Denver “microbews [and] a good pub dinner” might be too much for me to turn down.

7:00PM-10:00PM AHSAHTA / OMNIDAWN READING
Location: The Magnolia Hotel Ballroom, 17th & Stout (Only 3 blocks from the Colorado Convention Center.)
Cost: No charge for the event.
Please join Ahsahta Press and Omnidawn Publishing for a reading. The readers will be: Christopher Arigo, Susan Briante, Dan Beachy-Quick, Maxine Chernoff & Paul Hoover, Gillian Conoley, Ben Doller, Lisa Fishman, Noah Eli Gordon, Richard Greenfield, Janet Holmes, Hank Lazer, Laura Moriarty, Rusty Morrison, G.E. Patterson, Craig Santos Perez, Bin Ramke, Don Revell, Elizabeth Robinson, Heather Sellers, Heidi Lynn Staples, Michelle Taransky.

This one’s a lot closer to the conference and a great opportunity to catch an event by Ahsahta, one of the major poetry publishers in the country.

7:00PM-9:00PM COUNTERPATH BOOKS / DRUNKEN BOAT / GUERNICA / PERSEA BOOKS / POOL PERFORMANCE
Location: Dikeou Collection, 1615 California St., Suite 515, Denver, CO 80202; 303.623.3001
Website: http://www.dikeoucollection.com
Join five of the most innovative journals and literary publishers showcasing their contributors in multiple genres, including fiction, poetry, creative nonfiction and video installation. Performers include Laird Hunt, Steve Katz, Alexander Chee, Susan Taylor Chehak, Elizabeth Kadetsky, Irina Reyn, Robin Beth Schaer, Dean Rader, Karen Holman, Elizabeth Bradfield and Dylan Landis. Free and open to the public, and only minutes from the conference hotel.

This one’s a no-brainer for me. I love most of the hosts of the event, and Irina Reyn has really been an instrumental help to me as I’ve worked on my book. Plus, Elizabeth Kadetsky–former Pitt faculty–will be reading along with a performance by Peter Yumi, a musician I had the chance to see collaborate with poet Karla Kelsey in Selinsgrove, Pennsylvania. This one should be epic.

8:00PM-11:00PM Cave Canem/Kundiman Reading & Salon
Location: Mercury Cafe, 2199 California Street, Denver, CO 80205; (303) 294-9281
Cost: $3 suggested donation — to benefit Cave Canem & Kundiman (no one turned away for lack of funds)
Website: http://www.facebook.com/event.php?eid=474228325544&ref=ss
Join the Cave Canem & Kundiman Families for a Reading Featuring Toi Derricotte, Sarah Gambito, Cornelius Eady, Oliver de la Paz, Dawn Lundy Martin & Kazim Ali + a salon featuring Cave Canem and Kundiman fellows & family (bring a poem to share!)  Emceed by Ching-In Chen & Tara Betts.

Toi Derricotte is another Pitt faculty member, so if Cave Canem is your thing, definitely check this one out.

Thursday

5:30PM-7:30PM Prairie Schooner “Baby Boomer” Reading
Location: Common Grounds Downtown Coffee, 1550 17th St, Denver, CO
Cost: Free
A group reading by contributors to the special “Boomer” Issue of Prairie Schooner.  Readers include: Hilde Weisert, Robert E. Wood, Harriet Millan, Marilyn Kallet, Paul Lisicky, Maureen Seaton, Stephen Gibson, A.E. Stringer, Sharon Dolin, Julie Kane, Annie Finch, Edward Falco, Michael Waters, Kate Sontag, Robin Becker, Susan Aizenberg, Charles Harper Webb, Ellen Doré Watson, Toi Derricotte, Dorothy Barresi, Donald Morrill, Christopher Howell, Ray Amorosi, Albert Goldbarth, Bill Lavender, and Marianne Boruch.

Who doesn’t love Prairie Schooner? Who doesn’t want another chance to see Toi Derricotte if they missed her the night before? Another great aspect of this event is the time. It’s one of the earliest off-site events on Thursday, so if you just absolutely have to get away from the conference, this one may be your best bet.

7:00PM-8:30PM Born Magazine @ Gypsy House
Location: Gypsy House Café, located at 1279 Marion Street (on the corner of 13th and Marion) Denver, CO 80218
Cost: Free
Born Magazine and the Gypsy House Reading Series present an evening of experimental writer-artist collaborations on Thursday, April 8th from 7–8:30 PM at the Gypsy House Café. Please join us for a screening of Born projects, with readings by Ander Monson, Monica Drake, Esther Lee, Emma Ramey, Keetje Kuipers, and Thomas Crofts.

A free to the public event featuring “experimental writer-artist collaborations”. Could prove very interesting and worthy of your time.

7:00PM FC2 Flash Reading
Location: Dikeou Collection, 1615 California St, Suite 515, Denver, CO 80202
Matt Roberson, Rob Stephenson, Steve Katz, Vanessa Place, Lynn Kilpatrick, Yuriy Tarnawsky, Susan Steinberg, Brian Evenson, Brian Kiteley, Cris Mazza, Debra Di Blasi, Lance Olsen, Jan Ramjerdi, Steve Gutierrez, Lidia Yuknavitch, Jeffrey DeShell, Elisabeth Sheffield

I couldn’t find much information about what exactly FC2 Flash is, but I’m imagining with the number of participants–and some of the familiar names–that it’s some kind of flash fiction reading. A favorite genre of mine, I’ll definitely try and make it to this one. If anyone knows exactly what this is, please leave info in the comments.

7:00PM Northwestern University Press / &NOW Books / Artifice Magazine Reading
Location: The Celtic Tavern, 1801 Blake St, Denver, CO 80202
Cost: None
Website:http://www.artificemag.com/events
Join Northwestern University Press, &Now Books, and Artifice Magazine for an evening of readings. Three imprints at different ages showcase authors writing at the frontier of contemporary literature.

I’m a big fan of Artifice so you can be certain I’ll be checking this one out.

7:30PM DOGZPANK
Location: Forest Room 5
Cost: Free
Website: http://www.pankmagazine.com/pankblog/?p=2080
Short fiction reading comprised of joint DOGZPLOT and PANK contributors: Aaron Burch, Anne Valente, Beth Thomas, Tim Jones-Yelvington, Matt Bell, JA Tyler, Erin Fitzgerald, Molly Gaudry, Kathy Fish, Angi Becker Stevens, Matt Salesses, Pedro Ponce.

Damn is this a packed time slot. I really enjoy DOZPLOT and PANK–I’m doing book reviews for PANK now too–and would love to catch a Matt Bell reading after missing him at Modern Formations in Pittsburgh due to work.

7:30PM-9:30PM Publication Party and Reading
Location: Mercury Cafe, 2199 California Street, Denver
Website: http://www.amazon.com/Its-Not-You-Me-Breakup/dp/1590202821/
Publication party and reading for the anthology It’s Not You, It’s Me: The Poetry of Break Up. Featuring Patricia Smith, Kim Addonizio, Jerry Williams, Angela Ball, Kevin Prufer, Martha Rhodes, and others.

It’s getting worse and worse. Kim Addonizio is easily one of my favorite working poets. This will be my first real chance to catch her read, so I really want to try and make it to this one too. It looks like some serious sacrifices are going to have to be made.

8:00PM-10:00PM A Magazine Party: Colorado Review, The Normal School, Denver Quarterly, The Pinch
Location: Wazee Supper Club, 1600 15th Street
Cost: cash bar and apps
Website: http://www.wazeesupperclub.com
Come celebrate with some of your favorite magazines.

Colorado Review? Denver Quarterly?! Come on 7-9 time slot!

9:30PM TypewriterGirls Poetry Cabaret
Location: Mercury Cafe 2199 California St, Denver CO
Website: http://www.typewritergirls.net
The TypewriterGirls’ Dada-bred performances are collage-work theatre formed from sketch comedy, poetry, music, whiskey games, collaborative writing, burlesque, and a little magic. In essence, they strive to embody the Comte de Lautréamont’s creed “poetry must be made by all” with a play and a dance party. This event will feature some of Denver’s finest poets and performers.

This one is notable because it’s hosted by the TypewriterGirls, a cool little outfit based in Pittsburgh that puts out Weave. Definitely worth your time.

10:30PM-1:00AM Genres and Generations
Location: Dazzle Restaurant and Lounge, 930 Lincoln St, Denver, CO 80203; 303.839.5100
Cost: Free Event- No Passes Required
Website: http://www.dazzlejazz.com
Genres and Generations is featuring Tarpaulin Sky, Fact-Simile, Monkey Puzzle Press, Fast Forward, Bombay Gin, and Zero Ducats. These presses publish genres that span generations of crafting to genres that have yet to be. Please join us for a wonderful evening of literary collaboration.

This one sounds like a good late-night event, and I’m assuming there will be booze , always a plus.

Friday

3:00PM- 4:30PM DENVER QUARTERLY Reading and Publication Celebration
Location: The Dikeou Collection, located in Downtown Denver: The Colorado Building, 1615 California Street (at 16th Street), Suite 515, Denver, CO 80202 (Only a two-block-walk from the Colorado Convention Center.)
Cost: There will be free wine and snacks, and no charge for the event.
Please join the Denver Quarterly and Coach House Press for a reading on Friday, April 9th, from 3-6pm at The Dikeou Collection. Featuring: Dan Beachy-Quick, Julie Carr, Malinda Markham, Martha Ronk, Cole Swensen, Brian Teare

A particularly early event and a chance to catch a Denver Quarterly shindig if you missed the one on Thursday.

4:00PM- 6:00PM failbetter.com’s 10th anniversary
Location: Mercury Cafe, 2199 California Street, Denver
Cost: No cover, cash bar
failbetter.com celebrates its 10th anniversary with a cocktail party and reading, featuring: Sherman ALEXIE, Michael MARTONE, Terese SVOBODA

Uh… did you look at who’s reading?

5:00PM- 7:00PM Black Warrior Review / Blue Hour Press Reading
Location: Mario’s Double Daughter’s Salotto, 1632 Market St, Denver, CO 80202
Cost: Free
Website: http://bwr.ua.edu/ & http://www.bluehourpress.com/
Start off your evening of off-site events at Double Daughter’s (just an eight-block walk or free bus ride), where ten readers will share the work they’ve published in the physical pages of Black Warrior Review and the digital pages of Blue Hour Press: Christopher Cheney, Miriam Cohen, Shanna Compton, Nick Courtright, John Gallaher, James Grinwis, Emily Kendal Frey, Brian Kubarycz, Sabrina Orah Mark, and Alexis Orgera.

A couple things to say about this one. First off, it’s hosted at Mario’s Double Daughter’s Salotto. I can’t even imagine what that is, so needless to say my curiosity is piqued. Secondly, I love, love, love Black Warrior Review. It’s one of my perennial lit journal subscriptions.

7:00PM-10:00PM Creative Nonfiction Launch Party & MFA Program-Off Reading
Location: The Shag Lounge, 830 15th Street, Denver, CO
Cost: FREE
Website: http://www.creativenonfiction.org
After a long day at the conference, come relax with Creative Nonfiction and listen to readings from the finalists and winner of the MFA Program-Off Contest. Off-site event, but only three blocks from the convention center. Free copies of the newly redesigned CNF magazine, plus plenty of cheap drinks for all in attendance.

CNF is a Pitt MFA related publication, so I have to give it some hype here. If you’ve never read the journal, you might as well come out, get some cheap drinks and a free copy of the magazine.

7:30PM-9:30PM Barbed Wire Reading Series
Location: Michelangelo’s Coffee and Wine Bar, 1 Broadway Suite B
Cost: No cover * Half price bottles of wine
The International Reading Series! Come hear the literary work of artists from Denver, the Southwest, Latin America, and the Deep South at the long-running, multi-genre Barbed Wire Reading Series. In 2004, Barbed Wire was birthed from the University of Texas at El Paso bilingual MFA program, where it continues to the present. It spread to the University of Alabama in 2007.  MCed by Denver’s own Trent Hudley, and Kevin Brown of the University of Alabama.
*In keeping with the tradition of the Barbed Wire series in Tuscaloosa, AL, Michelangelo’s will be offering half price bottles of wine especially and exclusively for the  Barbed Wire event.

I don’t know a thing about this event other than the half-priced bottles of wine. That’s all I need to know.