Salvatore Pane

Tag: Fred Van Lente

Comics Roundup X: I’m Still Doing This

Ok. So I haven’t done one of these in awhile. The reason is because bi-weekly was just too much. I don’t discover that many new comics, and most of my roundups were becoming “Hey. Read The Walking Dead, Sweet Tooth and Amazing Spider-Man” over and over again. Moving forward, I’m only going to do one of these if I have five new books to mention, or if one I’ve previously hyped is launching some mega storyline or something that’s especially new reader friendly. Get it? Got it? Good.

1. Morning Glories #1 written by Nick Spencer with art from Joe Eisma

Morning Glories is about two things near and dear to my heart: cardigans and ties.  Actually, it’s a cross between LOST and Richard Yates’ A Good School (or any prep novel really). I don’t want to dive into too much of the premise because the discovery is half of the fun, but Morning Glories centers on a group of high school students with the same birthday who are brought to a mysterious prep school. The first issue floored me. Jump on this train before you have to trade wait.

2. Taskmaster #1 written by Fred van Lente with art from Jefte Palo

I fell in love with Taskmaster as a character during Christos Gage’s awesome run on the sadly canceled Avengers: Initiative. When I heard Fred van Lente–whose Amazing Spider-Man and Marvel Zombies stories must be read to be believed–would be picking up this character post-Siege, I was instantly intrigued. But this first issue is better than I could have imagined. So many strange gangs! Look at that Revolutionary War-era militia! If you want an off-the-wall superhero story filled with levity and a dash of insanity, pick up Taskmaster. This one’s a miniseries too, so if you’re not down with the never-ending stories of most superheroes, there are no worries about that here.

3. 5 Days to Die #1 written by Andy Schmidt with art from Chee

Mark Kleman and I interviewed Andy Schmidt about 5 Days to Die a few weeks back. Go read that, then pick up Schmidt and Chee’s noir-soaked romp. It comes out weekly, and the final issue comes out next week. That gives you just enough time to catch up before the big finale. Don’t wait on the trade for this one. Support single issues, and we’ll see publishers take more chances on stories like this one.

4. Fables vol. 1 written by Bill Willingham with art from Lan Medina

Sometimes I get into things really late. I started watching Twin Peaks in 2010. I began my descent into Battlestar Galactica last fall. Fables is another of those examples. It’s pretty much a holy text in comics but I never read it, never even knew the concept. I’ve been sick the last few weeks and picked up the first trade on a lark. Everything that’s been said about it is true. This one’s a knockout. If, like me, you don’t know Fables, it’s about a cast of fairy tale characters who are exiled from their homelands because of an unseen Adversary (think Diaspora) and relocated to a small apartment complex in New York City. They self-govern while trying to conceal their magical natures from human, who they call the Mundane. If you like Harry Potter, jump onboard the Fables bandwagon.

5. Archie #616 written by Alex Simmons with art from Dan Parent, Jack Morelli and Digikore Studios

If you don’t read this, you hate America. Ball’s in your court, playa.

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Bi-Weekly Friday Art Roundup II: Electric Boogaloo

Hi all. It’s time for another Bi-Weekly Friday Art Roundup. I would have liked to do a full post on the big comic news of the week–Marvel announcing an app for digital distribution on the iPad–but with AWP looming, I’m going to have to skip that for now and focus on smaller updates. For those of you who missed Roundup I, the purpose of these articles is to showcase artists I believe deserve recognition (and also to backdoor promote my upcoming graphic novel, The Black List). So why not just get started?

1. Sweet Tooth #7 by Jeff Lemire

Last month I did a top ten list of graphic novels for the literary inclined. Sweet Tooth would have made it, but at the time, it didn’t exist in paperback format, only in monthly issues. That is no longer the case. Without a doubt, Sweet Tooth is one of my favorite ongoing series. I won’t do the book any justice  describing what it’s about, so I’ll just say the work of writer/artist Jeff Lemire has to be seen to be believed. He eschews the realistic for a bizarre style that perfectly matches his apocalyptic dystopia. The most impressive aspect of his work is his facial features, something that gets glossed over by even the most successful of comic artists, especially those who photo reference. Lemire is not one of those artists. He positions his characters in straight-on, Wes Anderson style shots and lets their expressions tell the story. Anyone interested in the comics medium absolutely needs to study the work of Lemire, and there’s no better jumping on point than Sweet Tooth.

2. Blackest Night #8 Written by Geoff Johns with art from Ivan Reis

Blackest Night is an eight-issue miniseries that shows just how fun and insane superhero comics can really be. The conclusion to a multi-year story set in the Green Lantern section of the DC universe, BN succeeds on the merits of its hyper-talented artist, Ivan Reis. Check out this article by the good folks at iFanboy raving over the man’s ridiculous art skills. The average comic reader may not understand how difficult these events comics are to put out, but these are the toughest types of books to draw in the industry. Reis has to draw a cast of hundreds and literally squeezes dozens upon dozens of characters into single panels. Even if you know nothing about Green Lantern or Blackest Night, pick up this issue at a low, low price of four dollars for a master’s class in panel composition and character placement. Reis does not disappoint.

3. Unpublished Artist Tommy Smith

Tommy Smith is another artist I found on Mark Millar’s forums, and it’s very clear from a four-page sample of his work he posted that this man has chops. Being able to convey motion is a skill that sounds easier than it is to master, but right here in this one silent page, Smith gets across movement even while segmenting the flow of time. We don’t get every moment of this woman waking up, but it’s clear what’s happening thanks to the interesting angles and quirky subject choices. He doesn’t put the woman front and center in each panel. Sometimes she’s off to the side like in panel one, while others use a hyper close-up. Smith is currently looking for collaborators so if you’re a comic writer looking for someone who has storytelling down, consider shooting him an e-mail.

4. The Black List written by Salvatore Pane and Mark Kleman with art from Lamair Nash

This is one of the first finished pages Mark and I got back from Lamair, and we were absolutely floored. We posted a bunch of ads on various art websites looking for an artist and received many, many submissions. Lamair Nash was clearly the most talented, but we didn’t realize the extent of his skills until this page came in. Lamair takes a very simple, relateable moment–a twenty-something at a McJob caught goofing off by his boss–and turns it into something downright otherworldly. The closeup on protagonist Harry’s eye. The imposing figure of the boss. You can’t teach this stuff, folks. Lamair’s ability to make even the most mundane scenes bristle with energy and tension is one of the major reasons we so badly wanted to work with him on this project. And if this is what he does with a simple office scene, I can’t wait to show off what he can do with Richard Nixon firing rockets at stone mason mercenaries in secret underground laboratories.

5. Amazing Spider-Man #626 written by Fred Van Lente with art from Michael Gaydos

Three years ago I wrote articles for a great comic book website called Broken Frontier. Around the same time, a controversial of Amazing Spider-Man came out that rebooted the previous twenty years of continuity, namely the amount of time I’d followed the character. I flipped my shit. But since then, the thrice-monthly Amazing Spider-Man has been absolutely superb. The book employs a rotating cast of creators, including the brilliant writer Fred Van Lente whose MODOK’s 11 is an absolute must-read, that continues to put the screws to the life of lovable Peter Parker. Issue 626 is no different. Michael Gaydos is one of the best artists in the industry, and like Jeff Lemire, he is a master at facial expressions. Look at this exchange between Pete and his roommate Michelle Gonzalez. Is this the art you expect from a mainstream superhero book starring one of the most recognizable characters on Earth? No. It’s breathtaking. It’s a reminder of everything comics can accomplish. If you think Spider-Man begins and ends with Tobey Maguire and Sam Raimi, you owe it to yourself to run, RUN, to the nearest comic store and jump on board the new and improved Amazing.