Salvatore Pane

Tag: Chatham University

My Glorious Return to Pittsburgh

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AYO! I’m returning to Pittsburgh on April 12th as the main reader for Chatham University’s Minor Bird magazine launch. I can’t tell you how humbled I am that my former students have invited me back. It was only two years ago when I MCed the Minor Bird launch, and in many ways, this isn’t unlike Will Ferrell triumphantly returning to SNL as the host, only it’s not like that at all.

I’ll be reading from Last Call in the City of Bridges, and there will be books for sale. The event runs from 4 to 6:30, and I can’t wait to see all you Pittsburgh pals again. Chatham has been extremely supportive of me, and I couldn’t be more excited to be part of this event.

Pittsburgh Lit Events or Cradle to the Grave/to the pattern produced on a photosensitive medium that has been exposed by holography & then photographically developed

Guys. Guess what. I’m MCing a lit journal launch this weekend. So from now on you can call me MC Salvatore Bring the Pane. Or MC sizSAL2k which was my Instant Messenger name in high school. Whatever. Come on out. Shit’s going to be dope.

Pittsburgh Lit Events or Yeah I’m All Geeked Out/Got the Tortoise Shell Frames/Tom Ford Pea Coat/I’m a Lot More Dope/I’m a Lot More Fly/And My Wallet Stay Fat/But I Starve My Tie

My amazing, wonderful students from Chatham University and the University of Pittsburgh are doing a joint reading this Friday in the Mellon Living Room at Chatham at 4:30. It’s going to be totally outrageous and in your face, and I urge you to attend. There will be a few featured readers and then an open mic section. I boldly predict that it will be better than ten Super Bowls!

Course Sequences

Over the last month or so, I’ve tried really hard to blow up my workshop syllabus. Things were going really well, and I wasn’t motivated out of some fear that I wasn’t getting through to the students. I just wanted to keep things fresh for myself. I realize that you can’t let students graduate with a degree in creative writing without knowing about certain benchmark writers/stories/novels. But I think it’s healthy for teachers to switch up their course sequences so they don’t fall into the trap of making the same tired points about Tim O’Brien or Ray Carver or Joyce Carol Oates or whoever.

This semester, I’m teaching a multi-genre workshop for the first time which I’m really excited about. I’m pretty well versed in creative nonfiction, but I’ve never even taken a poetry class. I’m hoping to learn a lot as the semester goes on, much like last semester when I taught Written Professional Communications. I didn’t know much at the beginning about LinkedIn or CVs or resumes, but by the end I felt pretty comfortable.

Below are the two course sequences I’m using for my two workshop classes. The first is for Intro to Fiction at the University of Pittsburgh, and the second is Advanced Writing Workshop at Chatham University. Usually, I’d include the syllabi, but I’ve discussed them at length in earlier posts. I’ve made some modifications to my workshop syllabus this semester (most having to do with long form writing projects and genre fiction), but the core of the thing is intact. Let me know if you have any suggestions or if you’d like to share your own course sequences. I’m also interested in what other teachers are doing.

Course Sequence

Week One

Wed January 4
Syllabus
Introductions
Justin Taylor “Tetris” HANDOUT

Fri January 6
John Updike “A&P” 3X33
Lorrie Moore “How to Become a Writer” 3X33

Week Two

Mon January 9
Raymond Carver “Cathedral” 3X33
Alissa Nutting “Porn Star” COURSE DOCUMENTS

Wed January 11
Donald Barthelme “The School” 3X33
Etgar Keret “Fatso” COURSE DOCUMENTS
Roxane Gay “The Harder They Come” COURSE DOCUMENTS
Amelia Gray “Hair” COURSE DOCUMENTS

Fri January 13
Emma Straub “Pearls” COURSE DOCUMENTS
George Saunders “CivilWarLand in Bad Decline” 3X33

Week Three

Mon January 16
Class Cancelled Martin Luther King Day

Wed January 18
Joyce Carol Oates “Where Are You Going, Where Have You Been?” 3X33
Barry Hannah “Testimony of Pilot” 3X33

Friday January 20
Breece D’J Pancake “Trilobytes” COURSE DOCUMENTS
Patrick Somerville “The Universe in Miniature in Miniature” COURSE DOCUMENTS

Week Four

Monday January 23
Workshop 1
Workshop 2

Wed January 25
Workshop 3
Workshop 4

Fri January 27
Rick Moody “The Apocalyptic Commentary of Bob Paisner” 3X33

Week Five

Mon January 30
Workshop 5
Workshop 6

Wed February 1
Workshop 7
Workshop 8

Fri February 3
A.M. Homes “The Former First Lady and the Football Hero” COURSE DOCUMENTS

Week Six

Mon February 6
Workshop 9
Workshop 10

Wed February 8
Workshop 11
Workshop 12

Fri February 10
Ethan Canin “The Year of Getting to Know Us” COURSE DOCUMENTS

Week Seven

Mon February 13
Workshop 13
Workshop 14

Wed February 15
Workshop 15
Workshop 16

Fri February 17
Deborah Eisenberg “Twilight of the Superheroes” COURSE DOCUMENTS

Week Eight

Mon February 20
Workshop 17
Workshop 18

Wed February 22
Workshop 19
Brian Oliu “Gradius” COURSE DOCUMENTS
Brian Oliu “Punch-Out!!” COURSE DOCUMENTS
Brian Oliu “Wizards and Warriors” COURSE DOCUMENTS
xTx “Water is Thrown on the Witch” COURSE DOCUMENTS
xTx “Marci is Going to Shoot Up Meth With Her Friend” COURSE DOCUMENTS

Fri February 24
Matt Bell “His Last Great Gift” COURSE DOCUMENTS

Week Nine

Mon February 27
Richard Yates “The Best of Everything” 3X33
Tobias Wolff “Bullet in the Brain” 3X33

Wed February 29
Junot Diaz “Fiesta, 1980” 3X33
Andre Dubus “The Fat Girl” COURSE DOCUMENTS

Friday March 2
Don Lee “The Price of Eggs in China” COURSE DOCUMENTS
James Alan McPherson “Gold Coast” COURSE DOCUMENTS

Week Ten

Spring Break – No Classes

Week Eleven

Mon March 12
Workshop 1
Workshop 2

Wed March 14
Workshop 3
Workshop 4

Fri March 16
Seth Fried “Loeka Discovered” COURSE DOCUMENTS

Week Twelve

Mon March 19
Workshop 5
Workshop 6

Wed March 21
Workshop 7
Workshop 8

Fri March 23
Jonathan Lethem “Super Goat Man” COURSE DOCUMENTS

Week Thirteen

Mon March 26
Workshop 9
Workshop 10

Wed March 28
Workshop 11
Workshop 12

Fri March 30
Scott Snyder “Blue Yodel” COURSE DOCUMENTS

Week Fourteen

Mon April 2
Workshop 13
Workshop 14

Wed April 4
Workshop 15
Workshop 16

Fri April 6
Lorrie Moore “People Like That Are The Only People Here” 3X33

Week Fifteen

Mon April 9
Workshop 17
Workshop 18

Wed April 11
Workshop 19
TBA

Fri April 13
TBA

Week Sixteen

Monday April 16
Fiction Pod

Wednesday April 18
Fiction Pod

Friday April 20
Final Portfolios Due

Course Schedule

Week One

Wed January 4
Syllabus
Introductions
Justin Taylor “Tetris” HANDOUT
Nancy Krygowski “Heaven, As We Know It” The Autumn House Anthology
Writing Exercise (First Lines)

Week Two

Monday January 9
Kim Addonizio “Collapsing Poem/Onset/The Moment” The Autumn House Anthology
Lorrie Moore “How to Become a Writer” E-MAIL
Geoffrey Wolff from The Duke of Deception Modern American Memoirs

Wednesday January 11
Sheryl St. Germain “Addiction/Sestina for the Beloved/Bread Pudding with Whiskey Sauce” The Autumn House Anthology
John Updike “A&P” On Writing Short Stories
Sarah Vowell “Ike Was a Handsome Man” E-MAIL

Week Three

Monday January 16
Class Cancelled Martin Luther King Day

Wednesday January 18
Billy Collins “Consolation/Taking Off Emily Dickinson’s Clothes/Workshop” The Autumn House Anthology
Flash Fiction Tutorial Etgar Keret/Roxane Gay/xTx E-MAIL
Chuck Klosterman E-MAIL

Week Four

Monday January 23
Raymond Carver “Cathedral” On Writing Short Stories
Workshop 1

Wednesday January 25
Workshop 2
Workshop 3

Week Five

Monday January 30
Patrick Somerville “The Universe in Miniature in Miniature” E-MAIL
Workshop 4

Wednesday February 1
Workshop 5
Workshop 6

Week Six

Monday February 6
Tom Bissell “Grand Thefts” E-MAIL
Workshop 7

Wednesday February 8
Workshop 8
Workshop 9

Week Seven

Monday February 13
James Baldwin from Notes of a Native Son Modern American Memoirs
Workshop 10

Wednesday February 15
Workshop 11
Workshop 12

Week Eight

Monday February 20
Terrance Hayes “The Same City/Snow for Wallace Stevens/All the Way Live” The Autumn House Anthology
Workshop 13

Wednesday February 22
Workshop 14
Workshop 15

Week Nine

Monday February 27
Jim Daniels “Short-Order Cook/Where Else Can You Go” The Autumn House Anthology
A.M. Homes “The Former First Lady and the Football Hero” E-MAIL
Frank Conroy from Stop Time Modern American Memoirs

Wednesday February 29
Lynn Emmanuel “Dear Final Journey…/The Murder Writer/The Revolution” The Autumn House Anthology
Anton Chekhov “The Lady with the Pet Dog” On Writing Short Stories
Maxine Hong Kingston from The Warrior Woman Modern American Memoirs

Week Ten

Monday March 5
Toi Derricotte “Boy at the Patterson Falls/Bird/Not Forgotten” The Autumn House Anthology
Flannery O’Connor “Everything That Rises Must Converge” On Writing Short Stories
Zora Neale Hurston from Dust Tracks on a Road Modern American Memoirs

Wednesday March 7
Class Cancelled Spring Break

Week Eleven

Monday March 12
Class Cancelled Spring Break

Wednesday March 14
Workshop 1
Workshop 2

Week Twelve

Monday March 19
Alissa Nutting “Porn Star” E-MAIL
Workshop 3

Wednesday March 21
Workshop 4
Workshop 5

Week Thirteen

Monday March 26
Tobias Wolff “Bullet in the Brain” On Writing Short Stories
Workshop 6

Wednesday March 28
Workshop 7
Workshop 8

Week Fourteen

Monday April 2
Malcolm X from The Autobiography of Malcolm X Modern American Memoirs
Workshop 9

Wednesday April 4
Workshop 10
Workshop 11

Week Fifteen

Monday April 9
Workshop 12
Workshop 13

Wednesday April 11
Workshop 14
Workshop 15

Week Sixteen

Monday April 16
Writing Pod

Wednesday April 18
Writing Pod

Friday April 20
Final Portfolios Due

Fall 2011 Fiction Recommendations

One of my favorite aspects of teaching is recommending fiction to students. There’s almost nothing better than reading a student story and thinking, “This person absolutely needs to read Lorrie Moore!” Matching students with their established counterparts is an integral and rewarding part of the job. I vividly remember being an undergrad creative writer and going to meet with Tom Bailey or Gary Fincke. Their office shelves were lined with books, most of which I’d never heard of. They’d go over my drafts with me and then list off three or four writers I had to read right that very second. Most times, I’d walk straight to the library and take out every last book they recommended. Reading everything I could get my hands on helped me develop as a writer, and I try really hard to pass that enthusiasm on to my students.

That being said, I’ve decided to again share every fiction recommendation I’ve given out this semester. This term I taught two fiction workshops, one at the University of Pittsburgh and another at Chatham University. In total, there were 33 students, meaning 66 workshops and individual conferences. The same ground rules I set forth last spring still apply. This is by no means a comprehensive list of the writers I teach. In fact, most of the writers on this list don’t show up in my syllabus. I recommended them because students put up work that was in conversation with these established writers. There was something to be learned there, something we might not have covered in the classroom or maybe not in enough detail. Some of the writers who appear the most often were in the syllabus, and I kept recommending other work by them to remind students of the lessons we’d learned throughout the semester. And literary journals! There are a bunch of literary journals at the bottom of the list. I want all of my students to become active literary citizens in the vein of Blake Butler, and that means supporting (submitting AND reading) emerging and established literary journals.

The numbers alongside the names represent how many times I recommended a specific author. Please leave suggestions in the comments feed. I’m always looking to shake up my reading list. If you have certain writers you recommend to students again and again, share. If you’re a student and were truly impacted by a specific writer, share.

George Saunders 15
Alissa Nutting 14
xTx 11
Andre Dubus 10
Matt Bell 8
Patrick Somerville 7
Kirsty Logan 7
Amber Sparks 7
Etgar Keret 7
Raymond Carver 7
Lorrie Moore 6
Martin Amis 6
Wells Tower 5
Breece D’J Pancake 4
Tom Perrotta 4
Alice Munro 4
Emma Straub 4
Bobbie Ann Mason 4
Roxane Gay 4
Kelly Link 4
Brian Allen Carr 4
Cathy Day 4
Scott Snyder 4
Deborah Eisenberg 3
Tillie Olsen 3
Colson Whitehead 3
Don Lee 3
Joyce Carol Oates 3
Matthew Simmons 3
Donald Barthelme 3
Gary Fincke 2
James Alan McPherson 2
Tobias Wolff 2
ZZ Packer 2
Alice Munro 2
Paul Yoon 2
Richard Yates 2
Barry Hannah 2
Bret Easton Ellis 2
John Fowles 2
Benjamin Percy 2
Donald Ray Pollack 2
Blake Butler 2
John Minichillo 2
Steve Himmer 2
Rick Moody 2
Philip Roth 2
Trey Ellis 2
Tim Jones-Yelvington 2
Junot Diaz 2
Steve Almond 2
Jonathan Lethem 2
Justin Taylor 2
Tina May Hall 2
Tom Bailey
Stewart O’Nan
Sarah Gardner Borden
Deborah Eisenberg
Teddy Wayne
A.M. Homes
James Baldwin
Peter Bognnani
Jayne Anne Phillips
Rebecca Barry
Aubrey Hirsch
Joe Meno
Richard Ford
Seth Fried
Rick Bass
Sherwood Anderson
Jeffrey Eugenides
Brian Oliu
J.A. Tyler
Lydia Davis
Dennis Cooper
Douglas Coupland
Cormac McCarthy
Cory Doctorow
Mike Meginnis
Rachel Glasser
Kevin Wilson
Gregory Sherl
Dave Eggers
Jay McInerney
Miranda July
Scott McClanahan
Brock Clarke
Peter Mewshaw
Frank Hinton
Shane Jones
Aleksandar Hemon
Tim O’Brien
John Irving
Gary Shteyngart

The Emprise Review 5
Hobart 5
kill author 4
PANK 4
Metazen 3
Prick of the Spindle 3
Flywheel Magazine 3
Annalemma 3
Atticus Review 3
Monkeybicycle 2
Decomp 2
Gargoyle Magazine 2
Dark Sky 2
Barrelhouse
Pear Noir!
Parcel
The Collagist
Diagram
Weave
FRiGG
Caper Literary Journal
Elimae
Stoked!
Barrelhouse

Doomsday Fiction Reading List

This semester I’m teaching two intermediate fiction workshops, one at the University of Pittsburgh and one at Chatham University. I’m really excited to teach both classes–in addition to my written professional communication class–and I thought, like last semester, that I’d share my reading list. Christopher Higgs just posted his over at HTMLGIANT, and I wish more people would. I’m always interested in seeing what exactly teachers are giving to their students as models. This year’s version of the class is a synthesis of the two other times I’ve taught a fiction workshop. I took what I thought were the most successful of the readings–not what the students liked best because those aren’t always the same–and combined them into one mega course. The plan is that next semester, if I’m lucky enough to teach additional workshops, I’ll add a bunch of stories–around 25%–that I haven’t taught before just to keep things interesting.

Keep in mind. I’m obviously very interested in showing students the classics IN ADDITION to the hyper contemporary folks, but my usual stance is that if everyone in the class has already read “A&P”, I’ll pull an audible and assign something else. However, I also think it’s my responsibility to make sure these kids don’t end up in major cap classes without knowing who Carver and Flannery O’Connor and Baldwin are. That can’t happen.

Jennifer Egan A Visit from the Goon Squad
Justin Taylor “Tetris”
Amelia Gray “Dinner”
Donald Bartheleme “The School”
John Updike “A&P”
Raymond Carver “Cathedral”
Lorrie Moore “How to Become a Writer”
Anton Chekhov “The Lady with the Pet Dog”
Joyce Carol Oates “Where Are You Going, Where Have You Been?”
Tim O’Brien “The Things They Carried”
Barry Hannah “Testimony of Pilot”
James Alan McPherson “Why I Like Country Music”
A.M. Homes “The Former First Lady and the Football Hero”
Jonathan Lethem “Super Goat Man”
George Saunders “CivilWarLand in Bad Decline”
ZZ Packer “Dayward”
Richard Yates “The Best of Everything”
Wells Tower “The Brown Coast”
Wells Tower “Everything Ravaged, Everything Burned”
Ethan Canin “The Year of Getting to Know Us”
Tobias Wolff “Bullet in the Brain”
Lorrie Moore “People Like That Are the Only People Here”
Flannery O’ Connor “Everything That Rises Must Converge”
Dan Chaon “Big Me”
James Baldwin “Sonny’s Blues”
Rick Moody “The Apocalyptic Commentary of Bob Paisner”
Andre Dubus “The Fat Girl”
Jamaica Kincaid “Girl”
Matt Bell “His Last Great Gift”

Submit to The Fourth River

My boy Robert (Stevens) Yune asked me to pimp his journal. I shall. Submit my fellow writer friends, submit!

Submission Guidelines

The Fourth River Online is the online literary journal of Chatham University’s MFA Program.  We are looking for submissions that explore the relationship between people and their environments, both natural and built, urban, rural or wild.

Recent contributors to the print journal include Astrid Cabral, Laila al-Atrash, Hillary Wentworth, Michael Byers, and Evan Morgan Williams.  Our contributors have published in Birmingham Poetry Review, Glimmer Train, Alaska Quarterly Review, Witness, and The Missouri Review; they have been anthologized in Best American Short Stories, The O. Henry Prize Stories, and Best American Travel WritingThe Fourth River Online uses the same editorial staff and guidelines as the print version, and we look forward to providing contributor interviews and features on the site’s front page.

The Fourth River Online accepts unpublished poetry, literary short fiction, and creative nonfiction. Please send up to three poems or one prose piece up to 4,000 words.

  • Reading Period: November 30-March 31, 2010
  • We accept simultaneous submissions if indicated on the cover letter; please let us know immediately if a piece is accepted elsewhere.
  • The Fourth River Online website goes live in the summer of 2011
  • We do not publish writing for children or Young Adult audiences

Submission Address: 4thriversubmissions@gmail.com

Please attach all submissions as Microsoft Word or PDF documents.  Poems can be in a single document.  Include the cover letter in the document itself.

Please indicate your name, genre, and title in the email subject line.  For example, John Smith’s short story “Red Bird” would appear as “Smith, fiction, “Red Bird.”Fourth River Submissions!

We look forward to reading your work!