Salvatore Pane

Tag: Black Warrior Review

Temple of Doom and Shit

Howdy, folks. Put up a new post at PANK in response to a reading at AWP way back in March. It’s all about what you want your writing to be like. And Temple of Doom. Beacuase, you know, Temple of Doom and shit.

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An Online Panel on Literary Journals (Part 1 of 3): Huh? What? Stop.

I just returned home from Denver and AWP late last night. I’m still collecting my thoughts and trying to wrap my mind around the event, and I’m not sure if I’ll make a proper post. In case I do, I don’t want to spoil the good material now. In case I don’t, highlights include: drinking with Kirk Nessett and his dog, meeting Justin Taylor and Roxane Gay, meeting two separate people who actually referenced entries on this blog, an awesome poetry reading in honor of Black Warrior Review, and great readings and panels all around.

Aside from that, this post will have nothing to do with AWP. Instead, I’m going to do my own online panel. So if you missed the shenanigans in Denver, dear readers, worry not. For awhile now, I’ve wanted to say something about literary journals. Not THE STATE OF THE LITERARY JOURNAL (I’ve already done that), but how one goes about submitting, choosing where to submit, publishing, and all the other difficulties that come with lit mags. Obviously, with only three journal pubs under my belt, I am no expert. So I’ve enlisted the help of two University of Pittsburgh MFA alumnus, Robert Yune and Adam Reger. Between the three of us, we’ve  published in different enough places (and have different enough methods) to be of use to the general reader/aspiring writer. Robert will be guest blogging the next entry later in the week, and Adam will follow after that. But for now, you’re stuck with this guy (I promise, this won’t take long).

I used to be the Fiction Editor of Hot Metal Bridge, and it was always very apparent to me when a submitter had never read our journal in their life. Our publishing tastes were quite eclectic at HMB, and we had no problem running flash fiction from an emerging writer about an obscure Tick henchman alongside a novel excerpt from the wonderful Dan Chaon. That being said, we still wanted fiction. Sometimes I received poetry. Sometimes I received scripts. The point is to read the journal you’re submitting to. And that doesn’t just mean figuring out what genres are allowed. HMB always published a wide variety of genres but not all journals are like that. You wouldn’t send the same piece to Ploughshares that you’d send to Electric Literature. One specializes in realistic fiction, and one clearly does not. Get a taste for what the journal you’re submitting to publishes. Do that and you’re already a leg up.

Ok. Ok. I hear you. Everybody knows that. Fine, assholes. What about Duotrope? I’ve been using Duotrope for about four years (I began submitting to the Colorado Review when I should have been submitting to Nowhere), and it’s a fantastic resource for any writer serious about submitting. It tracks all your submissions so you never get confused about when or where you’ve sent stuff out. That’s the part most people know. But what it’s even better for is finding journals. It has entries for every journal you can think of along with acceptance/rejection rates from the Duotrope community. Also, there’s fantastic statistics for ever journal. For example, under Weave, it says that people who submitted there also sent to Caketrain and PANK among others. It also says that people who successfully published in Weave, also published in Night Train and The Collagist. This is invaluable for many reasons.

First off, this gives you a good idea of what other journals to look at. Let’s say you love Flatmancrooked but don’t know where else to submit. Cruise on over to their Duotrope listing and see where else people who’ve submitted there have sent to. Then pick up some of those magazines. Similarly, these listings give you an idea about your current foothold in the literary world. If you can’t get into One Story no matter how many times you’ve tried, why not pick a journal a successful writer published in before they landed One Story? This, my friends, is called coming down the totem pole.

Speaking of totem poles, I know Robert and Adam are going to discuss their methods, so let me get mine out of the way. When I complete a story, I sit on it for awhile, maybe a month, then submit to 8-10 journals. These are usually reaches, but I’ll send some to places I think I have a solid chance with (but to be brutally honest, in the world of lit journals, they’re all reaches).  If the story is rejected 10 times, I give it 10 more chances. After 20 rejections, it’s retired. I’m going to go full disclosure with my stats now, so brace yourself. Right this second, I have 30 submissions floating out there somewhere in the ether. The earliest was sent July 16, 2009; I sent the latest yesterday morning. You have to be a machine when it comes to submitting. You have to be relentless. And you cannot take rejection personally. Alongside those 30 “pending responses” are 3 acceptances and a staggering 147 rejections. That means my acceptance ratio is 2.5%.

2.5%!!!!

Is there anything more depressing than 2.5%? Yes. Yes there is. Every time I sign onto Duotrope I’m greeted with this message: “Congratulations! Your overall acceptance ratio is higher than the average for users who have submitted to the same markets.”

HOLY SHIT! That means I’m winning. That means getting rejected 97.5% of the time is seen as some type of victory to Duotrope. These are the odds we’re up against, and it’s crucial you’re absolutely honest with yourself before you begin this process. Is your work ready for publication? Does it meet the quality of your desired publications? But most importantly, can you handle the rejection? Because like death and taxes, that’s one thing certain for every writer: rejection, a shit ton of it, 97.5% to be exact.

Salvatore Pane’s Guide to AWP Part 2: The Off-Site Events

Last time when I discussed AWP, I focused mainly on general pointers and the long list of panels I hoped to attend. What I didn’t cover were the off-site events. Usually, these events are put on by lit journals and have a much more laid back feel than the official AWP panels. They usually take place at night after most of the official AWP events are over, and sometimes they’re even held in bars or during happy hour. Below you’ll find a list of events I find most interesting. It’s clearly not an all-conclusive list, and once again I haven’t covered Saturday as I’ll sadly be on a flight returning to Pittsburgh.

Throughout the Conference

Museum Of Contemporary Art
Location: 1485 Delgany, Denver Co 80202; 303.298.7554
Cost: $5 admission for all attendees and participants in the AWP conference
Website: http://www.mcadenver.org
MCA DENVER is an activator, content provider and immediate research vehicle of culture in the making—a museum without a front door—a place for public engagement. MCA DENVER has five distinct galleries, three spaces for education, multiple sites for special projects/commissioned works and one live art/lecture hall. MCA DENVER excites artists and visitors alike to enter into creative conversations that extend beyond our walls.

A world class museum for five bucks? It’s hard to turn down this one when it’s open to AWP attendees during the entire convention. After 72 hours of straight literary discussion, you may need some type of deviation to recharge your batteries.

Wednesday

4:00PM-8:30PM DoubleCross Press, Lame House Press,and Slash Pine Press Presents A Poetry Marathon
Location: Rackhouse Pub, 208 S. Kalamath St.
Cost: None
Website: http://www.slashpinepress.com/awp/
Whether for a happy hour of local microbrews, a good pub dinner, or the entire four+ hour reading, our presses invite you to the work of over thirty poets. Readers include Abraham Smith, Kate Greenstreet, Malachai Black, John Dermot Woods, Anne Shaw, Jen Tynes, Farrah Field, Gina Myers/Nate Pritts, Matt Hart, Claire Becker, Matt Rasmussen, Brian Oliu, MC Hyland, Nathan Hauke, Dolly Lemke, francine j. harris, among others. 8 minute drive or 20 minutes by light rail + walking.

This one’s a bit of a trek, but I appreciate that it gives people arriving on Wednesday–such as myself–something to do. Plus, the allure of Denver “microbews [and] a good pub dinner” might be too much for me to turn down.

7:00PM-10:00PM AHSAHTA / OMNIDAWN READING
Location: The Magnolia Hotel Ballroom, 17th & Stout (Only 3 blocks from the Colorado Convention Center.)
Cost: No charge for the event.
Please join Ahsahta Press and Omnidawn Publishing for a reading. The readers will be: Christopher Arigo, Susan Briante, Dan Beachy-Quick, Maxine Chernoff & Paul Hoover, Gillian Conoley, Ben Doller, Lisa Fishman, Noah Eli Gordon, Richard Greenfield, Janet Holmes, Hank Lazer, Laura Moriarty, Rusty Morrison, G.E. Patterson, Craig Santos Perez, Bin Ramke, Don Revell, Elizabeth Robinson, Heather Sellers, Heidi Lynn Staples, Michelle Taransky.

This one’s a lot closer to the conference and a great opportunity to catch an event by Ahsahta, one of the major poetry publishers in the country.

7:00PM-9:00PM COUNTERPATH BOOKS / DRUNKEN BOAT / GUERNICA / PERSEA BOOKS / POOL PERFORMANCE
Location: Dikeou Collection, 1615 California St., Suite 515, Denver, CO 80202; 303.623.3001
Website: http://www.dikeoucollection.com
Join five of the most innovative journals and literary publishers showcasing their contributors in multiple genres, including fiction, poetry, creative nonfiction and video installation. Performers include Laird Hunt, Steve Katz, Alexander Chee, Susan Taylor Chehak, Elizabeth Kadetsky, Irina Reyn, Robin Beth Schaer, Dean Rader, Karen Holman, Elizabeth Bradfield and Dylan Landis. Free and open to the public, and only minutes from the conference hotel.

This one’s a no-brainer for me. I love most of the hosts of the event, and Irina Reyn has really been an instrumental help to me as I’ve worked on my book. Plus, Elizabeth Kadetsky–former Pitt faculty–will be reading along with a performance by Peter Yumi, a musician I had the chance to see collaborate with poet Karla Kelsey in Selinsgrove, Pennsylvania. This one should be epic.

8:00PM-11:00PM Cave Canem/Kundiman Reading & Salon
Location: Mercury Cafe, 2199 California Street, Denver, CO 80205; (303) 294-9281
Cost: $3 suggested donation — to benefit Cave Canem & Kundiman (no one turned away for lack of funds)
Website: http://www.facebook.com/event.php?eid=474228325544&ref=ss
Join the Cave Canem & Kundiman Families for a Reading Featuring Toi Derricotte, Sarah Gambito, Cornelius Eady, Oliver de la Paz, Dawn Lundy Martin & Kazim Ali + a salon featuring Cave Canem and Kundiman fellows & family (bring a poem to share!)  Emceed by Ching-In Chen & Tara Betts.

Toi Derricotte is another Pitt faculty member, so if Cave Canem is your thing, definitely check this one out.

Thursday

5:30PM-7:30PM Prairie Schooner “Baby Boomer” Reading
Location: Common Grounds Downtown Coffee, 1550 17th St, Denver, CO
Cost: Free
A group reading by contributors to the special “Boomer” Issue of Prairie Schooner.  Readers include: Hilde Weisert, Robert E. Wood, Harriet Millan, Marilyn Kallet, Paul Lisicky, Maureen Seaton, Stephen Gibson, A.E. Stringer, Sharon Dolin, Julie Kane, Annie Finch, Edward Falco, Michael Waters, Kate Sontag, Robin Becker, Susan Aizenberg, Charles Harper Webb, Ellen Doré Watson, Toi Derricotte, Dorothy Barresi, Donald Morrill, Christopher Howell, Ray Amorosi, Albert Goldbarth, Bill Lavender, and Marianne Boruch.

Who doesn’t love Prairie Schooner? Who doesn’t want another chance to see Toi Derricotte if they missed her the night before? Another great aspect of this event is the time. It’s one of the earliest off-site events on Thursday, so if you just absolutely have to get away from the conference, this one may be your best bet.

7:00PM-8:30PM Born Magazine @ Gypsy House
Location: Gypsy House Café, located at 1279 Marion Street (on the corner of 13th and Marion) Denver, CO 80218
Cost: Free
Born Magazine and the Gypsy House Reading Series present an evening of experimental writer-artist collaborations on Thursday, April 8th from 7–8:30 PM at the Gypsy House Café. Please join us for a screening of Born projects, with readings by Ander Monson, Monica Drake, Esther Lee, Emma Ramey, Keetje Kuipers, and Thomas Crofts.

A free to the public event featuring “experimental writer-artist collaborations”. Could prove very interesting and worthy of your time.

7:00PM FC2 Flash Reading
Location: Dikeou Collection, 1615 California St, Suite 515, Denver, CO 80202
Matt Roberson, Rob Stephenson, Steve Katz, Vanessa Place, Lynn Kilpatrick, Yuriy Tarnawsky, Susan Steinberg, Brian Evenson, Brian Kiteley, Cris Mazza, Debra Di Blasi, Lance Olsen, Jan Ramjerdi, Steve Gutierrez, Lidia Yuknavitch, Jeffrey DeShell, Elisabeth Sheffield

I couldn’t find much information about what exactly FC2 Flash is, but I’m imagining with the number of participants–and some of the familiar names–that it’s some kind of flash fiction reading. A favorite genre of mine, I’ll definitely try and make it to this one. If anyone knows exactly what this is, please leave info in the comments.

7:00PM Northwestern University Press / &NOW Books / Artifice Magazine Reading
Location: The Celtic Tavern, 1801 Blake St, Denver, CO 80202
Cost: None
Website:http://www.artificemag.com/events
Join Northwestern University Press, &Now Books, and Artifice Magazine for an evening of readings. Three imprints at different ages showcase authors writing at the frontier of contemporary literature.

I’m a big fan of Artifice so you can be certain I’ll be checking this one out.

7:30PM DOGZPANK
Location: Forest Room 5
Cost: Free
Website: http://www.pankmagazine.com/pankblog/?p=2080
Short fiction reading comprised of joint DOGZPLOT and PANK contributors: Aaron Burch, Anne Valente, Beth Thomas, Tim Jones-Yelvington, Matt Bell, JA Tyler, Erin Fitzgerald, Molly Gaudry, Kathy Fish, Angi Becker Stevens, Matt Salesses, Pedro Ponce.

Damn is this a packed time slot. I really enjoy DOZPLOT and PANK–I’m doing book reviews for PANK now too–and would love to catch a Matt Bell reading after missing him at Modern Formations in Pittsburgh due to work.

7:30PM-9:30PM Publication Party and Reading
Location: Mercury Cafe, 2199 California Street, Denver
Website: http://www.amazon.com/Its-Not-You-Me-Breakup/dp/1590202821/
Publication party and reading for the anthology It’s Not You, It’s Me: The Poetry of Break Up. Featuring Patricia Smith, Kim Addonizio, Jerry Williams, Angela Ball, Kevin Prufer, Martha Rhodes, and others.

It’s getting worse and worse. Kim Addonizio is easily one of my favorite working poets. This will be my first real chance to catch her read, so I really want to try and make it to this one too. It looks like some serious sacrifices are going to have to be made.

8:00PM-10:00PM A Magazine Party: Colorado Review, The Normal School, Denver Quarterly, The Pinch
Location: Wazee Supper Club, 1600 15th Street
Cost: cash bar and apps
Website: http://www.wazeesupperclub.com
Come celebrate with some of your favorite magazines.

Colorado Review? Denver Quarterly?! Come on 7-9 time slot!

9:30PM TypewriterGirls Poetry Cabaret
Location: Mercury Cafe 2199 California St, Denver CO
Website: http://www.typewritergirls.net
The TypewriterGirls’ Dada-bred performances are collage-work theatre formed from sketch comedy, poetry, music, whiskey games, collaborative writing, burlesque, and a little magic. In essence, they strive to embody the Comte de Lautréamont’s creed “poetry must be made by all” with a play and a dance party. This event will feature some of Denver’s finest poets and performers.

This one is notable because it’s hosted by the TypewriterGirls, a cool little outfit based in Pittsburgh that puts out Weave. Definitely worth your time.

10:30PM-1:00AM Genres and Generations
Location: Dazzle Restaurant and Lounge, 930 Lincoln St, Denver, CO 80203; 303.839.5100
Cost: Free Event- No Passes Required
Website: http://www.dazzlejazz.com
Genres and Generations is featuring Tarpaulin Sky, Fact-Simile, Monkey Puzzle Press, Fast Forward, Bombay Gin, and Zero Ducats. These presses publish genres that span generations of crafting to genres that have yet to be. Please join us for a wonderful evening of literary collaboration.

This one sounds like a good late-night event, and I’m assuming there will be booze , always a plus.

Friday

3:00PM- 4:30PM DENVER QUARTERLY Reading and Publication Celebration
Location: The Dikeou Collection, located in Downtown Denver: The Colorado Building, 1615 California Street (at 16th Street), Suite 515, Denver, CO 80202 (Only a two-block-walk from the Colorado Convention Center.)
Cost: There will be free wine and snacks, and no charge for the event.
Please join the Denver Quarterly and Coach House Press for a reading on Friday, April 9th, from 3-6pm at The Dikeou Collection. Featuring: Dan Beachy-Quick, Julie Carr, Malinda Markham, Martha Ronk, Cole Swensen, Brian Teare

A particularly early event and a chance to catch a Denver Quarterly shindig if you missed the one on Thursday.

4:00PM- 6:00PM failbetter.com’s 10th anniversary
Location: Mercury Cafe, 2199 California Street, Denver
Cost: No cover, cash bar
failbetter.com celebrates its 10th anniversary with a cocktail party and reading, featuring: Sherman ALEXIE, Michael MARTONE, Terese SVOBODA

Uh… did you look at who’s reading?

5:00PM- 7:00PM Black Warrior Review / Blue Hour Press Reading
Location: Mario’s Double Daughter’s Salotto, 1632 Market St, Denver, CO 80202
Cost: Free
Website: http://bwr.ua.edu/ & http://www.bluehourpress.com/
Start off your evening of off-site events at Double Daughter’s (just an eight-block walk or free bus ride), where ten readers will share the work they’ve published in the physical pages of Black Warrior Review and the digital pages of Blue Hour Press: Christopher Cheney, Miriam Cohen, Shanna Compton, Nick Courtright, John Gallaher, James Grinwis, Emily Kendal Frey, Brian Kubarycz, Sabrina Orah Mark, and Alexis Orgera.

A couple things to say about this one. First off, it’s hosted at Mario’s Double Daughter’s Salotto. I can’t even imagine what that is, so needless to say my curiosity is piqued. Secondly, I love, love, love Black Warrior Review. It’s one of my perennial lit journal subscriptions.

7:00PM-10:00PM Creative Nonfiction Launch Party & MFA Program-Off Reading
Location: The Shag Lounge, 830 15th Street, Denver, CO
Cost: FREE
Website: http://www.creativenonfiction.org
After a long day at the conference, come relax with Creative Nonfiction and listen to readings from the finalists and winner of the MFA Program-Off Contest. Off-site event, but only three blocks from the convention center. Free copies of the newly redesigned CNF magazine, plus plenty of cheap drinks for all in attendance.

CNF is a Pitt MFA related publication, so I have to give it some hype here. If you’ve never read the journal, you might as well come out, get some cheap drinks and a free copy of the magazine.

7:30PM-9:30PM Barbed Wire Reading Series
Location: Michelangelo’s Coffee and Wine Bar, 1 Broadway Suite B
Cost: No cover * Half price bottles of wine
The International Reading Series! Come hear the literary work of artists from Denver, the Southwest, Latin America, and the Deep South at the long-running, multi-genre Barbed Wire Reading Series. In 2004, Barbed Wire was birthed from the University of Texas at El Paso bilingual MFA program, where it continues to the present. It spread to the University of Alabama in 2007.  MCed by Denver’s own Trent Hudley, and Kevin Brown of the University of Alabama.
*In keeping with the tradition of the Barbed Wire series in Tuscaloosa, AL, Michelangelo’s will be offering half price bottles of wine especially and exclusively for the  Barbed Wire event.

I don’t know a thing about this event other than the half-priced bottles of wine. That’s all I need to know.