Salvatore Pane

Tag: Amazon

The Publishing Industry Is (Still) Dying According to the Voice Actor Behind Odin on Disney’s “Hercules” Cartoon Show (Not the Movie)

It seems that every few months some old white guy has to comment about the end of literary journals or the publishing industry. One of my first posts on this blog mentioned just such an article and gave copious examples of why this is simply not true. But who needs examples or those pesky little things called facts and statistics? Garrison Keillor, a contributor to The New Yorker and host of some Minnesota radio show, wrote an op-ed today in The New York Times about how the publishing industry “is about to slide into the sea.” His reasoning for this? Well, as far as I can tell his daughter really likes the internet and he got invited to a Tribeca publishing party filled with “authors and agents and editors and elegant young women in little black dresses” (I guess “elegant young women in little (?) black dresses” can’t be authors, agents or editors).

Nothing infuriates me more than this type of article. Keillor never gives us any facts or stats to back up any of his opinions; he just makes vague allusions to the internet, Barack Obama, self-publishing and Amazon. Then he ends on, predictably, a story about what he literally refers to as “the Old Era” (his caps not mine). Keillor wistfully tell us, “I am an author who used to type a book manuscript on a manual typewriter. Yes, I did. And mailed it to a New York publisher in a big manila envelope with actual postage stamps on it.”

Holy fucking shit! A typewriter! If only I could introduce him to just about every hipster I know (they almost all have typewriter collections). And a manila envelope?! Wow. I can’t even believe it. The difference between that and an e-mail is light years apart. I mean, they’re not even remotely the same. Because one is in a manila envelope and one is not. Wow.


And of course, every young writer in the nation took turns swiping Keillor over Twitter. So many joined in the fray that Flavorwire actually posted a round-up citing Maud Newton and Colleen Lindsay (follow her twitter; she’s pretty funny) among others. The fact that this rallied the troops within a few hours of the op-ed obviously proves Keillor’s point that nobody cares about books anymore and authors are doomed to make “$1.75” for the rest of their lives.


Optimism in a Digital Age

A few days ago, I watched a panel from the Brooklyn Book Festival entitled “Literature in a Digital Age”. Check it out here. My thoughts are kind of scrambled considering it’s Super Bowl Sunday and that Pittsburgh, where I live, is just now emerging from a twenty-two inch blizzard in which a tree fell outside of my house and missed my car (a prestigious 1997 Saturn SL 2) by just a few yards. With that in mind, I’m going to distribute some opinions via the bullet.

  • THE FUTURE OF THE BOOK! Maud Newton, the venerable blogger and novelist, is clearly the most invested party among the panelists concerning the evolution of what exactly will constitute a book in the future. She’s filled with an optimism that is quite refreshing considering all the doom and gloom we’ve been hearing for years on end from major publishers. As I mentioned in two earlier posts, alternative avenues are rising up to replace the literary gatekeepers of old. Electric Literature stands as one of the lit mag’s great new hopes for the future, and as the major publishers announce “no new acquisitions”, university presses and indies rally around writers of literary fiction. Newton brought up the possibility of Sony, Amazon and especially Google becoming the major publishers of this century, and that shift promises a sea change (and a slew of new opportunities for writers) for how we look at writing in the future. Oh, yeah, and there’s that whole iPad thing.
  • Class Issues. John Freeman, Editor of Granta, brings up the hornets’ nest of class differences when he mentions how eReaders will fundamentally change the price of books. In the past, anyone who wanted to read could do so for free with a library card or twelve dollars for a paperback. Not any longer when the average eReader is well over a hundred dollars. Doesn’t that remove an inherent element of democratization from American letters? None of the panelists wanted to really discuss this issue, and I’ll be interested when Maud Newton comes to Pittsburgh this week to hear her thoughts on the subject.
  • The bookshelf as death. The panelists described bookshelves as a metaphor for death (basically, if you have a lot of unread books in your collection, you only have so much time before you die to read them). Interesting point but there’s not much you can really do with that observation. Ok. Is that metaphor altered in any fundamental way by PDF books or eReaders? I’m not sure. I’m not even sure if it matters. Just an intriguing tangent that caught my eye.
  • Some of the panelists lament the fact that nowadays authors have to become public personas in order to sell their books, i.e. they have to have blogs and post on Twitter. Some of the panelists fear this will be deeply detrimental to future books, but Maud Newton doesn’t think so and neither do I. Isn’t the act of writing for mass consumption an inherently public act? In an age where everyone has Facebook profiles and YouTube videos, trying to become famous is now an integral part of global culture. Isn’t it the duty of writers to grapple with modern issues? And what better way to write about these themes than actually experience them firsthand? I detected a bit of stodginess on the panel’s part during this section.
  • Speaking of stodginess, what was up with the nostalgic reverence for all those “experimental” writers of the 1960’s? Very odd references that came off as pure crankiness. The great works of the past are great works, but to say that no one today is doing work on the same level of the drug-addled ’60’s crowd is a bit much for this millennial to swallow.
  • How about all those hipsters? Every time the camera panned the audience I thought they had cut away to the Pitchfork Music Festival. Yeesh.
  • I’m getting off topic but what the hell. As long as we’re on the subject of hipsters, check out this interview with Tao Lin. A friend of mine from Boston pulled out this tasty quote: “My target demographics include hipsters, depressed teenagers, depressed vegans, happy but sensitive teenagers, people of any age who are severely detached from reality, Europeans, all college students, and I think sarcastic vegans.” Yuck! I only stumbled onto the interview because Lin’s new book is named Richard Yates after my all-time favorite author, but regardless of your thoughts on Lin, few can deny that he represents a new breed of author. He’s super-young and a whiz at self-promotion. He recently even sold away his back end royalties for two-thousand dollar “endorsements”. Is a new literary Brat Pack that far away?
  • Finally, as a counter-point, I point you to Teddy Wayne.  I recently finished his novel Kapitoil for a review I’m doing over on BOMBlog and I absolutely loved it. More thoughts to come obviously, but this is the exact opposite of what I expected from a writer who frequently contributes to McSweeney’s and The Huffington Post. Kapitoil is a turning away from postmodern irony and a return to human emotion in a complex, globalized age. It comes highly recommended.