Salvatore Pane

Month: May, 2011

Enter This Contest/Get Cash Money

Last night I was boozin’ with Hot Metal Bridge Editor Steve Gillies (not to be confused with Dzanc’s Steven Gillis) at the Pittsburgh Noir launch, and he was practically crying into his glass, begging everybody at the table to tell people about HMB‘s summer contests. So, directly from their site:

“Attention poets, fiction and non-fiction writers!  There is just over a week to enter our summer writing contests in all genres with deadlines approaching on June 1st. One winner and one runner up will be chosen from each genre. Winner will receive $50, publication in the ‘Best of Hot Metal Bridge‘ print edition forthcoming this summer, and two contributor copies of said print edition. Go here for the details and to submit.”

I highly encourage everyone reading to enter this. As you may know, I was once an editor at Hot Metal Bridge along with Geoff Peck, and we put together a pretty cool fiction contest (read the winner here). So friends, check this shit out. The judges are Allison Amend, Peter Trachtenberg, and Kate Northrop.  Win that money!

Advertisements

PGH Lit Events Or Take Hits From The ’80’s/Does It Sound So Crazy?

The Pittsburgh Noir launch event is happening tonight! I’m really excited about this book. For one thing, Pittsburgh is such an awesome setting (god knows I’ve used it enough), but I’m really most stoked about the authors. I’m a diehard Stewart O’Nan acolyte, and I’m very much a fan of poet and former Pitt MFA grad Terrance Hayes. And the indie lit world will be represented by everybody’s favorite Ohioan, Aubrey Hirsch.

The launch party starts tonight at Cantina (one of my favorite summertime bars; awesome outdoor seating and great Mexican food) down on Butler Street at 7 o’ clock. No cover. And there’s going to be a host of readers. It’s sponsored by the New Yinzer which has really stepped up its game filling the void left behind by Gist Street. Hope to see everybody there.

The Summer of Third Person

Third person doesn’t come easy to me. I’ve always written, or at least, I can’t remember a time in my life when I didn’t write–my favorite “toys” as a kid aside from my Nintendo were my collection of notebooks where I’d write novel after novel, most of them bad continuations of video game plots. But like lots of idiots and jerks, I didn’t SET OUT TO BE A WRITER OR WHATEVER until after I finished Cather in the Rye in high school and thought, shit yeah, I want to do what this Salinger dude did right here. So I saved up money from my job in the mall at KB Toys and I spent a week that summer at Susquehanna’s Writers Camp where I met Tom Bailey and Gary Fincke and that pretty much put me on the path that led to SU and then Pitt and then teaching. And in those early years, I mostly wrote first person stories. Pieces that aped whatever writers I was biggest on at the time, be it Ray Carver or Richard Yates or Bobbie Ann Mason or DJ Pancake or whoever.

In grad school, I attempted a third person novel during the summer between my first and second years. This was back in 2008 I guess, and I’ve referred to it a few times on this blog, and it’s pretty much the most terrible thing anyone has ever written ever. If I ever get too cocky–which is frequent because I have a monster ego–I open that file on my computer and am reduced to protoplasm by just how bad practically every piece of it is. Cathy Day will now tell you otherwise (and I love her for that), but at the time, when she was reading what was most likely the 85th draft of that beast of a book a few weeks before my second year of grad school came to a close, she suggested that I just start fresh and write something closer to my own experience, closer to the kind of ludicrous first person voice I was then using on overindulgent facebook photo albums.

So I followed her advice and for the next two years worked on Last Call in the City of Bridges, formerly The Collected Works of the Digital Narcissist, formerly The Digital Graveyard, a first person novel. So that’s done. And it got me an agent, the super smart Jenni Ferarri-Adler, and it’s pretty obvious to me that Last Call is the wellspring from which everything good in my life has emerged from if that makes any kind of sense at all.

At this point in my life, my development I guess, I feel like I can handle first person, or at least a very specific breed of first-person fairly well. I understand how it works and how to manipulate it. But during the revision process of the novel–pretty much the entirety of 2010 and a few months immediately before and afterward–I really wanted to spend some time trying to master third person, to add another tool to my writerly toolbelt. I attempted this through short stories.

Here, here, here, here, and here. These are the most successful ones though there is still a ton of room for improvement–like there always is. But I really wanted to use short stories during this period as a time to develop a third person voice with the idea in the back of my mind that once Last Call in the City of Bridges was truly finished and sent off to publishers, I could begin a third person novel.

Finally, that time is here. And I’m really happy to say that I am in a new novel, that I’m past the 50 page mark–I’m superstitious about novels and won’t even admit I’m doing one until it’s past that mark, otherwise I’m afraid I’ll jinx the whole thing. And it’s in third person! That’s not to say that everything’s great. I’m pretty good at keeping to a schedule where I write every day 9-12 or so and then edit in the afternoons, and often there are times when I’ll reread what I’ve written and just feel like every paragraph, every description, every sentence, every word is dead, dead, dead. But then there are times when I feel like I’m onto something, when I sense that flicker of a heartbeat that this book, this thing is growing with strength even though I’ve abandoned a mode of writing–first person again–that I feel so utterly comfortable with.

Recently, I came to a decision that for the rest of the summer–and maybe even awhile afterward–I’m only going to read third person novels. I’ve just finished Dan Chaon’s Await Your Reply and I’m planning on Roth’s Sabbath’s Theater and then Egan’s A Visit From the Good Squad next (I know it’s not all third but I really want to read it). There are some collections I’ve agreed to read this summer for review purposes, and I’ll do those too, cheat a bit I guess. But this all kind of goes back to being superstitious about novels. I don’t want to read any first person while I’m in this book. I don’t want to disrupt the third person sensibility in my head that for me is so difficult to cultivate and maintain. But what I’m really curious about is if anyone else does weird crap like this? Do you ever avoid books that are totally unlike what you’re working on right that minute? Or are most writers the opposite, are you trying to get out of your own head/world when you’re reading? Secondly, third person novels! Recommend that shit to me. I always keep a big reading list on my computer but a lot of that is currently null-and-void thanks to the temporary first person/second person/short story ban. Tell me what I need, damn it!

Download the Tuscaloosa eBook

I meant to post about this yesterday. My pal Brian Oliu has put together an eBook of Tuscaloosa writers in the wake of the natural disaster which ravaged the Alabama town. You need to download Tuscaloosa Runs This. There are a lot of writers you know (Michael Martone!) and a lot to discover. But more importantly, please consider donating. Links, roster, and cover below.

Download
View on Issuu
Donate

Featuring
Andrew Grace
Jason McCall
Matt Maki
Lauren Gail
Juan Carlos Reyes
Megan Paonessa
Jeremy Allan Hawkins
Caleb Johnson
Darren Demaree
Kori Hensell
Kate Lorenz
Pia Simone Garber
Ellie Isenhart
Joseph P. Wood
Laura Kochman
Madison Langston
B.J. Hollars
Barry Grass
Katie Jean Shinkle
Jessica Fordham Kidd
Alan May
Michael Martone
Erik Wennermark
Erin Lyndal Martin
Steven Casimer Kowalski
Sam Martone
Kirk Pinho
Colin Rafferty
Josh Tucker
Brooke Parks
Robin Mozer
Brooke Champagne
Alex Chambers
Chris Mink
Adam Weinstein
Nik De Dominic
Jessy Scivley
Elizabeth Wade
Danie Vollenweider
Farren Stanley
MC Hyland
Betsy Seymour

Review of Seth Fried’s The Great Frustration

Today The Rumpus published a review I wrote of Seth Fried’s hysterical The Great Frustration. Check it out.

Free Comic Book Day 2011

So most of the people who read this blog are probably from the literary world, and hey, that’s awesome. That’s my primary… world I guess. But I wanted to take some time to talk about another medium of fiction that is near and dear to my heart: comic books. Most indie lit writers/readers always come out to support indie bookstores, and I think it’s time that we recognize we have a cousin in arms in comic book stores. They’re all indie. And they might be dying on account of a host of factors (mostly the same ones plaguing the brick and mortar book stores). This Saturday is Free Comic Book Day, an event which I think has become the comic store’s best attempt at bringing in new readers. But what is Free Comic Book Day? Glad you asked!

Free Comic Book Day is exactly what it sounds like. You go to your comic store and get free comics. Not just any comics, but a whole host of comics prepared from the major publishers and the indies to try and hook in new readers. Most comic stores have other events as well. I’ll be at Phantom in the Attic in Pittsburgh this year, but last year I went to my childhood store, Comics in the Green in Scranton. They had face painting for the kids and a couple of artists and writers doing free signings for the adults. The local news team even dropped by. But what are some of the comics you can get for free? CHECK THIS SHIT OUT!

I’m a massive fan of Dan Slott’s Spider-Man and this is the perfect jumping on point. If you enjoyed the Spider-Man films, go to your local comic store and pick this issue up for free.

Ian Brill has been knocking his Darkwing Duck and Rescue Rangers series out of the park. If you have any nostalgia for Disney Afternoon, check out this book FOR FREE.

There’s a Green Lantern movie coming out. Read this and you’ll know who the character is. Plus, it leads into Flashpoint which is DC’s big summer event.

Remember The Dark Crystal? It’s back. In comic form! This one’s from Archaia and they always put out quality work. Recommended. I picked up their Fraggle Rock book for my goddaughter recently and she seemed to enjoy it.

It’s called Super Dinosaur and it’s written by Robert Kirkman, co-creator of The Walking Dead. What else do you people want?

I’ll admit I wasn’t on the Atomic Robo bandwagon when it first came out, but I was totally wrong. This book is hilarious. Bizarre science and wacky time travel. Did I mention it’s free?

There are these movies coming out. Captain America and Thor. Prepare yourself!

More people need to be going to Free Comic Book Day. You have nothing to lose. It’s free. Seriously, if you’ve ever even considered getting into comics now is the time. Pick the series you want to get into then take the free issue. It’s that simple. They tell you want to buy next. And if you do go, buy something (I recommend volume one of Ex Machina). Support your local comic stores or we’re not going to have a comics industry ten years down the road.

Oh! And you say you don’t know your local comic book store? BOOM! This site finds it for you.

Writing Routines

One question I was surprised so many students had for me this semester was how exactly I begin writing in the morning. We talked a bit about getting on a writing routine during workshops, but I knew how hard this was to do, especially in college when there’s so much going around you at any given minute and you’re so busy anyway. I didn’t have many good answers for them. “I don’t know,” I’d say. “I get up, and then I write. That’s pretty much it.” And I know that’s a luxury afforded to me by working at a university, but I don’t think that’s what they were getting after. I think they wanted a routine.

I’ve been thinking about this more and more now that the semester’s over, and I remembered being consumed by similar questions when I was an undergrad. I thought if I could just nail the right writing routine all my prose would shine. Andre Dubus III visited Susquehanna one time and said he read a poem, or a few pages from a short story, before he sat down to write. So I tried that for awhile back in college. I’d bring Among the Missing or the Collected Stories of Richard Yates or any of the Carver collections and read a few pages, make some notes, and then get started. But that never worked for me because I’d inevitably end up reading the rest of the story.

These days, my routine is far simpler. I wake up, I make coffee, I check e-mail, I drink coffee. When I’m a third of the way through the first cup, I begin. But actually, now that I think about it, there are two videos I watch before I really get going. It’s kind of interesting to me that I would never read a poem or short story now like Dubus does (I find it’s too distracting and influences my own prose too much), but I have no problem watching YouTube. I wonder if other writers do this, especially ones around my own age.

This video. THIS VIDEO! If I could get all my writing to feel like this I’d be set for life. It has this eerie quality. A sadness to it. From the music. But also there’s this nostalgia, the hyper cliches of American children. Then the robot at the end gives it this bizarre humor followed by the apocalyptic mushroom cloud. And of course, the Japanese announcer. So you can’t really get at the true meaning, you can only scratch at it. No crying until the end. Guaranteed masterpiece. I love this video. I love everything about this video. It mostly inspired this story I wrote up at Dark Sky.  And I still watch this video before I write, still remind myself that this is the tone I’m going after: the tone of a 1980’s Japanese Nintendo commercial. I can live with that.

Then there’s this:

This one immediately brings me back to childhood, to endless potential, to singing this song in the shower. Watching it now, there’s such an amazing mix of iconic American imagery–the constitution, Mount Rushmore, Lincoln, the Twin Towers–juxtaposed with utter nonsense–Hulk Hogan doing air guitar in front of the Statue of Liberty. Sometimes I watch this one, because if I can just hit that perfect note of sincerity mixed with an oh I was just kidding please don’t take this seriously attitude, I’d be set. Plus, the song just pumps me the fuck up.

So to sum up, Earthbound Zero and Hulk motherfucking Hogan. You’re welcome, reality.