Salvatore Pane

Tag: Dark Sky Magazine

Writing Routines

One question I was surprised so many students had for me this semester was how exactly I begin writing in the morning. We talked a bit about getting on a writing routine during workshops, but I knew how hard this was to do, especially in college when there’s so much going around you at any given minute and you’re so busy anyway. I didn’t have many good answers for them. “I don’t know,” I’d say. “I get up, and then I write. That’s pretty much it.” And I know that’s a luxury afforded to me by working at a university, but I don’t think that’s what they were getting after. I think they wanted a routine.

I’ve been thinking about this more and more now that the semester’s over, and I remembered being consumed by similar questions when I was an undergrad. I thought if I could just nail the right writing routine all my prose would shine. Andre Dubus III visited Susquehanna one time and said he read a poem, or a few pages from a short story, before he sat down to write. So I tried that for awhile back in college. I’d bring Among the Missing or the Collected Stories of Richard Yates or any of the Carver collections and read a few pages, make some notes, and then get started. But that never worked for me because I’d inevitably end up reading the rest of the story.

These days, my routine is far simpler. I wake up, I make coffee, I check e-mail, I drink coffee. When I’m a third of the way through the first cup, I begin. But actually, now that I think about it, there are two videos I watch before I really get going. It’s kind of interesting to me that I would never read a poem or short story now like Dubus does (I find it’s too distracting and influences my own prose too much), but I have no problem watching YouTube. I wonder if other writers do this, especially ones around my own age.

This video. THIS VIDEO! If I could get all my writing to feel like this I’d be set for life. It has this eerie quality. A sadness to it. From the music. But also there’s this nostalgia, the hyper cliches of American children. Then the robot at the end gives it this bizarre humor followed by the apocalyptic mushroom cloud. And of course, the Japanese announcer. So you can’t really get at the true meaning, you can only scratch at it. No crying until the end. Guaranteed masterpiece. I love this video. I love everything about this video. It mostly inspired this story I wrote up at Dark Sky.  And I still watch this video before I write, still remind myself that this is the tone I’m going after: the tone of a 1980’s Japanese Nintendo commercial. I can live with that.

Then there’s this:

This one immediately brings me back to childhood, to endless potential, to singing this song in the shower. Watching it now, there’s such an amazing mix of iconic American imagery–the constitution, Mount Rushmore, Lincoln, the Twin Towers–juxtaposed with utter nonsense–Hulk Hogan doing air guitar in front of the Statue of Liberty. Sometimes I watch this one, because if I can just hit that perfect note of sincerity mixed with an oh I was just kidding please don’t take this seriously attitude, I’d be set. Plus, the song just pumps me the fuck up.

So to sum up, Earthbound Zero and Hulk motherfucking Hogan. You’re welcome, reality.

It’s a Literary Podcast, Bitch!

Dark Sky Magazine just posted a new lit podcast recorded by myself, Robert Yune, Steve Gillies and Chris Lee. We talk Robert’s new story “Dear Katie” from The Wascana Review, Amber Sparks’ piece in DSM, and Nick Spencer and Chris Ward’s awesome comic Infinite Vacation.

Plus, there’s a running commentary for Weekend at Bernie’s II and an endurance run through Bit.Trip Runner for Wii.

Listen To Me Get Drunk And Yell

Have you ever wanted to hear me get drunk and talk LITERATURE? No? How about get drunk and talk LITERATURE with my pals and fellow writers David James Keaton, Steve Gillies and Christopher Lee? Check out our first podcast for Dark Sky Magazine where we cover Dave’s new novella “Zee Bee and Bee (A.K.A. Propeller Hats For the Dead)”. I also get really drunk and accost Dave for stealing every good idea I’ve ever had. It also works as a running commentary for the film Night of the Living Dead.

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