Course Sequences
by Salvatore Pane
Over the last month or so, I’ve tried really hard to blow up my workshop syllabus. Things were going really well, and I wasn’t motivated out of some fear that I wasn’t getting through to the students. I just wanted to keep things fresh for myself. I realize that you can’t let students graduate with a degree in creative writing without knowing about certain benchmark writers/stories/novels. But I think it’s healthy for teachers to switch up their course sequences so they don’t fall into the trap of making the same tired points about Tim O’Brien or Ray Carver or Joyce Carol Oates or whoever.
This semester, I’m teaching a multi-genre workshop for the first time which I’m really excited about. I’m pretty well versed in creative nonfiction, but I’ve never even taken a poetry class. I’m hoping to learn a lot as the semester goes on, much like last semester when I taught Written Professional Communications. I didn’t know much at the beginning about LinkedIn or CVs or resumes, but by the end I felt pretty comfortable.
Below are the two course sequences I’m using for my two workshop classes. The first is for Intro to Fiction at the University of Pittsburgh, and the second is Advanced Writing Workshop at Chatham University. Usually, I’d include the syllabi, but I’ve discussed them at length in earlier posts. I’ve made some modifications to my workshop syllabus this semester (most having to do with long form writing projects and genre fiction), but the core of the thing is intact. Let me know if you have any suggestions or if you’d like to share your own course sequences. I’m also interested in what other teachers are doing.
Course Sequence
Week One
Wed January 4
Syllabus
Introductions
Justin Taylor “Tetris” HANDOUT
Fri January 6
John Updike “A&P” 3X33
Lorrie Moore “How to Become a Writer” 3X33
Week Two
Mon January 9
Raymond Carver “Cathedral” 3X33
Alissa Nutting “Porn Star” COURSE DOCUMENTS
Wed January 11
Donald Barthelme “The School” 3X33
Etgar Keret “Fatso” COURSE DOCUMENTS
Roxane Gay “The Harder They Come” COURSE DOCUMENTS
Amelia Gray “Hair” COURSE DOCUMENTS
Fri January 13
Emma Straub “Pearls” COURSE DOCUMENTS
George Saunders “CivilWarLand in Bad Decline” 3X33
Week Three
Mon January 16
Class Cancelled Martin Luther King Day
Wed January 18
Joyce Carol Oates “Where Are You Going, Where Have You Been?” 3X33
Barry Hannah “Testimony of Pilot” 3X33
Friday January 20
Breece D’J Pancake “Trilobytes” COURSE DOCUMENTS
Patrick Somerville “The Universe in Miniature in Miniature” COURSE DOCUMENTS
Week Four
Monday January 23
Workshop 1
Workshop 2
Wed January 25
Workshop 3
Workshop 4
Fri January 27
Rick Moody “The Apocalyptic Commentary of Bob Paisner” 3X33
Week Five
Mon January 30
Workshop 5
Workshop 6
Wed February 1
Workshop 7
Workshop 8
Fri February 3
A.M. Homes “The Former First Lady and the Football Hero” COURSE DOCUMENTS
Week Six
Mon February 6
Workshop 9
Workshop 10
Wed February 8
Workshop 11
Workshop 12
Fri February 10
Ethan Canin “The Year of Getting to Know Us” COURSE DOCUMENTS
Week Seven
Mon February 13
Workshop 13
Workshop 14
Wed February 15
Workshop 15
Workshop 16
Fri February 17
Deborah Eisenberg “Twilight of the Superheroes” COURSE DOCUMENTS
Week Eight
Mon February 20
Workshop 17
Workshop 18
Wed February 22
Workshop 19
Brian Oliu “Gradius” COURSE DOCUMENTS
Brian Oliu “Punch-Out!!” COURSE DOCUMENTS
Brian Oliu “Wizards and Warriors” COURSE DOCUMENTS
xTx “Water is Thrown on the Witch” COURSE DOCUMENTS
xTx “Marci is Going to Shoot Up Meth With Her Friend” COURSE DOCUMENTS
Fri February 24
Matt Bell “His Last Great Gift” COURSE DOCUMENTS
Week Nine
Mon February 27
Richard Yates “The Best of Everything” 3X33
Tobias Wolff “Bullet in the Brain” 3X33
Wed February 29
Junot Diaz “Fiesta, 1980” 3X33
Andre Dubus “The Fat Girl” COURSE DOCUMENTS
Friday March 2
Don Lee “The Price of Eggs in China” COURSE DOCUMENTS
James Alan McPherson “Gold Coast” COURSE DOCUMENTS
Week Ten
Spring Break – No Classes
Week Eleven
Mon March 12
Workshop 1
Workshop 2
Wed March 14
Workshop 3
Workshop 4
Fri March 16
Seth Fried “Loeka Discovered” COURSE DOCUMENTS
Week Twelve
Mon March 19
Workshop 5
Workshop 6
Wed March 21
Workshop 7
Workshop 8
Fri March 23
Jonathan Lethem “Super Goat Man” COURSE DOCUMENTS
Week Thirteen
Mon March 26
Workshop 9
Workshop 10
Wed March 28
Workshop 11
Workshop 12
Fri March 30
Scott Snyder “Blue Yodel” COURSE DOCUMENTS
Week Fourteen
Mon April 2
Workshop 13
Workshop 14
Wed April 4
Workshop 15
Workshop 16
Fri April 6
Lorrie Moore “People Like That Are The Only People Here” 3X33
Week Fifteen
Mon April 9
Workshop 17
Workshop 18
Wed April 11
Workshop 19
TBA
Fri April 13
TBA
Week Sixteen
Monday April 16
Fiction Pod
Wednesday April 18
Fiction Pod
Friday April 20
Final Portfolios Due
Course Schedule
Week One
Wed January 4
Syllabus
Introductions
Justin Taylor “Tetris” HANDOUT
Nancy Krygowski “Heaven, As We Know It” The Autumn House Anthology
Writing Exercise (First Lines)
Week Two
Monday January 9
Kim Addonizio “Collapsing Poem/Onset/The Moment” The Autumn House Anthology
Lorrie Moore “How to Become a Writer” E-MAIL
Geoffrey Wolff from The Duke of Deception Modern American Memoirs
Wednesday January 11
Sheryl St. Germain “Addiction/Sestina for the Beloved/Bread Pudding with Whiskey Sauce” The Autumn House Anthology
John Updike “A&P” On Writing Short Stories
Sarah Vowell “Ike Was a Handsome Man” E-MAIL
Week Three
Monday January 16
Class Cancelled Martin Luther King Day
Wednesday January 18
Billy Collins “Consolation/Taking Off Emily Dickinson’s Clothes/Workshop” The Autumn House Anthology
Flash Fiction Tutorial Etgar Keret/Roxane Gay/xTx E-MAIL
Chuck Klosterman E-MAIL
Week Four
Monday January 23
Raymond Carver “Cathedral” On Writing Short Stories
Workshop 1
Wednesday January 25
Workshop 2
Workshop 3
Week Five
Monday January 30
Patrick Somerville “The Universe in Miniature in Miniature” E-MAIL
Workshop 4
Wednesday February 1
Workshop 5
Workshop 6
Week Six
Monday February 6
Tom Bissell “Grand Thefts” E-MAIL
Workshop 7
Wednesday February 8
Workshop 8
Workshop 9
Week Seven
Monday February 13
James Baldwin from Notes of a Native Son Modern American Memoirs
Workshop 10
Wednesday February 15
Workshop 11
Workshop 12
Week Eight
Monday February 20
Terrance Hayes “The Same City/Snow for Wallace Stevens/All the Way Live” The Autumn House Anthology
Workshop 13
Wednesday February 22
Workshop 14
Workshop 15
Week Nine
Monday February 27
Jim Daniels “Short-Order Cook/Where Else Can You Go” The Autumn House Anthology
A.M. Homes “The Former First Lady and the Football Hero” E-MAIL
Frank Conroy from Stop Time Modern American Memoirs
Wednesday February 29
Lynn Emmanuel “Dear Final Journey…/The Murder Writer/The Revolution” The Autumn House Anthology
Anton Chekhov “The Lady with the Pet Dog” On Writing Short Stories
Maxine Hong Kingston from The Warrior Woman Modern American Memoirs
Week Ten
Monday March 5
Toi Derricotte “Boy at the Patterson Falls/Bird/Not Forgotten” The Autumn House Anthology
Flannery O’Connor “Everything That Rises Must Converge” On Writing Short Stories
Zora Neale Hurston from Dust Tracks on a Road Modern American Memoirs
Wednesday March 7
Class Cancelled Spring Break
Week Eleven
Monday March 12
Class Cancelled Spring Break
Wednesday March 14
Workshop 1
Workshop 2
Week Twelve
Monday March 19
Alissa Nutting “Porn Star” E-MAIL
Workshop 3
Wednesday March 21
Workshop 4
Workshop 5
Week Thirteen
Monday March 26
Tobias Wolff “Bullet in the Brain” On Writing Short Stories
Workshop 6
Wednesday March 28
Workshop 7
Workshop 8
Week Fourteen
Monday April 2
Malcolm X from The Autobiography of Malcolm X Modern American Memoirs
Workshop 9
Wednesday April 4
Workshop 10
Workshop 11
Week Fifteen
Monday April 9
Workshop 12
Workshop 13
Wednesday April 11
Workshop 14
Workshop 15
Week Sixteen
Monday April 16
Writing Pod
Wednesday April 18
Writing Pod
Friday April 20
Final Portfolios Due

Just want to say that this looks awesome, Sal. I love that you incorporated so much super-new stuff. How could you have made our syllabus so lame in comparison?
Just kidding, obviously.
Thanks, Taylor. I appreciate that. Hope you’re having a good semester!
It’s a very impressive and familiar list. Those kids are going to have a good-to-great semester. I love how you mix the established classics with more modern stuff that’s probably closer to what students would be able to get published. I’ve never had a workshop where there wasn’t at least one kid who could be pressed to write a Scott Snyder story.